Free Updates
Navigation
Categories
| November, 2009 (41) |
| October, 2009 (42) |
| September, 2009 (43) |
| August, 2009 (52) |
| July, 2009 (30) |
| June, 2009 (25) |
| May, 2009 (20) |
| April, 2009 (29) |
| March, 2009 (38) |
| February, 2009 (22) |
| January, 2009 (26) |
| December, 2008 (12) |
| November, 2008 (15) |
| October, 2008 (12) |
| September, 2008 (13) |
| August, 2008 (23) |
| July, 2008 (17) |
| June, 2008 (23) |
| May, 2008 (20) |
| April, 2008 (18) |
| March, 2008 (22) |
| February, 2008 (26) |
| January, 2008 (23) |
| December, 2007 (13) |
| November, 2007 (13) |
| October, 2007 (24) |
| September, 2007 (13) |
| August, 2007 (35) |
| July, 2007 (38) |
| June, 2007 (33) |
Search
Archives
More Links
Agency Gatekeeper
A literary agent shares secrets. |
Agent in the Middle
Agent Lori Perkins blogs and tells all |
Ashley Grayson Agent Blog
From the Ashley Grayson Literary Agency |
| Association of Authors' Representatives |
Barbara Doyen's Articles Page
Agent Barbara Doyen shares her knowledge. |
Barry Goldblatt Literary
A blog from the whole agency. |
BookEnds Agent Blog
Agents from Bookends Literary blog |
Brenda Bowen
Agent Brenda Bowen's "Bunny Eat Bunny" kids writing blog. |
Cameron McClure
Cameron, with the Donald Maass Lit Agency, runs her "Book Cannibal" blog. |
Caren Johnson Literary Agency
The official CJLA blog |
Children's Writer's and Illustrator's Market Blog
This blog, run by Alice Pope, is a must-read for anyone writing in the juvenile market |
Chip MacGregor's Agent Blog
A Christian agent speaks |
Chuck's conference speaking schedule
See where Chuck will be presenting and when! |
Colleen Lindsay's Agent Blog
A new agent at FinePrint Literary blogs |
DHS Literary Blog
David Hale Smith's "Literary Show and Tell" blog. |
Diana Fox's Agent Blog
A literary agent talks publishing |
| Dystel & Goderich Agent Blog |
Eddie Schneider
An agent from JABberwocky Literary blogs. |
Elaine English Literary Agency Blog
A blog from the whole agency. |
F+W Bookstore
Buy Guide to Literary Agents and a bunch of other great WD Books. |
FinePrint Literary Management Blog
A blog from the whole agency. |
Folio Literary Management's Blog
All the agents chime in on this new blog |
Fresh Books Blog
An agency blog. |
Full Circle Literary's Blog
Agents from Full Circle Literary in California blog |
Girl Meets Book
Agent Jamie Brenner of Artists & Artisans blogs. |
Greenhouse Literary Blog
Agent Sarah Davies shares her thoughts and wisdom |
Hartline Literary Blog
A blog from the whole agency. |
Janet Reid
Agent Janet Reid of FinePrint Literary gives her two cents on anything and everything |
Jennifer Jackson's Agent Blog
An agent with the Donald Maass Literary Agency blogs |
Jenny Bent's Blog
From the founder of The Bent Agency. |
Jill Corcoran
A kids agent at the Herman Agency blogs. |
Joshua Bilmes Agent Blog
JABberwocky Literary Agency |
Kelly Mortimer
Agent Kelly Mortimer's "Perils of Publishing" blog. |
Ken Atchity
The president of AEI, a script and literary management co., blogs. |
Kid Lit
A blog by kids agent Mary Kole of the Andrea Brown Literary Agency |
Kimberly Cameron & Associates
A blog from the whole agency. |
Knight Agency Blog
Exactly what it sounds like |
Laurie McLean's Agent Blog
The "Agent Savant" blog |
Lit Soup (Jenny Rappaport's Agent Blog)
An agent at the L. Perkins Agency blogs |
Lucienne Diver's Agent Blog
A blog on "Authorial, Agently and Personal Ramblings." |
Lyons Literary Agent Blog
Agent Jonathan Lyons blogs |
MFA Confidential Blog
This new WD blog features Kate Monahan and all things about getting an MFA |
Miss Snark
No longer active, but this blog by anonymous agent Miss Snark still has oodles of priceless info in its archives |
Nathan Bransford
A popular blog from an agent at Curtis Brown in San Francisco |
Nephele Tempest's Agent Blog
An agent with the Knight Agency blogs |
Poetic Asides
A poetry blog from the editor of Writer's Market |
Promptly (Prompts Blog)
WD's own blog of writing prompts, run by magazine staffer Zac Petit |
Pub Rants
Kristin Nelson's Agent Blog |
| Publishers Marketplace |
Query Shark
Janet Reid's blog where she dissects query letters |
Questions and Quandaries Blog
WD staffer Brian A. Klems answers questions of all kinds |
Rachelle Gardner
A blog by an agent who specializes in Christian Writing |
Romantic Reads
Dorchester editor Leah Hultenschmidt blogs romance. |
Sara Crowe's Blog
An agent from Harvey Klinger blogs. |
Scott Eagan's Agent Blog
The great Greyhaus agent blogs away. |
Script Notes
A WD scriptwriting blog from Chad Gervich, TV producer |
Suzie Townsend
A new assistant agent at FinePrint Literary blogs. |
Terry Burns's Blog
An agent with Hartline Literary blogs. |
Terry Whalin's Blog
"The Writing Life," as told by a former editor and agent. |
The Buried Editor
A blog dedicated to juvenile writing (YA, middle grade, picture books) run by an editor at CBAY Books and Blooming Tree Press |
The Gail Ross Literary Agency
The agency blog. |
The Inside Pitch Screenwriting Blog
A Hollywood Executive Talks About Screenwriting |
The New Literary Agents
A few new literary agents share advice. |
| The Rejecter (Anonymous Agent) |
| The Shatzkin Files |
The Sound and the Furry
WD contributor Nancy Parish talks writing. |
There Are No Rules
Jane Friedman of Writer's Digest Books, talks about publishing trends and has interviews online |
Tracy Marchini
An agent from Curtis Brown, Ltd. blogs |
| United States Copyright Office |
Upstart Crow Blog
A blog from the whole agency at Upstart Crow Literary. |
Waxman Literary Agency
A blog from the whole agency. |
Wendy Sherman Associates Blog
Multiple agents blog. |
Writer Beware
A site dedicated to protecting writers from scams of all kinds - including unscrupulous agents |
Writer Unboxed
Primarily devoted to genre fiction, this site features plenty of interviews with industry pros |
Writer's Digest magazine
This big hub has tons of online articles from past issues of WD. Check out the revamped new site! |
Writer's Market
This pay site is our online database of listings (magazines, book publishers, agents, and everything else). It has more than 6,000 listings. |
Writers Online Workshops
Online writing courses are taught by WD staffers and contributors |
| Wylie Merrick Agency's Blog |
Zack Company Blog
Agent Andrew Zack blogs. |
|
 Tuesday, November 17, 2009
7 Things I've Learned So Far, by Mike Chen
Posted by Chuck
7 Things I've Learned So Far is a recurring column where writers at any stage of their career can talk about seven things I've learned on their writing journey that they wish they knew at the beginning. This installment is from writer Mike Chen.

1. You don't have to write from beginning to end. I know some writers that start a story at the very beginning and build and build upon it until they hit a wall ... and because they force themselves to write chronologically, the whole thing stops dead in its tracks for months. One of the best pieces of advice I ever got was the idea of mapping a rough outline with key scenes; when you get stuck, grab one of those pivotal moments and write it. You'll be surprised at how the different perspective can get you going again and it might even give you a new perspective on characters and events.
2. Extreme moments define characters. How does your character act when the world is collapsing upon her? Sometimes, we never know because we don't get that far. One lesson that's always stuck with me is that characters are defined by how they act in conflict. When I feel like a character isn’t working, I stop the manuscript. Instead, I throw the character into an extreme circumstance (either related to the plot or not) -- amp up the conflict and see what happens: how they react, how they choose, what their voices sound like. Whenever I start a new project, I do a bunch of these scenes to help me learn about my main characters before I throw them into 90,000 words.
3. Inspiration comes from everywhere. My crowning achievement in college creative writing was a satire on Hollywood and pop culture called How Brad Pitt and I Saved The World. The story came from sitting next to a Fed Ex truck at a red light, and I randomly thought, "Wouldn't it be funny if a celebrity was actually kidnapped in the back of the Fed Ex truck?" (which perhaps shows how twisted I am). Normally, these silly thoughts pass in and out of my head, but I decided to try and run with this one and it became a 20-page story for a class. To this day, I try to gather my random thoughts and apply them to a story whenever possible, even if they seem totally absurd. You never know what will work!
4. Even idiots have some valid points. I was once in a workshop group with the most stubborn, close-minded writer I'd ever met. He was writing historical fiction in a very, er, straightforward style (passive voice, no metaphors or imagery) ... and he wanted every writer in the group to write exactly like he did – even the woman who wrote obtuse literary fiction. I filtered out most of his comments, though he made the occasional interesting point. It took me a while to deconstruct it among all of the crap he threw out, but it pushed my characters in different and unique ways because his thinking was so different from mine. So even the most dense, unimaginative criticism is worth checking out.
5. Keep your influences close. When I hit the block -- and we all do -- one of my tricks is to re-read my primary influences. This isn't reading for pleasure; it's to examine pacing, structure, prose, point of view, all of the things that might open (or re-open) my creative drive. For me, that means keeping a copy of About a Boy and High Fidelity by Nick Hornby within reach and flipping to a random page whenever necessary.
6. Writing can heal the soul. Each of my stories means something different for me, but they've all helped me grow as a person. Sometimes, it's the exploration of wish fulfillment (Local Band explores the musical heights I'll never see, barring a miracle); other times, it can deal with more serious personal issues. In those cases, I find that writing from the perspective opposite of my real-life situation helps me understand the real world better -- and that more well-rounded perspective helps me think more creatively. It's a win-win situation.
7. Get writer friends who respect you enough to be critical. This one's a no-brainer, but I'm surprised at the amount of feedback I got in workshops where people offered a gentle, "I like it, it's good" and not much else. Fortunately, I've built a strong circle of writer friends that can provide criticism in an effective and respectful way. This goes for both fiction and nonfiction essays. I think some writers worry too much about hurting feelings, so they stay on the safer side of criticism. However, when respectfully done, constructive criticism can spark creative thoughts, solve plots points, or flesh out character quirks. It’s incredibly important to have those reliable people that can push you to be better.
7 Things I've Learned So Far
Tuesday, November 17, 2009 1:32:52 PM (Eastern Standard Time, UTC-05:00)
|
|
 Wednesday, November 04, 2009
7 Things I've Learned So Far, by Jessica Zelenko
Posted by Chuck
7 Things I've Learned So Far is a recurring column where writers at any stage of their career can talk about seven things I've learned on their writing journey that they wish they knew at the beginning. This installment is from Wyoming writer Jessica Zelenko.

Jessica Zelenko is a new writer living in Jackson Hole, WY, and when she’s not writing, she’s becoming a badass. See proof at her Becoming a Badass blog.
1. Take the leap. You already don’t have an agent or oddles of assignments coming in, so there is no reason for you to fear rejection. You have nothing to lose!
2. Start a blog. If you have a blog, you can direct people to examples of your writing. This is especially helpful if you aren’t published. Plus, do not underestimate the motivation that comes from having an audience. Every time someone tells me they enjoy my blog, I get a body buzz and a renewed desire to write. I’ll do almost anything for a body buzz, excluding most hard drugs.
3. We must listen to the experts. We need expert advice on grammar, structure, queries, agents, etc. Look to books, websites, and Chuck Sambuchino. The most important advice I've taken to heart is to have a set writing schedule. Everyone recommends it, and if you aren’t writing regularly, you’re probably barely writing. Admit it. Set a schedule.
4. But we can also blow off the experts. All these great writers like to talk about their desks - like Stephen King in his book On Writing, who makes a desk sound more important than oxygen. I spent months bemoaning my lack of a desk and trying to find one to cram into my tiny room. I felt like a failure. Finally, I realized, I’ve got a lap, a bed, a couch and, gosh darn-it, I’m writing. The details don’t matter; the writing matters.
5. This is supposed to be fun. I write because I enjoy making myself and others giggle. Some people write for catharsis or a love of spreading knowledge. There are a million reasons to write, so acknowledge yours and hold onto the passion. If you just wanted money, you could write living wills or ransom notes. Keep on nurturing your love, and when the rich suits give you a hard time at your high school reunion, just smile smugly, knowing your having a much better time with your life than those drones.
6. Writers' Conferences are worth attending. My first writers' conference was in the middle-of-nowhere Wyoming and I was one of the few people there who didn’t qualify for Social Security. Still, for a flat rate, I got access to a bunch of experts and networked with agents and editors. Go to a conference. You’ll learn and you might make some …
7. ... Writer friends. You can steal all their knowledge over coffee, tea, or whiskey. They will edit for free! They will help keep everything fun, and keep you from the hard drugs procrastinating.
Want more on this subject?
7 Things I've Learned So Far
Wednesday, November 04, 2009 8:13:02 PM (Eastern Standard Time, UTC-05:00)
|
|
 Monday, June 22, 2009
Guest Column: Seven Things I've Learned So Far, In the Middle of My Journey, by Nancy Parish
Posted by Chuck
If you follow the blog, you probably know that I've just finished my first middle grade novel. I'm revising it now. One thing you wouldn't know is that at least once a week, I wander over to the desk of Nancy Parish, a co-worker who also writes middle grade. Nancy is querying agents for her first book, and thick into writing her second. Since she's been querying agents for a while, I asked her to write up a small column on what she's learned thus far, being thick in the agent querying process. She agreed.

In lieu of a headshot, Nancy sent this picture of her beloved cat, Lucky.
-----------------
7 Things I’ve Learned So Far
by Nancy Parish
1. A finished manuscript isn’t necessarily a publishable manuscript. There are manuscripts I’ve written that are simply dreadful and I’m a bit embarrassed to have submitted them back in the day. Each manuscript gets better than the last. I’ve learned a lot just going through the process.
2. Revise, Revise, Revise. Then let the manuscript sit and revise it again.
3. Writing is a solitary endeavor, but trying to get published doesn’t have to be. When there wasn’t an active local chapter of SCBWI in my area, I posted to a SCBWI listserv and started one. That was six years ago and we’re still going strong. Writing groups like this are a great way to network with other writers and get feedback on query letters, manuscripts etc. Just recently I swapped novels with two other writers in the group for a critique.
4. Don’t treat Guide to Literary Agents and Writer’s Market like they are phone books. The market guides are a great starting point to determine which literary agencies accept submissions in certain genres but the research shouldn’t end there. I learned to use sites like Google to find more information about agents I wanted to submit to. I now look for interviews the agent has done and try to find examples of books they’ve sold to determine if my manuscript is a good fit. Often times, I crossed the agent off my list because of what I learned in my research.
5. Sell the Sizzle and the Steak. Once the manuscript is the best I can make it, then I focus on the query letter. I’ve learned that for my queries to be effective, shorter is better. I try to write the pitch like it’s the jacket copy of a book.
6. Finding an agent, is like dating. Some agents “Just aren’t that into you”. I’ve found that even if an agent asks for a full manuscript, it doesn’t necessarily mean they will provide feedback. Some won’t even respond - move on!
7. Rejection sucks but keep going. Randy Pausch in The Last Lecture said it best: “The brick walls are not there to keep us out. The brick walls are there to give us a chance to show how badly we want something. Because the brick walls are there to stop the people who don’t want it badly enough. They’re there to stop the other people.” 7 Things I've Learned So Far
Monday, June 22, 2009 2:38:45 PM (Eastern Daylight Time, UTC-04:00)
|
|
|