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2nd Draft Critique Service
Before you send out your work, have it edited by an established pro! |
Agency Gatekeeper
A literary agent shares secrets. |
Agent in the Middle
Agent Lori Perkins blogs and tells all |
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From the Ashley Grayson Literary Agency |
| Association of Authors' Representatives |
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Agent Barbara Doyen shares her knowledge. |
Barry Goldblatt Literary
A blog from the whole agency. |
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Agents from Bookends Literary blog |
Brenda Bowen
Agent Brenda Bowen's "Bunny Eat Bunny" kids writing blog. |
Cameron McClure
Cameron, with the Donald Maass Lit Agency, runs her "Book Cannibal" blog. |
Caren Johnson Literary Agency
The official CJLA blog |
Children's Writer's and Illustrator's Market Blog
This blog, run by Alice Pope, is a must-read for anyone writing in the juvenile market |
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A Christian agent speaks |
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See where Chuck will be presenting and when! |
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Zack Company Blog
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|
 Sunday, July 11, 2010
Successful Queries: Agent Ayesha Pande and Justin Kramon's ''Finny''
Posted by Chuck
I'm re-posting Justin's successful query in honor of his novel, Finny, being released this week (July 13). Congrats, Justin!
-----------
This new series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 32nd installment in this series is with agent Ayesha Pande (Collins Literary) and her author, Justin Kramon, for the literary fiction novel, Finny (set for release July 2010). Justin keeps a blog of free resources for writers looking to publish their work at justinkramon.wordpress.com.

Dear Ms. Collins: (co-agent of Ayesha)
I am writing because I’m currently looking for
an agent to represent my novel and short story collection, and I met
you a few years ago when you came to visit the Iowa Writers’
Workshop. I just really liked talking with you in our meeting, and you
seemed interested in the work I was doing, so I thought I’d get in
touch to see if you might be interested in seeing some of my writing.
I’ve heard that the writers from the Workshop who have worked with you
have been really happy.
Let me tell you a little about myself. I’m
twenty-seven years old, a 2004 graduate of the Workshop with an M.F.A.
in fiction. The collection I’ve finished was awarded the
Michener-Copernicus Society of America Award, and I’ve received several
other fellowships, including a Sun Valley Writers’ Fellowship and a
BookHampton Fellowship. I’ve published about half the stories in my
collection in literary magazines, including Glimmer Train, Fence, Story Quarterly, and Boulevard. A story published last year (“Shel” in Glimmer Train) was selected by the most recent Best American Short Stories as one of their “100 Distinguished Stories.”
The novel that I’ve just finished is a love
story, told in third person, from the point of view of a woman named
Finny Short. It begins when the main character is fifteen, and it moves
across twenty years of her life, ending when she’s thirty-five. In
addition to being a love story, it’s a story about a young woman
embarking upon the adventures of growing up, adventures in which she
meets many lively and eccentric characters, including a seductive
heiress named Judith Turngate, a domineering-but-kindhearted mother
figure named Poplan with a love of exotic Asian fruits and Irish fiddle
music, and a narcoleptic piano teacher named Menalcus Henckel whose
mysterious past turns out to bear on Finny’s future. My aim was for the
book to be a densely plotted Dickensian adventure in which a young
person emerges into the world. But instead of having it be a young
man, such as David Copperfield or Augie March or T.S. Garp, I wanted to
write a World According to Garp about a woman, navigating the hilarious and treacherous and heartbreaking paths of adult life.
I have enclosed an S.A.S.E. for reply, or you
can contact me by email or phone – whatever’s best. I would love to
send you work from the collection and the novel, if you think these
books might be of interest to you. Also, two mentors – the writers
Ethan Canin and Bob Shacochis – have said that I should mention they
are fans. Thanks so much for your time.
All best,
Justin Kramon
Commentary from Ayesha
The letter is personable, well written, and
makes mention of a past meeting or personal connection—something that
is much more likely to evoke a response. A sad reality is that
publishing is just like any other industry: knowing people helps. Justin
mention other clients that Nina represents, which means he's done his
research and knows his work would be the kind of thing she’d be
interested in.
The Iowa Writers’ Workshop establishes
credentials, but more so do the fellowships and publications in
literary journals and the fact that he completed a novel. Many aspiring
authors query too early and short stories are extremely difficult to
place.
Justin mentions having the support of Bob
Shacochis and Ethan Canin. Again, letting me know that he'll be able to
get support by established writers, whether in the form of blurbs or
joint readings or nominations for awards—that’s really important and
helpful. I frequently ask debut authors to request a blurb to send out
with the submission—it can help editors when they’re pitching to their
editorial board.
The description of the novel is succinct and
makes comparisons to other books. “Comps” are so important—they give us
a way to place the novel within a literary context.
Want more on this subject?
Successful Queries
Sunday, July 11, 2010 3:06:52 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, July 09, 2010
Successful Queries: Agent Elana Roth and Eli Stutz's ''Pickle Impossible''
Posted by Chuck
This series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 39th installment in this series is with agent Elana Roth (Caren Johnson Literary) and her author, Eli Stutz, for his middle grade book, Pickle Impossible, which was released in May 2010 from Bloomsbury.

Dear Ms. Roth,
A boy with a hidden power and the girl who was sent to stop him have 24 hours to win a pickle contest.
12-year-old Pierre La Bouche is a cornichon. That's French for "pickle," but it also means "good-for-nothing." A middle child who gets straight C's, he's never been No. 1 at anything. When the family farm goes broke, grandfather Henri gives Pierre a mission: to save the farm by winning an international pickle contest.
En route to the contest, Pierre meets Aurore, the charming but less-than-truthful granddaughter of a rival farmer. She's been sent to ensnare Pierre, but after a wake up call from her conscience, she rescues him. Together, they navigate the ghostly Paris catacombs, figure out how to crash-land a plane, and duel with a black-hearted villain who will stop at nothing to capture their pickles. In their most desperate hour, it is Pierre's incredible simplicity that saves the day. Always bickering but becoming friends, Pierre and Aurore discover that anything is possible, no matter how hard it may seem.
Pickle Impossible is complete at 32,500 words. I'm a technical writer by day, optimistic novelist by night. Recently, I've interviewed a host of pickle makers and French natives. My own pickles are fermenting in the kitchen. I grew up in Toronto and live with my wife and children in Israel.
Thank you for your consideration. I hope to hear from you.
Kind Regards,
Eli Stutz
Commentary from Elana
At the core of this letter are 3 main paragraphs. Two of them are about the book. The last and shortest is about the author. Sure, he tosses in a little tagline, which is totally unnecessary, but it worked here, so I'll leave it alone. Let's go through each paragraph:
1. The first paragraph introduces our main character and the set-up. He uses concrete things to describe Pierre. He throws in the French flair of the book right away. And he doesn't beat around the bush to tell me what Pierre has to accomplish.
2. The second delves a little deeper into the plot. It gives me the complication that will drive the story forward—someone is out to stop Pierre. And then Eli accomplishes the most important trick here: He gives me some fun examples of what will happen in the book without summarizing the entire plot. That is key because I don't want to read the whole book in the query letter. But he gives me flavor. 3. His bio paragraph is straight to the point, not overcrowded with his whole life history, and also ties light-heartedly right back to the subject of the book. I loved that he tried fermenting his own pickles. (He later told me they weren't very good.)
Here's the kicker. The total word count on this letter is 242 words. 242! Look how much he fits into 242 words. There's plot, character, personality and quirk. From this tightly-written letter I know I'm going to get a fun, zany story. Those of you who wanted 250 words just to pitch your book, take heed! Shorter is better.
 This post is an online exclusive complementto a spotlight on Eli in a forthcomingissue of WD. If you don't have a sub to Writer's Digest, what are you waiting for?Get one now!
Want more on this subject?
Breaking In (Writer's Digest) | Successful Queries
Friday, July 09, 2010 1:25:53 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, June 23, 2010
Successful Queries: Agent Christine Witthohn and Rochelle Staab's ''Hollywood Hoodoo''
Posted by Chuck
This series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 38th installment in this series is with agent Christine Witthohn (Book Cents Literary) and her author, Rochelle Staab, for the murder mystery novel, Hollywood Hoodoo.
In lieu of a cover (not available yet), this is a nice picture of author Rochelle Staab.
Dear Ms. Witthohn,
I am pleased to submit for your consideration, Hollywood Hoodoo, a witty murder mystery with a voodoo curse, set in contemporary Los Angeles. It's complete at 71,000 words.
In Hollywood Hoodoo, mysterious tarot cards, a cursed voodoo spell book, and the falsely accused team of L.A. Clinical Psychologist Liz Cooper and Religious Philosophy Professor Nick Garfield come together in the hunt for the real killer of a voodoo initiate.
Hollywood Hoodoo is the first of a series of supernatural themed murder mysteries, featuring Liz—the pragmatic shrink, and Nick—the broad-minded occult expert.
My professional background includes Top 40 radio station programming and 28 years of executive marketing positions at Warner Bros. Records where I remain a consultant. Writing one-line headlines is fun. Writing novels is bliss. [Some personal info here was removed.]
I’m a member of MWA, RWA, SinC, and KOD. Hollywood Hoodoo has been submitted in the 2010 RWA Golden Heart contest. I understand the value of marketing and am motivated and ready to focus my efforts.
This is a multiple submission. The first chapter of Hollywood Hoodoo is copied below. Thank you for considering my work. I look forward to your response.
Sincerely,
Rochelle Staab
Commentary from Christine:
I like queries that are short and sweet. A query should give the agent/editor the “bones” of the story. If the writer does a good job, the agent/editor will ask to see the “meat.” What I particularly liked about this query was this: the writer gave me the genre, word count, and the hook in the first two sentences. Notice how short these two sentences are?
Paragraph 1: gives the vitals; Paragraph 2: gives the bones; Paragraph 3: shows extended life—part of a series; Paragraph 4: author background/platform; Paragraph 5: organization affiliations; Paragraph 6: thanks me. The entire query is less than a page in length. Short and sweet.
Within 60 days, I signed the author and sold the series (three books) to Berkley Prime Crime. The first book comes out in 2011. Oh—and Hollywood Hoodoo was chosen as a finalist in the Golden Heart contest. We'll know if she won in July :)
Want more on this subject?
Genre Writing | Successful Queries
Wednesday, June 23, 2010 9:26:40 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, June 11, 2010
Successful Queries: Agent Rebecca Strauss and ''Stay'' by Allie Larkin
Posted by Chuck
This new series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 37th installment in this series is with agent Rebecca Strauss (McIntosh & Otis) and her author, Allie Larkin, for the women's fiction novel, Stay (which was just published this week by Dutton!).

Dear Ms. Strauss,
What happens when you find love and he finds your best friend instead?
If you're Savannah Leone, you tear off your orange satin maid-of-honor gown, get drunk on Kool-Aid and vodka, and buy a German Shepherd from Slovakia off of the Internet.
In Stay, Savannah, "Van," struggles with the marriage of her best friend to the man she's secretly in love with, the loss of her mother to cancer, and all the confusion that goes along with the "now what" stage of twenty-something life. She's lost her sense of which end is up, so she's acting on impulses that lead her to love, strength, and a ninety-five pound dog named Joe.
Her inexperience with dogs leads her to consult Dr. Alex Brandt, a vet with floppy blond hair and a winning smile. But just as things are starting to heat up with Alex, the newlyweds come home from their honeymoon, forcing Van to decide between past relationships and the promise of new ones.
Stay is women's fiction and is approximately 80,000 words. I've also written an outline for a sequel.
I live in upstate New York with my 95-pound German Shepherd, (who is from the Catskills, not Slovakia), and write AlliesAnswers.com, a daily eco-friendly blog. My short story, "Bathtub Mary," will appear in the March 2008 issue of The Summerset Review.
I've enclosed the first two chapters and a synopsis. Thank you for taking the time to review my materials.
Best regard,
Allie Larkin
Commentary from Rebecca
So, what grabbed my attention? Well, in addition to doing everything right in terms of process (she spelled my name correctly and wrote in a professional manner), Allie looked at my submission guidelines—and followed them. Huge points! She did her research; she saw which genres I represented and what materials I requested. This set Allie's letter apart from many others. I know, I know. This all sounds so simple and you've heard it before, but it makes a difference.
Next, Allie's done a great job of giving me what we call "an elevator pitch" for her novel. She was able to sum up the major plot of the book succinctly and with charm. Agents have to pitch to editors, just like authors pitch to agents; and, we need to encapsulate a project simply and quickly. What's the hook? What's the major conflict? Who are the central characters? Why would readers care?
Allie also successfully painted vivid characters and illustrated the main tension in just a few paragraphs. By using only a handful of details, she created a fully realized snapshot of the work. How can you not hiccup with laughter after reading: "If you're Savannah Leone, you tear off your orange satin maid-of-honor gown, get drunk on Kool-Aid and vodka, and buy a German Shepherd from Slovakia off of the Internet"? And, with a few brush strokes, "floppy blond hair and a winning smile," I definitely wanted to know more about this Alex. Sounds cute! And, I quickly learned about the conflict: Van is in love with her best friend's husband. So, Allie swiftly told me that this wasn't a generic project: Van is struggling with serious issues re: love, loss, and friendship. I asked the question I always ask myself when reading a query: Could I imagine an audience for this? My answer? A resounding yes. Not only is the character dealing with major conflict in an intriguing love triangle, but there's a dog involved?! I'm in.
Allie wrapped it all up with the vital stats of genre and word count. She didn't say that she'd written the next 17 books in the series, but that she had an outline for a sequel. Smart. If the first book needed major work, why invest so much in a sequel that's going to need overhauling? Finally, Allie showed that she's devoted to writing. She pursued publication in literary magazines. This is not a necessity, but it does demonstrate tenacity, persistence and professionalism. And, if you're here, reading these posts and working hard on your projects, you have these characteristics and you're already setting yourself apart!
And Now for the Contest!
In honor of Stay's publication week, I'm offering to critique a query letter and the first two pages of a manuscript for one writer.
To enter, leave a comment on this post. For three more chances to win, leave a comment on the below links. One comment per person per post, please. You don't have to have a finished manuscript to enter, although if you do, all the better.
1. http://allielarkin.blogspot.com/ 2. http://www.corinnebowen.com/2010/06/stay-by-allie-larkin-query-contest/ 3. http://wendypinkstoncebula.blogspot.com/2010/06/stay-debut-and-query-contest.html
If your commenting profile doesn't link to an e-mail address where we can reach you if you win, make sure to either leave your e-mail address in comments, or e-mail (info[at]allielarkinwrites[dot]com) after you leave a comment on Allie's blog, with Query Contest in the subject line and your comment name in the body of the e-mail. Want more on this subject?
Contests | Successful Queries | Women's Fiction
Friday, June 11, 2010 4:55:37 PM (Eastern Daylight Time, UTC-04:00)
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 Sunday, May 23, 2010
Successful Queries: Agent Stephen Fraser and ''I Was a Teenage Popsicle''
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 36th installment in this series is with agent Stephen Fraser (Jennifer De Chiara Literary Agency) and his author, Bev Katz Rosenbaum, for the YA novel, I Was a Teenage Popsicle.

Dear Mr. Fraser:
Floe Ryan is a cryogenically preserved Venice Beach teen who is thawed ten years from now, and suddenly has to adjust to being the ward of her younger (now older) sister, while crushing on the boy from the vat next door, and, oh, adjusting to a whole new world. (Ashton Kutcher as vice president, anyone?)
I Was a Teenage Popsicle is a 60,000-word young adult novel. I am a former romance editor and a twice-published romance author. My latest romantic comedy, Wanted: An Interesting Life (Harlequin Flipside, 2004), was cited by Romantic Times Magazine as one of the five best Flipsides of 2004.
Aside from I Was a Teenage Popsicle and its potential sequel, I am also working on a young adult novel called Retest, about a teen who finds herself reliving a test day over and over again.
You can contact me at any time. I do hope my book premises intrigue you! I look forward to hearing from you.
Sincerely,
Bev Kate Rosenbaum
Commentary from Stephen
Bev's letter jumps right in and she starts with the pitch. It’s a short, enticing summary of the book that gives us an idea of what the whole story will be about.
Mentioning the word count shows she knows appropriate length for YA books. I also liked how the book works as a standalone or in a series.
She's been published before and has impressive credentials. She has other projects in the works and is interested in working on her craft.

This query excerpted from Children's Writer's & Illustrator's Market, an annual resource for writers of kids books. Buy the latest edition here.
Want more on this subject?
Children's Writing | Successful Queries
Sunday, May 23, 2010 8:26:11 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, May 14, 2010
Successful Queries: Agent Kristin Nelson and ''Give Up the Ghost''
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 35th installment in this series is with agent Kristin Nelson (Nelson Literary) and her author, Megan Crewe, for the YA novel, Give Up the Ghost (year).

Dear Ms. Nelson:
I am seeking representation for my completed 62,000-word young adult novel, Give Up the Ghost.
Sixteen-year-old Cass McKenna would take the company of the dead over the living any day. Unlike her high school classmates, the dead don't lie or judge, and they're way less scary than Danielle, the best-bud-turned-backstabber who kicked Cass to the bottom of the social ladder in seventh grade. Since then, Cass has styled herself as an avenger. Using the secrets her ghostly friends stumble across, she exposes her fellow students' deceits and knocks the poseurs down a peg.
When Tim Reed, the student council V.P., asks Cass to chat with his recently-deceased mom, her instinct is to laugh in his face. But Tim's part of Danielle's crowd. He can give Cass dirt the dead don't know. Intent on revenge, Cass offers to trade her spirit-detecting skills for his information. She isn't counting on chasing a ghost who would rather hide than speak to her, facing the explosive intervention of an angry student, or discovering that Tim's actually an okay guy. Then Tim sinks into a suicidal depression, and Cass has to choose: run back to the safety of the dead, or risk everything to stop Tim from becoming a ghost himself.
Told in Cass' distinctive voice, at turns sarcastic and sensitive, Give Up the Ghost will appeal to fans of Scott Westerfeld and Annette Curtis Klause. My short fiction has appeared in Brutarian Quarterly and On Spec. I maintain the Toronto Speculative Fiction Writers Group, and I've worked with children and teens as a recreational programmer and behavioral therapist for several years. Thank you for your time.
Sincerely,
Megan Crewe
Commentary from Kristin
Call me a rebel, but I love the idea of knocking down the poseurs a peg or two. Wasn’t that always the secret fantasy of any teen who was an outsider to the status quo? But the main thing that caught my attention quickly in the first pitch paragraph is the idea of using ghosts as a secret army of spies. If ghosts can be anywhere, of course they would see/hear all the dirt and be able to report it. That’s brilliant. Of course that’s how a person who can see ghosts would actually use them. Such a twist on the whole ghost story idea. This had my attention immediately. And Megan didn’t suger-coat Cass’s initial motivation. I like novels that are honest. During the second pitch paragraph, I'm wondering: If Cass is lumping all other teens into one clique fitting mold as they do her—does that make her any better? I’m thinking this novel is about Cass realizing that. The final sentence in this paragraph is the clincher; it raises the novel's main question. I’m so interested!
When she mentions other authors, it's an excellent comparison. It shows that Megan understands her novel’s place in the market. Notice she doesn’t say her novel is as good as these huge successes—just that the voice will appeal to the fans who enjoy these two other authors.
For the bio, she didn't have too much background in writing, so she keeps it short and sweet. Fiction can stand on its own; a bio is helpful, but a lack of background is not a deal breaker. However, Megan does have experience with teens and makes sure to include that. That never hurts. All in all, this is a really strong query. She uses backstory and character insight to build a great pitch around her hook.
Want more on this subject?
Children's Writing | Successful Queries
Friday, May 14, 2010 12:34:25 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, April 26, 2010
Successful Queries: Agent Michelle Brower and 'The Handbook for Lightning Strike Survivors'
Posted by Chuck
This new series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 34th installment in this series is with agent Michelle Brower (Folio Literary) and her author, Michele Young-Stone, for the literary fiction novel, The Handbook for Lightning Strike Survivors (April 2010).
Dear Ms. Brower:
Please consider representing my novel, The Handbook for Lightning Strike Survivors.
A literary novel, The Handbook... spans nineteen years in the lives of the two main characters (Becca, born into privilege in 1969, and Buckley, born into poverty in 1959), and suggests that people, however disparate, are linked. The 400-page narrative encompasses multiple themes, but ultimately the book is a story of redemption. Buckley, whose mother is struck dead by lightning, writes a nonfiction handbook, The Handbook for Lightning Strike Survivors, excerpts of which appear throughout the novel. Becca, a repeat lightning strike survivor, buys Buckley’s Handbook through an ad in the back pages of a magazine. Becca and Buckley, destined to collide, meet during a massive electrical storm where there is a surprising reversal of fortune.
Structurally, the novel tells Becca’s story, then Buckley’s—the tension mounting until the two meet.
I am a thirty-four year old MFA fiction graduate My screenplay Spotting Normal was a 2003 semi-finalist for the Chesterfield Writers Film Project Award and a 2004 finalist for the CineStory screenwriting award. My story “Cop Drag” was a finalist in the First Annual Lewis Nordan Fiction Contest sponsored by Algonquin Books. My second screenplay, Paint Spain With Bart, was a finalist in the 2006 Screenplay Festival Contest sponsored by InkTip. I am currently halfway through my second novel.
Let me know if I may send you the first 100 pages or the full manuscript.
All Best,
Michele Young-Stone
Commentary from Michelle
Michele’s query absolutely jumped out from the
slushpile for me, at first for one reason alone: her title was
amazing. For all readers, a title creates a visceral response, and as
agents, we want that response to be “I must pick this book up!” In
this case, there is what we call a “high concept” aspect to the plot--two separate characters, different in almost every way, are linked
together by lightning--and the title conveyed that quickly and with
great charm. I knew that if the story and the writing lived up to the
promise of the title, I would find a receptive audience for this book
among publishers. I always think that a really good book can make up
for a bad title that will eventually be changed down the line, and no
title is good enough to cover for shoddy writing, but this letter is a
good example of how the perfect title can really light up a query.
In reading this letter, I could also tell that this story hit the right
beats for book club fiction, and the kind of thing I love to read even
if it’s something I’m reading for pleasure. It seemed quirky yet deep,
and Michele’s bio showed that she had spent time developing her craft
and had been nominated for some awards. I truly became hooked once I
started reading the sample pages, and became quickly convinced that
there was something special going on here. I knew I had to work with
Michele on this book when I got to the ending and cried my eyes out.
Happily, editors and now reviewers have agreed with me! The Handbook
has been piling up accolades and we are all so excited to see it make
its way to bookstores.
 This post is an online exclusive complementto a spotlight on Michele in the May/June 2010issue of WD. If you don't have a sub to Writer's Digest, what are you waiting for?Get one now! Breaking In (Writer's Digest) | Literary Fiction | Successful Queries
Monday, April 26, 2010 11:49:54 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, April 19, 2010
Successful Queries: Agent Ginger Clark and 'A Match Made in High School'
Posted by Chuck
This new series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 33rd installment in this series is with agent Ginger Clark (Curtis Brown) and her author, Kristin Walker, for the YA novel, A Match Made in High School (Feb. 2010, Razorbill).

Dear Ms. Clark: When everyone in the senior class gets paired up for a mandatory course in marriage education, Fiona Sheehan has to survive being pseudo-married to Todd Harding, the most popular jerk in school. In the meantime, she needs to figure out how to 1) forgive her best friend's betrayal, 2) fake being a robot-turkey cheerleader, and 3) decide if she's really falling in love with the fat kid. Using plenty of humor and the brash voice of a geeky main character, my young adult novel, A Match Made in High School (62,000 words), taps into the growing debate over the need for marriage education in high schools. According to the article, "Marriage Education in High School," published out of Brigham Young University, every one of Utah's high schools has a course called "Adult Roles and Responsibility," and Florida has passed a bill to make marriage education mandatory in high school. Other states are following suit. I think A Match Made in High School speaks to this issue; however, I was careful to avoid preaching any kind of message in my manuscript. You can get a more thorough sense of my writing through my website www.kristin-walker.com. My work has appeared or is forthcoming in Ladybug, Wee Ones (November/December, 2006), Chicken Soup for the Mother of Preschooler's Soul (2006) and Chicken Soup for the Sister's Soul 2 (2006). May I send the novel to you? I'd like to mention that this is a simultaneous query. Thank you so much for your time and attention. All the best, Kristin Walker
Commentary from Ginger
Here’s what grabbed me about Kristin’s query: This is the platonic ideal of queries—it's short; it conveys the voice of the book without being gimmicky (particularly important when dealing with children’s books); it’s informative; and it’s also free of any glaring typos. And Kristin spelled my name correctly! The query was less than 250 words, and yet it conveyed to me the A, B, C and D plots, who the protagonist was, and what kind of book this was. Fiona is a senior in high school (so, 17/18 years old)—and that makes this YA or teen. This has a romantic comedy style plot, so that is how I would be pitching this. After reading the query, I wanted to know more about the best friend’s betrayal. Friendship between teen girls can be both very fulfilling and fraught with complications, and I personally enjoy any novels that explore it. Note that Kristin conveyed all that in just two sentences. And she didn’t weigh us down with character names, or specific details. In the second paragraph, Kristin discusses what inspired her to write the book, and how it could be positioned when it comes to any publicity surrounding it. I liked the fact that she had done her homework and was thinking that far ahead into the process (but without grasping at straws—“My book is about a show choir and I think kids who watch ‘Glee’ will love it” is a stretch). I also liked the subject itself, personally. I’m married, and I’ve been with my husband since we were close to Fiona’s age. Marriage is such a complicated and intensely polarizing issue nowadays that I wanted to see how Fiona would react to this mandatory marriage class. Lastly, Kristin’s credits indicated she was professional, and probably someone who revised well and without much crying or tears. What Kristin does so well (Razorbill’s buying a second novel from her partially because of this) is that she has the teen voice down. While there are no direct quotes from the book in this query, you can tell from the use of “pseudo-married,” “a robot-turkey cheerleader,” and “falling in love with the fat kid,” that Kristin has got an ear for teen voice. That’s something very hard to come by, but if you don’t have it down, teens aren’t going to trust you as a writer.
 This post is an online exclusive complementto a spotlight on Kristin in the May/June 2010issue of WD. If you don't have a sub to Writer's Digest, what are you waiting for?Get one now! Breaking In (Writer's Digest) | Children's Writing | Successful Queries
Monday, April 19, 2010 10:17:42 AM (Eastern Daylight Time, UTC-04:00)
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 Sunday, April 11, 2010
Successful Queries: Agent Ayesha Pande and 'Finny'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 32nd installment in this series is with agent Ayesha Pande (Collins Literary) and her author, Justin Kramon, for the literary fiction novel, Finny (set for release July 2010). Justin keeps a blog of free resources for writers looking to publish their work at justinkramon.wordpress.com.

Dear Ms. Collins: (co-agent of Ayesha)
I am writing because I’m currently looking for an agent to represent my novel and short story collection, and I met you a few years ago when you came to visit the Iowa Writers’ Workshop. I just really liked talking with you in our meeting, and you seemed interested in the work I was doing, so I thought I’d get in touch to see if you might be interested in seeing some of my writing. I’ve heard that the writers from the Workshop who have worked with you have been really happy.
Let me tell you a little about myself. I’m twenty-seven years old, a 2004 graduate of the Workshop with an M.F.A. in fiction. The collection I’ve finished was awarded the Michener-Copernicus Society of America Award, and I’ve received several other fellowships, including a Sun Valley Writers’ Fellowship and a BookHampton Fellowship. I’ve published about half the stories in my collection in literary magazines, including Glimmer Train, Fence, Story Quarterly, and Boulevard. A story published last year (“Shel” in Glimmer Train) was selected by the most recent Best American Short Stories as one of their “100 Distinguished Stories.”
The novel that I’ve just finished is a love story, told in third person, from the point of view of a woman named Finny Short. It begins when the main character is fifteen, and it moves across twenty years of her life, ending when she’s thirty-five. In addition to being a love story, it’s a story about a young woman embarking upon the adventures of growing up, adventures in which she meets many lively and eccentric characters, including a seductive heiress named Judith Turngate, a domineering-but-kindhearted mother figure named Poplan with a love of exotic Asian fruits and Irish fiddle music, and a narcoleptic piano teacher named Menalcus Henckel whose mysterious past turns out to bear on Finny’s future. My aim was for the book to be a densely plotted Dickensian adventure in which a young person emerges into the world. But instead of having it be a young man, such as David Copperfield or Augie March or T.S. Garp, I wanted to write a World According to Garp about a woman, navigating the hilarious and treacherous and heartbreaking paths of adult life.
I have enclosed an S.A.S.E. for reply, or you can contact me by email or phone – whatever’s best. I would love to send you work from the collection and the novel, if you think these books might be of interest to you. Also, two mentors – the writers Ethan Canin and Bob Shacochis – have said that I should mention they are fans. Thanks so much for your time.
All best,
Justin Kramon
Commentary from Ayesha
The letter is personable, well written, and makes mention of a past meeting or personal connection—something that is much more likely to evoke a response. A sad reality is that publishing is just like any other industry: knowing people helps. Justin mention other clients that Nina represents, which means he's done his research and knows his work would be the kind of thing she’d be interested in.
The Iowa Writers’ Workshop establishes credentials, but more so do the fellowships and publications in literary journals and the fact that he completed a novel. Many aspiring authors query too early and short stories are extremely difficult to place.
Justin mentions having the support of Bob Shacochis and Ethan Canin. Again, letting me know that he'll be able to get support by established writers, whether in the form of blurbs or joint readings or nominations for awards—that’s really important and helpful. I frequently ask debut authors to request a blurb to send out with the submission—it can help editors when they’re pitching to their editorial board.
The description of the novel is succinct and makes comparisons to other books. “Comps” are so important—they give us a way to place the novel within a literary context.
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Literary Fiction | Successful Queries
Sunday, April 11, 2010 11:26:24 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, April 06, 2010
Successful Queries: Agent Scott Eagan and 'Better Than T.V.'
Posted by Chuck
This new series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 31st installment in this series is with agent Scott Eagan (Greyhaus Literary) and his author, Stephanie Stiles, for the women's fiction novel, Better Than T.V.
"Better than T.V." has no cover yet, so enjoy this lovely stack of books.
Name: Stephanie Stiles Email: [deleted] Title of Manuscript: Better Than T.V. Word Count: 75,000
Story Premise: Better Than T.V. is a short, humorous novel whose first-person narrator, Annie Fingardt Forster, recounts the various misadventures she experiences during the nine months of her second pregnancy. In a self-effacing and wry voice, she describes her suburban world, her colorful loved ones, and her surprising antics as she prepares for the birth of her new baby. As a stay-at-home mother of a three-year-old son, she turns the mundane events of domestic life into comical and outrageous escapades. Whether it’s a simple trip to the doctor’s office or an entangled stint working part-time as attorney for two of her friends, Annie’s tales are always filled with fun and insight.
Genre: Women's Fiction
Additional Information: I am an English professor at Dominican College, where I chair the Department and direct the Creative Writing Program. I've published poetry, short fiction, and nonfiction before, but this would be my first novel. I'd be an easy client, as I am eager to get this work published. I hope you find that it is in keeping with what you're looking for!
Commentary from Scott
Writers submitting proposals to Greyhaus Literary Agency can do so in three different formats. One method is an online form (fill in the blank). A lot of writers have found this one to be easier to do since they can avoid the pain and misery of writing that dreaded query.
Since opening Greyhaus, only two authors have caught me with their title and in both cases, I signed them (not simply because of the title). This short title certainly sets up the apparent humor in the story. With the blurb, there were several things that jumped out at me here. First of all, Stephanie did not try to overwhelm me with statements that wanted to make the story sound cute or funny. Too often, I have seen writers try this and in the end, all it does is turn me off. In this case, she sums it up in two simple sentences. “Annie Fingardt Forster, recounts the various misadventures she experiences during the nine months of her second pregnancy. In a self-effacing and wry voice, she describes her suburban world, her colorful loved ones, and her surprising antics as she prepares for the birth of her new baby.” Adding the words “misadventures”, “self-effacing” “colorful loved ones” and “surprising antics”, gives the reader a glimpse into the story understanding it is not simply a narrative on pregnancy, but clearly something much more.
The additional element that intrigued me about this project was her additional information she provided about the story. After first setting up the premise, she goes a bit deeper with the comment: “As a stay-at-home mother of a three-year-old son, she turns the mundane events of domestic life into comical and outrageous escapades.” At this point, I was able to immediately start picturing what potential events she would take on in the story. The simple combination of “mundane” and “three-year-old son” can only mean some great scenes.
In her bio, she really doesn’t have much to demonstrate in terms of novel writing. What she does, however, that works is the honesty about her background. She clearly uses her career as a force that shows she understands writing and she mentions briefly that she has done some other writing with short stories and poetry.
On December 29th, I signed this author. On the 11th of January, I sent out the proposal. The initial response from the phone calls showed editors had interest. On January 25th, an offer was made on the book!
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Successful Queries | Women's Fiction
Tuesday, April 06, 2010 9:52:49 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, March 26, 2010
Successful Queries: Agent Lisa Bankoff and 'If You Follow Me'
Posted by Chuck
This new series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 30th installment in this series is with agent Lisa Bankoff (ICM) and her author, Malena Watrous, for the literary novel, If You Follow Me (March 2010, HarperCollins).

Dear Ms. Bankoff,
After graduating from Barnard College in 1997, I worked as a freelance journalist in New York before moving to rural Japan, where I taught English and wrote articles for Salon.com, among other publications. I spent my first year there in a tiny nuclear power town called Shika, which was quite a change from Manhattan. Inspired by my own experiences, my debut novel, Repeat After Me, is the story of a young American woman who moves to rural Japan not long after her father's suicide. The book is structured in four sections, each occupying a different season, in keeping with the Japanese tradition of honoring the seasons in art and writing. It opens with a letter to "Miss Marina" from her Japanese supervisor, a man named Hiroshi Miyoshi, informing her of her latest "gomi" (garbage) errors. Every time she throws her trash away, an old man from the neighborhood shows up at her door with whatever items she put in the wrong bins. She has no privacy, which is an issue since she's living in secret with a girlfriend. Although each section of the novel focuses on a different problem and introduces new characters in the narrator's life, garbage remains a central motif throughout the book as she comes to realize that in Japan, you can never really throw anything away. For a young woman who fled to another country to try and outpace her grief, this comes to have a profound meaning. The novel is a dark comedy of manners and ultimately a strange kind of love story. It has a similar sensibility to Elizabeth Gilbert's Eat, Pray, Love, and shares the cross-cultural humor of David Sedaris's Me Talk Pretty One Day.
I am a graduate of the Iowa Writers' Workshop and a recent Wallace Stegner Fellow at Stanford, where I am currently a Jones Lecturer in fiction writing. An earlier draft of this novel received a Michener/Copernicus award in 2006/7. My short fiction has been published in Story Quarterly, Triquarterly, The Massachusetts Review, Glimmertrain and Kyoto Journal. I also write nonfiction articles and monthly book reviews for the San Francisco Chronicle. I have received two Pushcart nominations for short stories and second place in the Pen/Faulkner novella contest (for an earlier version of the first section of this novel). If you would be interested in reading part of my novel, please let me know. I appreciate your time and consideration.
Sincerely, Malena Watrous
Commentary from Lisa
Malena's novel is about a character who moves to Japan to teach English. My son studied Japanese, spent a summer in Japan as an exchange
student, and harbors a desire to return after college graduation to
teach English. On this basis alone, I was primed to want to read
Malena's novel. In the first paragraph, she shows the themes of the story: fish out of water, culture clash, immersion in the unfamiliar. These are reasons to keep reading.
In my apartment building with its common recycling area, I'm always
finding glass in the paper bin and vice versa, so I could understand the
old man's motivation mentioned in the second paragraph. As the pitch continues, the line "you can never throw anything away" struck me. Is this an intriguing commentary about a society—or is it metaphor? I wanted to know.
She nails it with the line about how her book is "a dark comedy of manners and ultimately a strange kind of love story"—promising some of my favorite literary ingredients. Finally, her credentials are the real deal. She has this story in her blood and is determined as well as clearly talented.
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Literary Fiction | Successful Queries
Friday, March 26, 2010 8:56:24 AM (Eastern Standard Time, UTC-05:00)
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 Friday, March 19, 2010
Successful Queries: Agent Jessica Faust and 'Murder on the Rocks'
Posted by Chuck
This new series is called "Successful Queries"
and I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 29th installment in this series is with agent Jessica Faust (Bookends, Inc.) and her author, Karen MacInerney, for the book Murder on the Rocks, the first of Karen's Gray Whale Inn mystery series.

Dear Ms. Faust,
I enjoyed meeting you at the conference in Austin this past weekend. As I mentioned, I have had my eye on BookEnds for quite some time; when I discovered you would be at the conference, I knew I had to attend. We met during the final pitch session and discussed how the series I am working on might fit in with your current line of mystery series. Per your request, I have enclosed a synopsis and first three chapters of Murder on the Rocks, and 80,000-word cozy mystery that was a finalist in this year’s Writers’ League of Texas manuscript contest and includes several bed-and-breakfast recipes.
Thirty-eight-year-old Natalie Barnes has quit her job, sold her house and gambled everything she has on the Gray Whale Inn on Cranberry Island, Maine. But she’s barely fired up the stove when portly developer Bernard Katz rolls into town and starts mowing through her morning glory muffins. Natalie needs the booking, but Katz is hard to stomach—especially when he unveils his plan to build an oversized golf resort on top of the endangered tern colony next door. When the town board approves the new development not only do the terns face extinction, but Natalie’s Inn might just follow along. Just when Natalie thinks she can’t face more trouble, she discovers Katz’s body at the base of the cliff and becomes the number one suspect in the police’s search for a murderer. If Natalie doesn’t find the killer fast she stands to lose everything—maybe even her life.
I am a former public relations writer, a graduate of Rice University, a member of the Writers’ League of Texas, and founder of the Austin Mystery Writers critique group. I have spent many summers in fishing communities in Maine and Newfoundland, and escape to Maine as often as possible. The second Gray Whale Inn mystery, Dead and Berried, is currently in the computer.
If you would like to see the manuscript, I can be reached at (phone number). Thank you for your time and attention; I look forward to hearing from you soon.
Sincerely, Karen Swartz MacInerney
Commentary from Jessica
Let’s start by looking at the first paragraph. Flattery can get you everywhere and Karen used it well here. She wasn’t over the top, but stated what I can only hope are facts. We had met at the conference and she had been watching BookEnds grow. She was smart to remind me immediately how we had met and that we had a personal connection.
I like that Karen put the title in italics. Bold, italics, whatever, but something to make your title jump out a little helps. I’m not sure why, but it does. The word count is right there with the standards for cozy mysteries, and since that’s what she’s targeting she’s headed in the right direction. I also want to point out that her description actually fits her genre. All too often I’ve received submissions in which the author named a genre for the book, but the description didn’t seem to match the genre.
Typically I would say that Karen’s blurb is a little long and I suspect she could probably have tightened it to one paragraph, but it does work. What really works about it for me is that it gives a sense of Karen’s voice and the feeling for the book. I like the sentence, “But she’s barely fired up the stone when portly developer Bernard Katz rolls into town and starts mowing through her morning glory muffins.” There is so much that’s said in that one line and so much we learn. I get the sense that Karen’s voice is light with a touch of humor and I get a real feel for the hominess of the bed-and-breakfast as well as the arrogance of Bernard Katz.
Karen’s credentials are impressive. She’s obviously been writing for a while and I really like the addition of her summers in Maine. I think it’s a personal touch, but one that’s perfectly related to the book. Book note: We did in fact sell Murder on the Rocks. It was the first title to launch her Gray Whale Inn series. So this query letter truly did launch an exciting career for Karen.

Genre Writing | Successful Queries
Friday, March 19, 2010 9:36:45 AM (Eastern Standard Time, UTC-05:00)
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 Sunday, March 07, 2010
Successful Queries: Agent Sharlene Martin and 'You'll Never Nanny in This Town Again'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 28th installment in this series is with agent Sharlene Martin (Martin Literary Management) and her author, Suzanne Hansen, for the book, You'll Never Nanny in This Town Again: The True Adventures of a Hollywood Nanny.
This query is from Sharlene's awesome new work, Publish Your Nonfiction Book (Nov. 2009). If you're looking to sell a book proposal, this book is a must-buy.

Dear Ms. Martin:
When I was 18 years old, I moved from my hometown in Oregon (population: 7,500) to live with the most powerful man in Hollywood and be a nanny to his three children.
In my memoir: You’ll Never Nanny in this Town Again: The True Adventures of a Hollywood Nanny, I describe my unusual experiences with the rich and famous, and provide a peek into their private lives. I also share humorous stories about my girlfriends who were working for celebrity families. The book describes my short education at the Northwest Nannies Institute in Portland, Ore. It also describes my journey as a 24-hour-a-day modern servant, juggling medical emergencies, as well as toddler and adult tantrums.
This book is a cross between People magazine and “Seinfeld.” One example of the bizarre priorities of the wealthy: The family had a small painting in their family room that cost five times as much as my parents’ home, but I was told not to take anything from the hotel honor bar on vacation, because it was too expensive.
I self-published the book last year and was selected for a distribution contract through the IPG small publishers program. I’ve consistently ranked in the top five percent of Amazon.com sales. I’ve already sold more than 4,000 copies in 12 months and have garnered great reviews. I also have a popular website: hollywoodnanny.com. Some of the media attention I have received includes an E! Channel “Will Work for Stars” red carpet interview for the Screen Actors Guild awards. I’m featured on an upcoming A&E special “Fathers and Sons in Hollywood.” I’ve been interviewed on many radio programs, and I speak nationally.
So now I’m ready to go mainstream with a major publisher. Apart from writing this book, I’m a mother of two, and have worked as a high-risk labor and delivery nurse, lactation specialist and childbirth educator. I can send you a copy of the book by e-mail or regular mail, and hope to hear from you to discuss this further.
Suzanne Hansen
Commentary from Sharlene:
The instant appeal of a nanny who worked for a major Hollywood player is obvious. And paragraphs two and three make a clear description of the work, so that when the “spoiler” comes in paragraph four—telling of the book’s self-publishing past (a usual deal killer)—she builds upon momentum she has already established, pointing out that her self-published book enjoyed real success in online sales and through word of mouth.
After Suzanne sent me this letter, the supposedly “impossible” happened: Her previously self-published book sold to Crown Books/Random House for a six-figure advance in auction, and quickly went into multiple printings. It became a New York Times and Los Angeles Times bestseller.

BUY Publish Your Nonfiction Book
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Memoir | Successful Queries
Sunday, March 07, 2010 7:59:09 PM (Eastern Standard Time, UTC-05:00)
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 Wednesday, February 17, 2010
Successful Queries: Agent Laney Katz Becker and 'Simply From Scratch'
Posted by Chuck
This series is called "Successful Queries" and
I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 27th installment in this series is with agent Laney Katz Becker (Markson Thoma Literary Agency) and her author, Alicia Bessette, for her upmarket women's fiction book, Simply From Scratch.
Dear Ms. Katz Becker,
Please consider representing my upmarket women's novel, Simply From Scratch. Her husband died more than a year ago, yet 34-year-old medical illustrator Rosellen Roy still feels raw and a bit undone. Her reticent widowhood is disrupted when she forms an unlikely friendship with a spirited nine-year-old, Ingrid, who insists that celebrity chef Polly Pinch is her real mother. The pair aims to win a high-stakes Polly Pinch baking contest, donating the winnings. But when Ingrid disappears in a blizzard, Rosellen's fear of love lost is reawakened. Simply From Scratch is set in Wippamunk, a fictional New England town where the locals are quirky as the foothills are wild. The story was loosely inspired by my work at a small-town newspaper in my native Massachusetts. I'm a staff writer for the alumnae magazine of Bryn Mawr College. I live outside Philadelphia with my husband Matthew Quick (author of The Silver Linings Playbook, FSG/Sarah Crichton Books) and our greyhound, a retired racer. Thank you for taking the time to review my query. My 85,000-word manuscript is available for consideration. I look forward to hearing from you.
Sincerely, Alicia Bessette
Commentary from Laney
True confession time: When queries for fiction
don’t include the first few pages of the novel, I typically just pass.
I like to be able to just scroll down and check out the author’s
writing style before I ask for more material. BUT—When Alicia Bessette’s query for first came to me, I knew
it was something I wanted to take a look at.
The query opening is not the most creative, but it
identifies the project, so at least I know it’s the kind of novel I
represent.
After reading the pitch, I’m loving this because it all sounds so fresh. You can literally go through each sentence and not come up with
another novel that features the same thing. For instance, can you name
another book where the protagonist is a medical illustrator? How about
a story where a young girl and an adult woman (who aren’t related) form
some special bond? And a celebrity chef?! It all just sounds like a
story I haven’t read before—and I really like that.
She says the characters are quirky. I’m not a big fan of quirky, but she’s got
me hooked. I’m definitely asking for the first 50 pages. Her credentials don't knock my socks off, but I always like it when first-time authors have some
writing experience. The fact that her hubby’s an author is also
good because she will likely have realistic expectations. Lastly, bless her heart—at 85,000 words, it’s a perfect length for this type of fiction.
I immediately read her 50
pages and then the entire manuscript.
And then ... what happened? Alicia writes about it (and more) on the Sept.
30, 2009 entry on The Debutante Ball website, where she blogs each
Wednesday. Simply From Scratch comes out Aug. 10, 2010. (If you’re in a reading group or just love upmarket women’s
fiction, you can mark your calendars NOW, because this is a novel you
won’t want to miss!)
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Successful Queries | Women's Fiction
Wednesday, February 17, 2010 10:41:29 AM (Eastern Standard Time, UTC-05:00)
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 Saturday, February 06, 2010
Successful Queries: Agent Tina Wexler and 'Tagged'
Posted by Chuck
This series is called "Successful Queries" and
I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 26th installment in this series is with agent Tina Wexler (ICM) and her author, Mara Purnhagen, for her young adult book, Tagged.

Dear Ms. Wexler,
Sixteen-year-old
Kate Morgan is just as baffled as the rest of the Cleary High School
student body when gorillas invade their town. Okay, they’re not real
gorillas, just life-like renderings painted on the buildings, but
still. Why would anyone go to so much trouble?
A mysterious
graffiti artist isn’t the only thing causing an uproar in Cleary. The
school’s resident rich girl is throwing a sweet sixteen bash complete
with an MTV camera crew, a live band, and an ultra exclusive guest
list, which, to Kate’s shock, includes her but not Lan, her Vietnamese
best friend. Kate is determined to acquire an invitation for Lan, but
the birthday girl isn’t budging- until she needs a peculiar favor from
Kate.
Shy and sensitive Kate is also trying to conceal her
crush on Eli, a guy she works with at the local coffee shop. Ever since
she was dumped by her first boyfriend months earlier, Kate has turned
to Eli for support and now hopes their friendship can turn into
something deeper. However, Eli’s girlfriend, Reva, has made it clear
that he’s taken, and with her fiery temper and razor-sharp nails, she’s
the last person in the world Kate wants to anger. Kate suspects that
Reva may be involved with the graffiti, or worse, that she’s covering
for Eli and his friends.
Both the graffiti and the party spark
debate among the students at Cleary. Some think that the graffiti is a
crime while others classify it as art. Some want more than anything to
be invited to the party so they can cash in on their fifteen minutes of
televised fame while others plan to boycott the over-the-top snobfest.
Kate falls somewhere in the middle of both issues until the night of
the party, when she learns the truth behind the graffiti- and the real
reason why Lan has been left off the guest list.
My short fiction has been published in Orpheus and the GSU Review.
I won the 2003 Hardegree Prize for Fiction, a regional award sponsored
by the Hub City Writers Group. I am also a member of the SCBWI.
Tagged is a completed 49,500-word young adult novel. I would be happy to send sample chapters. Thank you very much for your time.
Sincerely,
Mara Purnhagen
Commentary from Tina
Mara's
query caught my eye with the very first sentence. (Did she say
gorillas?!) I had to find out more based on that line alone. And
who doesn't love a secret crush and a school divided by the whims of
the popular, tough choices between best friends and peculiar favors?
I'm also interested in art and in general interested in YAs that
explore issues beyond the high school bubble, so I was excited to see
that this story would be exploring What IS art?. Lastly, I was a big Veronica Mars fan (sniffle), and the mysteries at the core of this story made me think that Tagged
might fill the void left by that show's cancellation, which in my mind
is as good a reason as any to ask to see a manuscript. ; ) Of
course, it's also just a well-written query, with the right amount of
personality and professionalism, a solid bio, etc. I was thrilled when
I received pages and found Tagged to be exactly what her letter promised--and more!
This post is an online exclusive complement to a spotlight on Mara in the March/April 2010 issue of WD. If you don't have a sub to Writer's Digest, what are you waiting for? Get one now!
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Breaking In (Writer's Digest) | Successful Queries
Saturday, February 06, 2010 10:04:42 AM (Eastern Standard Time, UTC-05:00)
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 Thursday, January 14, 2010
Successful Queries: Agent Jeff Kleinman and 'The Art of Racing in the Rain'
Posted by Chuck
This series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 25th installment in this series is with agent Jeff Kleinman (Folio Literary) and his author, Garth Stein, for his book, The Art of Racing in the Rain.
From: Garth Stein To: Jeff Kleinman Re: Query: “The Art of Racing in the Rain”
Dear Mr. Kleinman:
Saturday night I was participating in a fundraiser for the King County Library System out here in the Pacific Northwest, and I met your client, Layne Maheu. He spoke very highly of you and suggested that I contact you...
I am a Seattle writer with two published novels. I have recently completed my third novel, The Art of Racing in the Rain, and I find myself in a difficult situation: my new book is narrated by a dog, and my current agent told me that he cannot (or will not) sell it for that very reason. Thus, I am seeking new representation.
The Art of Racing in the Rain is the story of Denny Swift, a race car driver who faces profound obstacles in his life, and ultimately overcomes them by applying the same techniques that have made him successful on the track. His story is narrated by his "philosopher dog," Enzo, who, having a nearly human soul (and an obsession with opposable thumbs), believes he will return as a man in his next lifetime.
My last novel, How Evan Broke His Head and Other Secrets, won a 2006 Pacific Northwest Booksellers Association Book Award, and since the award ceremony a year ago, I have given many readings, workshops, and lectures promoting the book When time has permitted, I've read the first chapter from The Art of Racing in the Rain. Audience members have been universally enthusiastic and vocal in their response, and the first question asked is always: "When can I buy the book about the dog?" Also very positive.
I'm inserting, below, a short synopsis of The Art of Racing in the Rain, and my biography. Please let me know if the novel interests you; I would be happy to send you the manuscript.
Sincerely,
Garth Stein
Commentary from Jeff
Let's start from the beginning. First of all, putting both the words “Query” and the title of the book on the subject line of an e-mail makes it clear why you’re writing—and it often keeps your e-mail from falling into the spam folder.
One of the best ways of starting out correspondence is figuring out your connection to the agent. It’s always best to have a referral, but if you don’t know a lot of writers, try to determine if the agent represents any authors you like. Similarly, find first novels you really love, and look in the acknowledgments section—it’s where most authors thank their agent.
The author has some kind of track record. Who’s the publisher, though? Were these both self-published novels, or were there reputable publishers involved? (I’ll read on, and hope I find out.) Then it hits—a-ha—so he had an agent. This seems promising, but also know this kind of approach can backfire, because we agents tend to be like sheep—what one doesn’t like, the rest of us are wary of, too (or, conversely, what one likes, we all like). But in this case getting in the “two published novels” early is definitely helpful. Also, there’s something in the “Thus” that, to me, spoke of the author’s determination not to give up just because one agent didn’t like it.
The third paragraph is the key pitch paragraph and Garth gives a great description of the book—he sums it up, gives us a feel for what we’re going to get. It’s short and gets the job done. This is the most important part of your letter.
Obviously it's nice to see the author’s winning awards. Also good—the author’s not afraid of promoting the book himself. By now I’m salivating, wanting to see this. The end is simple and easy—it doesn’t speak of desperation, or doubt, or anything other than polite willingness to help. And all the punctuation was in the right spot. That’s it. He’s done. Mission accomplished.
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Literary Fiction | Successful Queries
Thursday, January 14, 2010 10:21:02 AM (Eastern Standard Time, UTC-05:00)
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 Tuesday, January 05, 2010
Successful Queries: Agent Ted Malawer and 'My Big Nose and Other Natural Disasters'
Posted by Chuck
This series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 24th installment in this series is with agent Ted Malawer (Upstart Crow Literary) and his author, Sydney Salter, for her book, My Big Nose and Other Natural Disasters, a young adult novel. Besides Big Nose, Sydney also has written a nonfiction kids book, Jungle Crossing, and has a second YA novel coming out in 2010 called Swoon At Your Own Risk (Harcourt/Graphia).

Buy "My Big Nose and Other Natural Disasters"
Dear Mr. Malawer,
I would like you to represent my 65,000-word contemporary teen novel My Big Nose & Other Natural Disasters.
Seventeen-year-old Jory Michaels wakes up on the first day of summer vacation with her same old big nose, no passion in her life (in the creative sense of the word), and all signs still pointing to her dying a virgin. Plus, her mother is busy roasting a chicken for Day #6 of the Dinner For Breakfast Diet.
In spite of her driving record (it was an accident!), Jory gets a job delivering flowers and cakes to Reno’s casinos and wedding chapels. She also comes up with a new summer goal: saving for a life-altering nose job. She and her new nose will attract a fabulous boyfriend. Nothing like the shameless flirt Tyler Briggs, or Tom who’s always nice but never calls. Maybe she’ll find someone kind of like Gideon at the Jewel Café, except better looking and not quite so different. Jory survives various summer disasters like doing yoga after sampling Mom’s Cabbage Soup Diet, Enforced Mother Bonding With Crazy Nose Obsessed Daughter Night, and discovering Tyler’s big secret. But will she learn to accept herself and maybe even find her passion, in the creative (AND romantic!) sense of the word?
I have written for APPLESEEDS, Children’s Playmate, Confetti, FACES, Hopscotch, Story Friends, Wee Ones Magazine, the Deseret News, and Blooming Tree Press’ Summer Shorts anthology. I won the Utah Arts Council prize for Not-A-Dr. Logan’s Divorce Book. My novels Jungle Crossing and Going Native! each won first prize in the League of Utah Writers contest. I am currently serving as a Regional Advisor for SCBWI.
I submitted My Big Nose & Other Natural Disasters to Krista Marino at Delacorte because she requested it during our critique at the summer SCBWI conference (no response yet).
Thank you for your time and attention. I look forward to hearing from you.
Sincerely,
Sydney Salter Husseman Enclosures: Sample Chapters of My Big Nose & Other Natural Disasters, synopsis, biography & SASE
Commentary from Ted:
When I first started agenting, I was working as an assistant at Firebrand Literary, going through the slush—which, in our case, was electronic. With hundreds and hundreds of queries, it’s tough to stand out. Sydney, however, did just that. First, she had a great title that totally made me laugh. Second, she sets up her main character’s dilemma in a succinct and interesting way. In one simple paragraph, I had a great idea of who Jory was and what her life was about—the interesting tidbit about her mother help show the novel’s sense of humor, too.
Sydney’s largest paragraph sets up the plot, the conflict, and introduces some exciting potential love interests and misadventures that I was excited to read about. Again, Sydney really showed off her fantastic sense of humor, and she left me hanging with a question that I needed an answer to. I already knew I would request this manuscript and hope that her writing lived up to the potential of her query. (Luckily, Sydney not only met my expectations—she exceeded them!)
Her fourth paragraph demonstrated she has writing and experience and has completed other manuscripts that were prize-worthy. Her SCBWI membership—while not a necessity—showed me that she had an understanding of and an interest in the children’s publishing world. Lastly, the fact that an editor requested the manuscript is always a good sign. Because I knew Krista personally and highly valued her opinion was, as Sydney’s main character Jory would say, “The icing on the cake.” The book came out in April 2009.

Writer Sydney Salter is based in Utah and writes kids fiction and nonfiction. See her fun website here.
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Children's Writing | Successful Queries
Tuesday, January 05, 2010 8:17:06 PM (Eastern Standard Time, UTC-05:00)
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 Thursday, December 17, 2009
Successful Queries: Agent Caryn Wiseman and 'Escape From Camp David'
Posted by Chuck
This new series is called "Successful Queries" and
I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 23rd installment in this series is with agent Caryn Wiseman (Andrea Brown Literary Agency) and her author, Dee Garretson, for her book, Escape From Camp David, a kids adventure. The book is set for release in August 2010 (Harper Collins Canada) and was recently retitled Wildfire at Camp David.

Dear Ms. Wiseman:
Everyone assumes Camp David must be one of the safest places on earth, but what would happen if a natural disaster caused the security systems to turn the retreat into a prison? Escape From Camp David is a young adult manuscript approximately 40,000 words in length. I read on your bio you were interested in stories that would appeal to boys, so I thought you might be interested in this.
Just once Luke Brockett would like to do something slightly dangerous, but when your father is the President of the United States, that is not an option. Always surrounded by Secret Service agents and kept in a bubble of safety, Luke sees Camp David, the presidential retreat in the woods of Maryland, as the only place where he can almost normal. For one week in August, Luke's mother has arranged for Luke to have a 'summer camp' experience, if summer camp had only three kids and the counselors carried automatic weapons. The experience comes to a quick end when a forest fire surrounds Camp David. Luke and his friends are trapped inside, left on their own, the Secret Service agents incapacitated, forcing the three to outwit security systems designed to be unbeatable before the fire gets to them.
While it isn’t possible for the average person to know exactly how Camp David is protected, some educated guesses can be made to make this story plausible. I have a degree in International Relations from Tufts University, and have been careful to research both the lives of presidential children and the details of any government references in the story. This is the first of a planned series; a president's son as a main character can have many adventures other children could not.
Thank you,
Dee Garretson
Commentary from Caryn
This query interested me for several reasons. It's a great high-concept premise, and the author gives me the hook right in the first line. She also shows in the first paragraph that she really has looked at our website and identified me as the right agent for her, due to my interest in "boy" books. Too often, this is not the case. Although our website clearly states that I don't handle adult work, you'd be amazed at how many adult queries I receive! Although the query letter is on the short side, the author definitely did her job in piquing my interest with it. She gives me the word count right up front, so I know that her manuscript is not way too short or way too long for the genre.
In the second and third paragraphs, the author gives a succinct synopsis of the plot, that demonstrates, even in this brief paragraph, that she is a talented writer with a humorous side. I was also pleased to note that, although this is fiction, she had done her research, making for a more believable story. She also mentions that this is the first of a planned series, although I might have liked a more convincing reason. Series really need a raison d'etre, not just "I like the characters". Still, I think she is right in saying that a president's son can have adventures that other children can not.
The author could have done a better job in closing her query letter, although I was already hooked. She also could have let me know whether or not the submission was exclusive; I assume that it is not, but it helps to have confirmation. HarperCollins has decided to make this a series, called Danger's Edge. The second book in the series, Blizzard on Wolf Mountain, be released in Winter 12. The first book has been retitled, Danger's Edge: Wildfire at Camp David.
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Children's Writing | Successful Queries
Thursday, December 17, 2009 3:52:42 PM (Eastern Standard Time, UTC-05:00)
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 Thursday, December 10, 2009
Successful Queries: Agent Kristin Nelson and 'Proof by Seduction'
Posted by Chuck
This new series is called "Successful Queries" and
I'm posting actual query letters that succeeded in getting writers
signed with agents. In addition to posting the actual query letter, we
will also get to hear thoughts from the agent as to why the letter
worked.
The 22nd installment in this series is with agent Kristin Nelson (Nelson Literary) and her author, Courtney Milan, for her book, Proof by Seduction, a historical romance.

Buy "Proof of Seduction"
Dear Ms. Megibow:
I met Ms. Nelson this last weekend at a pitch appointment at the Chicago Spring Fling conference. She had spoken with Sherry Thomas earlier about my historical romance, Proof by Seduction. Ms. Nelson asked me to send you the full, which is now attached.
As one of London's premier fortune tellers, Jenny Keeble knows all about lies. After all, the fastest way to make money is to tell people what they want to hear. It works—until Gareth Carhart, the Marquess of Blakely, vows to prove what he and Jenny both know: that Jenny is a fraud.
Gareth only wants to extricate his naïve young cousin and heir from an unhealthy influence. The last thing the rigidly scientific marquis expects is his visceral reaction to the intelligent, tenacious, and—as revealed by a wardrobe malfunction—very desirable fortune teller. But she enrages him. She tempts him. She causes him to lose his head entirely and offer a prediction of his own: He'll have her in bed before the month is out. The battle lines are drawn. Jenny can't lose her livelihood, Gareth won't abandon logic, and neither is prepared to accept love.
I am a finalist in Romance Writers of America's Golden Heart competition for unpublished romance. I currently work as a lawyer … My romance writing interests may seem rather different from my daily writing, where I focus on law issues. But all good lawyers are, at heart, just storytellers, and I find the two writing practices balance each other.Please feel free to contact me if you have any additional questions, and thank you for taking the time to consider my manuscript.
Sincerely, Courtney Milan
Commentary from Kristin
Okay, at first I thought the whole fortune
teller angle was a little contrived, but she puts a different spin on it
with her insight of how well it works in terms of telling people what
they want to hear. It struck me right away that this author might be
using this plot set up for a different purpose. I was right.
I’m completely won over by the time I read the second pitch paragraph. Courtney does a
great job of outlining the opening plot catalyst that launches the
story (removing the heir from her clutches), of giving character
insight (rigidly scientific marquis), and adding an amusing touch with
the wardrobe malfunction line. I sense this work is going to be witty
and it doesn’t disappoint. The crux of the conflict neatly explained. Also,
her use of the words “enrages,” and “tempts” leads me to think it will
be sexy and I kind of like that in historicals.
I requested the full manuscript right then
and there. This novel plus a second book sold for six
figures to Harlequin at auction. (By the way, I deleted some bio information in the query at Courtney's request.)
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Romance | Successful Queries
Thursday, December 10, 2009 11:27:33 AM (Eastern Standard Time, UTC-05:00)
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 Thursday, December 03, 2009
Successful Queries: Agent Mollie Glick and 'Queen of the Road'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 21st installment in this series is with agent Mollie Glick (Foundry Literary + Media) and her author, Doreen Orion, for her book, Queen of the Road: The True Tale of 47 States, 22,000 Miles, 200 Shoes, 2 Cats, 1 Poodle, a Husband, and a Bus with a Will of Its Own. This query excerpted from the 2010 Guide to Literary Agents. If you buy the book, you can enjoy Mollie Glick's awesome advice on writing a great query letter.
Dear Ms. Glick: I am a psychiatrist, published author, and expert for the national media seeking representation for my memoir titled, Queen of the Road: The True Tale of 47 States, 22,000 Miles, 200 Shoes, 2 Cats, 1 Poodle, a Husband, and a Bus with a Will of Its Own. Because you are interested in unique voices, I thought we might be a good match.
When Tim first announced he wanted to “chuck it all” and travel around the country in a converted bus for a year, I gave this profound and potentially life-altering notion all the thoughtful consideration it deserved. “Why can’t you be like a normal husband with a midlife crisis and have an affair or buy a Corvette?” I asked, adding, “I will never, ever, EVER live on a bus.”
What do you get when you cram married shrinks—one in a midlife crisis, the other his materialistic, wise-cracking wife—two cats who hate each other and a Standard Poodle who loves licking them all, into a bus for a year? Queen of the Road is a memoir of my dysfunctional, multi-species family’s travels to and travails in the 49 continental states. (Tim insisted on seeing them all, despite my assurances that there were a few we could skip.)
As a psychiatrist, award-winning author (I Know You Really Love Me, Macmillan/Dell) and frequent media expert on psychiatric topics, (including Larry King, GMA, 48 Hours, The New York Times and People Magazine), my life has centered on introspection, analysis and storytelling. Yet, I count among my greatest accomplishments that last year, our bus was featured as the centerfold of Bus Conversions Magazine, thus fulfilling my life-long ambition of becoming a Miss September.
The story of our year-long adventure is already garnering interest in the media and has been mentioned in AMA News (circulation 250,000, and this journal of the American Medical Association has already agreed to review the book with an author interview when it comes out), Woman’s Day, Quick and Simple, Match.com and Best Life Magazine. An upcoming Parade Magazine article on the growing phenomenon of mid-life career breaks (who knew I was a trend setter?) will include a photo of Tim and me, along with our story. My blog of our trip has also been mentioned in Andy Serwer’s Street Life ecolumn (Fortune Magazine).
I hope you are interested in seeing the proposal and if so, would be most happy to send it to you via e-mail or snail mail.
Best wishes,
Doreen Orion
Commentary from Mollie:
Doreen Orion’s query caught my attention for three reasons. First, it was professional. A good query letter is a lot like a good cover letter. It should be well structured and grammatically correct with an appropriate salutation. The author’s contact information should be easily located, and the tone should be polite and professional. It didn't take long for Doreen to get to the hook, or "elevator pitch," and quickly explain what her memoir was about. Second, it did a great job conveying both the subject matter and tone of the book. If you’re writing a humorous memoir like Doreen, it’s OK to inject a bit of humor into your query—just make sure your letter isn’t so informal that it’s off-putting. Third, Doreen’s sums up her platform—i.e., why she’s the go-to-gal to write this book, and how she’s going to get media attention for it—nicely. Her writing credits are impressive and she's obviously got the connections in place to spread the word about this book once it came out.
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Memoir | Successful Queries
Thursday, December 03, 2009 10:57:06 AM (Eastern Standard Time, UTC-05:00)
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 Thursday, November 19, 2009
Successful Queries: Agent Sharlene Martin and 'River of No Return: Tennessee Ernie Ford and the Woman He Loved'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 20th installment in this series is with agent Sharlene Martin (Martin Literary Management) and her author, Jeffrey Buckner Ford, for his book, River of No Return: Tennessee Ernie Ford of the Woman He Loved.
This query excerpted from Sharlene's awesome new work, Publish Your Nonfiction Book, out this month (Nov. 2009). If you're looking to sell a book proposal, this book is a must-buy.

Dear Ms. Martin:
I'm sure I've browsed to your site several hundred times if once, and I continue to come back; drawn primarily, I think, by the evident priority that you place on your authors.
Ernie and His Lovely Wife, Betty is a narrative recounting of the lives of Betty Jean Ford and her husband, Ernest, the man known to the world as Tennessee Ernie Ford. In a career that lasted half a century, Ernie Ford achieved a degree of fame that went beyond his success as an entertainer. It was a fame that weaved him into the fabric of popular culture, and earned him a permanence in history: three stars on the Hollywood Walk of Fame, walls of Gold and Platinum records, and a television legacy spanning generations.
But Ernie and His Lovely Wife, Betty is not a biography of Ernie Ford, but rather, a record of the lives of two people. It is a portrayal of the complex and beautiful woman who shared his life; a gifted artist the world would never know, whose own star might one day have eclipsed even his, but instead, slowly faded over the years, paling under the weight of the lengthening shadow unwillingly cast by the man she loved - a shadow she believed she could escape, but only by taking her own life.
From their first meeting on a desert airbase at the dawn of World War II, to their last moments together nearly half a century later, the story of Ernie and his lovely wife, Betty, is an American love story, an American tregedy; a portrait of an ordinary family changed forever by an extraordinary life. A family whose story is also my own. Ernest Jennings and Betty Jean Ford were my mother and dad.
I am haunted by the memory of these two souls. I am gripped by the arc of their radiant lives, and wounded by the memories of their deaths, This book is my hope of healing those wounds; a hope bound with the promise that one day I would tell their story.
The book stands completed at just over 92,000 words. I would be honored if you would consider reviewing a partial submission.
Jeffrey Buckner Ford
Commentary from Sharlene
As you see, there is a blood relation in this nostalgic celebrity memoir, but it is a mistake to think that just because you are related to somebody famous, you have an actual book in you. Relationships are one thing, but you are either able to write about them with alacrity and depth of insight, or you are not.
This author is careful to explain his protagonist in paragraph two, so that you know what the scope of his story will be. But it is in the third paragraph where Jeffrey Ford demonstrates why he was not merely born into this family; he was born to write this book. The paragraph is consumed mostly by the second sentence, and after reading it, can you doubt that this writer possesses the sensibilities required to tell this powerful tale of quiet frustration?
This author also took the impressive step of writing a complete draft before seeking literary representation, although this can sometimes work against you. With memoirs, which are more narrative in nature, writing a full draft can be helpful. However, many publishers of nonfiction books like to have some input into the flow of the information and the text. Before the book is sold, it usually is best to put your time and energy into your platform, your proposal, and then your query - in that order.
River of No Return: Tennessee Ernie Ford and the Woman He Loved sold to Cumberland House in Tennessee, in Ernie Ford's hometown of Nashville.

BUY Publish Your Nonfiction Book Narrative Nonfiction | Successful Queries
Thursday, November 19, 2009 12:42:30 AM (Eastern Standard Time, UTC-05:00)
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 Tuesday, November 10, 2009
Successful Queries: Agent Michelle Wolfson and 'Buy Ketchup in May and Fly at Noon'
Posted by Chuck
I'm re-posting this Successful Query in honor of the book reaching the NYT best-seller list this week. Congrats to Michelle and Mark.
--------
This series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The first installment of this series is with agent Michelle Wolfson (Wolfson Literary), and her client, Mark Di Vincenzo, and his book, Buy Ketchup in May and Fly at Noon: A Guide to the Best Time to Buy This, Do That and Go There.

Dear Ms. Wolfson, Have you ever wanted to know the best day of the week to buy groceries or go out to dinner? Have you ever wondered about the best time of day to send an email or ask for a raise? What about the best time of day to schedule a surgery or a haircut? What’s the best day of the week to avoid lines at the Louvre? What’s the best day of the month to make an offer on a house? What’s the best time of day to ask someone out on a date?
My book, Timing is Everything: A Guide to the Best Time to Buy This, Do That and Go There, has the answers to these questions and hundreds more.
As a long-time print journalist, I’ve been privy to readership surveys that show people can’t get enough of newspaper and magazine stories about the best time to buy or do things. This book puts several hundreds of questions and answers in one place -- a succinct, large-print reference book that readers will feel like they need to own. Why? Because it will save them time and money, and it will give them valuable information about issues related to health, education, travel, the workplace and more. In short, it will make them smarter, so they can make better decisions.
Best of all, the information in this book is relevant to anyone, whether they live in Virginia or the Virgin Islands, Portland, Oregon, or Portland, Maine. In fact, much of the book will find an audience in Europe, Australia and Latin America.
I‘ve worked as a journalist since 1984 and have made a name for myself as someone who exposes wrongs, such as rampant abuses at mental hospitals and decades of neglect by government agencies that monitor the environment. I've won numerous awards, competing against reporters from The Washington Post, The Washington Times, the Associated Press, the Richmond-Times Dispatch and The (Norfolk) Virginian-Pilot. In 1999, the Virginia Press Association created an award for the best news writing portfolio in the state – the closest thing Virginia had to a reporter-of-the-year award. I won it that year and then again in 2000. The next year I beat out reporters from The Charlotte Observer and the Atlanta Journal-Constitution to win the Southern Environmental Law Center’s first-place journalism award. I then became metro editor at a 100,000-circulation newspaper in Newport News, Va. Over the years, I’ve honed my long-form writing skills by doing magazine cover stories and writing short stories. During the summer of 2007, I left newspapering to pursue book projects and long-form journalism.
I saw your name on a list of top literary agents for self-help books, and I read on your Web site that you're interested in books that offer practical advice. Timing Is Everything offers plenty of that. Please let me know if you'd like to read my proposal.
Sincerely, Mark Di Vincenzo
Commentary from Michelle:
This query caught my attention and I requested it less than 3 hours after I received it. I’m pleased to say that Mark became my client and his book, with the new title Buy Ketchup in May and Fly at Noon: A Guide to the Best Time to Buy This, Do That, and Go There will be coming out from Harper Collins in October.
I loved the opening to Mark’s query. I tend to prefer it when authors jump right into the heart of their book, the exception being if we’ve met at a conference or have some other personal connection. Otherwise, it’s safe to assume I know you are looking for representation and I like to get down to business.
Mark chose clever questions for the opening of the query. All of those questions are in fact relevant to my life—with groceries, dinner, e-mail, and a raise—and yet I don’t have a definitive answer to them. Then the next paragraph he got a little more offbeat and unusual with questions regarding surgery, the Louvre, buying a house and dating. This showed a quirkier side to the book and also the range of topics it was going to cover. So I knew right away there was going to be a mix of useful and quirky information on a broad range of topics.
The next sentence was great. By starting with “As a long-time print journalist,” Mark immediately established his credibility for writing on this topic. While I needed more—which he provided later—this was great to know right away that he had experience researching topics. And the second half of that sentence helped show that there is a market for this book. This established the need for such a book.
And what do you know? Mark had the solution! A book that answers that need. And he does, in the rest of that paragraph. I think he could have shortened it a drop maybe to “…hundreds of questions and answers with valuable information about issues related to…” I would also be careful not to be too specific about how you envision the final book, and this is something I am always changing with authors in their proposals, since if editors see it differently, you may turn them off by having such a rigid format already described. Why large print? Who knows. I would not put that in a query.
Mark’s next paragraph is interesting because I like it if an author can describe his target audience. However, when most authors say their audience is everyone, as many do, I pretty much automatically reject it. And even as I type this, a query comes in for a YA vampire novel that will, “find a market in most reading ages, similar to the first couple Harry Potter books.” But Mark’s book really does have broad market appeal and he made his point based on a regional basis rather than age, although I think it cuts both ways in this particular case. But keep in mind this is a reference book—and facts are facts and they really do apply to all people.
Mark’s bio paragraph is a little on the long side but offers a lot of good information. Again, I think a journalist is the perfect background for this kind of book since being an expert on any one thing wouldn’t help; you really need to be an expert in researching information and delivering it in an entertaining readable fashion. Overall, I felt I gleaned enough information to feel confident that we could present Mark’s platform in an impressive enough manner to find a publisher.
I liked Mark’s final paragraph, of course, since it’s all about me! Seriously though, it is nice when I feel like an author has sought me out specifically and thinks we would be a good fit. Here I am saying Mark is going to be doing a research heavy book and he has taken the time to research agents as well and has personalized his query with a little flattery thrown in. Always a nice touch.
Of course, now that I’m looking at the query with an eye towards critiquing the query itself, I will comment on the little nitpicky things that I notice, but wouldn’t necessarily stop me from requesting something. Since I just mentioned personalization, I’ll say that on closer inspection, I noticed that the "Dear Ms. Wolfson," is in a different font than the rest of the query. Now I don’t expect you to send me an exclusive query; in fact, I hate them since I then feel pressured to respond right away when that’s not how I generally work if I’m not interested. But you could at least make me feel like you’ve typed it out just for me, and a different font calls attention to a writer's admirable, yet meant to be secret, time-saving methods.
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Nonfiction | Successful Queries
Tuesday, November 10, 2009 10:27:57 AM (Eastern Standard Time, UTC-05:00)
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 Tuesday, November 03, 2009
Successful Queries: Agent Joanna Stampfel-Volpe and 'Sway'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 19th installment in this series is with agent Joanna Stampfel Volpe (Nancy Coffey Literary) and her author, Amber McRee Turner, for her book, Sway, which was just recently sold to Hyperion/Disney.
In lieu of the book cover (forthcoming), how about this photo of Amber Turner (right) and her mom, Pat. Credit: Skirt! Memphis.
Dear Ms. Volpe,
Eleven-year-old Cass Nordenhauer had always been bundled in the admiration she felt for her mother’s storm clean-up work with the Southern Mobile Aid Response Team. Her pride rises near flood level when Mom announces her enrollment in meteorology school, where Toodi Bleu Nordenhauer plans to become “Toodi Bleu Skies.” Not so honorable, it turns out, is a soon-to-be-famous mother whose dream will be financed by a new man. Or better yet, a news man.
Reeling emotionally from the storm caused by her mom’s betrayal, Cass is sentenced to a summer ride-along with her seemingly lackluster dad, Douglas Nordenhauer, seller of frozen meats. When Cass reluctantly boards her new world-on-wheels, an old RV nicknamed “The Roast,” she’s increasingly captivated by the mysterious objects she finds – a freshly-glittered wagon, a trunk full of smelly shoes, a tambourine dripping with ribbons, and a unique method of navigation, Ye Olde Sneaker Reacher. It’s when Cass is introduced to her dad’s alter ego, “Make Believe McClean, Traveling Soap Sliver Salesman,” that she realizes she’s in for no run-of-the-mill beef jerky road trip. M.B. McClean wears a snug lime-striped suit. He sings Gordon Lightfoot. He’s got a suitcase full of magical soap slivers, and a whole lot of sway. And in one summer, M.B. McClean will escort his daughter from wonder to disgust and back home again, where Cass’ own special sway can take root.
Sway, a contemporary middle grade novel, is the story of a season with Cass and Make Believe McClean and the wounded-but-wise characters they meet along the way. It’s an adventure sudsy with southern gothic appeal, filled with arm-wrestling ghosts, sunken bumper boats, tumped port-o-potties, and fruity-chewy wax lips. It’s about the power of old soaps and lost shoes and how just the right combination of the two allow Cass to wash her hands of the past and look toward a future foaming with magic … with a new appreciation for “1 big can of lye.”
In 1993, I received a degree in Fiction Writing from Rhodes College, where I won both the Jane Donaldson Kepple writing prize and the Memphis Magazine fiction contest student award. I’ve had soap sliver sway oozing out my ears since that year. Thank you, Ms. Volpe, for your consideration of this query. At your request, I will be happy to send along part of the story, which is complete at 32,900 words.
Regards,
Amber McRee Turner
Commentary from Joanna
Every time I read it, I'm reminded that I love, love this query just so darn much. Here's why: the voice. Every sentence of this query is just oozing with eleven-year-old Cass Nordenhauer's voice. The play on words and witty but child-like descriptions caught me immediately. So I just had to request the manuscript to see if it delivered, and it did.
Not every query has to convey your protagonist's voice to be successful. But this story isn't high concept, it isn't super commercial and it isn't about vampires—so it's not exactly easy to pitch the plot and sound interesting. It's about a girl whose mom leaves. She goes on a forced-summer road trip with her least favorite parent—Dad. She learns a lesson. Their relationship grows. Sounds real interesting, right? Well, no. No it doesn't.
But what makes this story stand out is the honest voice, the beautiful prose, the real-to-life but still unbelievable twists and turns that Cass and her dad take along the way. Amber had to show this in her letter to make it stand out, and she certainly did. Now, typically I don't love a third paragraph that tells me why this story is wonderful. I usually like the summary to just speak for itself. But in this query Amber did something else that worked. She wrote that paragraph in Cass' voice too.
So for those of you out there telling a coming-of-age type story (sans vampires or zombies), one way to make your query stand out is by letting that voice really shine in your query. Introduce us to your main character right away. Let him or her make us stand up and take note. I think Amber proves that it can work!
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Children's Writing | Successful Queries
Tuesday, November 03, 2009 9:44:46 AM (Eastern Standard Time, UTC-05:00)
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 Tuesday, October 27, 2009
Successful Queries: Agent Jessica Faust and 'The Accidental Demon Slayer'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 18th installment in this series is with agent Jessica Faust (BookEnds, LLC) and her author, Angie Fox, for her book, The Accidental Demon Slayer. Fox's popular book has already spawned two sequels.

Dear Ms. Faust,
Straight-laced preschool teacher, Lizzie Brown, never lies, never cusses, and doesn’t really care much for surprises. When her long lost Grandma Gertie shows up on her doorstep riding a neon pink Harley Davidson wearing a “kiss my asphalt” t-shirt and hauling a carpet bag full of Smuckers jars filled with road kill magic, Lizzie doesn’t think her life could get any stranger. That is, until her hyper-active terrier starts talking and an ancient demon decides to kill her from his perch on the back of her toilet.
Lizzie learns she’s a demon slayer, fated to square off with the devil’s top minion in, oh about two weeks. Sadly, she’s untrained, unfit and under attack. Grandma’s gang of fifty-something biker witches promises to whip Lizzie into shape, as long as she joins them out on the road. But Lizzie wants nothing to do with all this craziness. She simply wants her normal life back. When she accidentally botches the spell meant to protect her, she only has one choice – trust the utterly delicious but secretive man who claims to be her protector.
Dimitri Kallinikos has had enough. Cursed by a demon centuries ago, his formerly prominent clan has dwindled down to himself and his younger twin sisters, both of whom are now in the coma that precedes certain death. To break the curse, he must kill the demon behind it. Dimitri needs a slayer. At long last, he’s found Lizzie. But how do you talk a girl you’ve never met into going straight to Hell? Lie (and hope she forgives you). Dimitri decides to pass himself off as Lizzie’s fated protector in order to gain her trust and guide her towards this crucial mission. But will his choice to deceive her cost them their lives, or simply their hearts?
The Accidental Demon Slayer is an 85,000-word humorous paranormal. I’m a member of RWA and the partial manuscript placed first in the Windy City RWA’s Four Seasons contest. The judge for that contest, Leah Hultenschmidt of Dorchester Publishing, has just requested the full. As an advertising writer, I’ve won multiple awards for my work in radio dialogue.
I would be happy to send you the complete manuscript. Thank you for your consideration and time.
Sincerely,
Angie Fox Gwinner
Commentary from Jessica:
I think this is probably one of the more perfect query letters I’ve seen. Yes, the pitch paragraphs could probably be shortened to two at the most, but it works as is, possibly because Angie’s voice shines through in each paragraph. You might also notice that Angie used a different technique than most writers. She launched right into her pitch and kept the title, genre, and word count to the end. This worked for her. Instantly readers knew that this was humorous and got a great sense of her voice.
One thing you can't see with this letter is that Angie only included her e-mail address. This is fine, but I would suggest also including your phone number. You just never know when an agent would prefer to call and you always want to make it as easy on those agents as possible.
I think by reading this letter and knowing what the subject line said, you can see why I immediately jumped in and read this with enthusiasm. Angie e-mailed me the full manuscript and I read it quickly and offered representation. Well, we were more than delighted when Angie’s debut novel, The Accidental Demon Slayer, was published this year and spent two weeks on The New York Times extended list.

The Dangerous Book For Demon Slayers
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Successful Queries
Tuesday, October 27, 2009 6:53:46 PM (Eastern Standard Time, UTC-05:00)
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 Tuesday, October 20, 2009
Successful Queries: Agent Greg Daniel and 'Peaches & Daddy'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 17th installment in this series is with agent Greg Daniel (Daniel Literary) and his author, Michael M. Greenburg, for his book, Peaches & Daddy: A Story of the Roaring 20s, the Birth of Tabloid Media & Courtship That Captured the Heart and Imagination of the American Public.
Dear Mr. Daniel On the evening of March 5, 1926, 51-year-old Manhattan millionaire Edward “Daddy” Browning waltzed through the doors of the legendary Hotel McAlpin and into the life of a 15-year-old high school girl named Frances “Peaches” Heenan. Thirty-seven days later, with the Society for the Prevention of Cruelty to Children in close pursuit, they were married. Within 10 months, they would begin a courtroom drama that would capture the imagination of the American public and cast their impassioned saga into a national scandal. Peaches & Daddy: A Story of the Roaring 20s, the Birth of Tabloid Media & Courtship That Captured the Heart and Imagination of the American Public is a work of narrative nonfiction set in America’s “Era of Wonderful Nonsense,” and is a chronicle of the odd romance, marriage and ultimate legal battles waged by this publicity-craving Manhattan couple. It is the improbable yet compelling story of two social and cultural opposites who, together, would become one of the nation’s celebrated icons of the early 20th century. The shattered romance of Peaches and Daddy would find its breathtaking climax in a small-town courtroom packed to suffocation and stalked through the crosshairs of an expectant world. For five breathless days, hundreds of clamoring newspaper reporters and a wide-eyed public heard Peaches make allegations of "depraved tastes" and "abnormal activity," and they heard an indignant denial of it all from "Daddy." The bellowing press coverage and the ramifications of the final verdict would reverberate through the American conscience for years to come. I believe this book to be of broad public appeal in that it combines the scintillating fervor of scandal with the true-to-life detachment of history. Our readership will range from those with a whimsical or tabloid interest, to those desiring a more historical or biographical study. As a practicing attorney and as a past editor of the Pepperdine Law Review, I believe that I bring a unique perspective, via 22 years at my craft, to the true story of Peaches & Daddy and to the myriad of legal issues involved in their drama. I would be pleased to forward a full proposal and sample chapters upon your request. Thank you. Sincerely, Michael M. GreenburgCommentary from Greg:Michael's query letter is a perfect example of a writer saying no more and no less than need be. He obviously put a lot of work into not only writing this letter but editing it, as well. Most authors seem to forget that their query letters should be crafted and edited as painstakingly as their manuscripts. By the end of the first paragraph of Michael's letter, I was hooked and knew I wanted to read this narrative history.
For nonfiction, it's also important that an author have sufficient credentials for the book he is writing. And while Michael is not a professional historian, he is a lawyer with a love of history - and much of the intrigue of the Peaches and Daddy story resides in the courtroom drama that unfolds in the last half of the book. I signed Michael as a client, and Overlook Press bought this book with a preemptive offer and published it in 2008 to glowing reviews.

This post about agents was pulled from the current issue of Writer's Digest (Sept. 2009) Order it online to see more queries as well as our exclusive list of 24 Agents Who Want Your Work.
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Narrative Nonfiction | Successful Queries
Tuesday, October 20, 2009 3:55:03 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, October 12, 2009
Successful Queries: Agent Elisabeth Weed and 'The Last Will of Moira Leahy'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 16th installment in this series is with agent Elisabeth Weed (Weed Literary) and her author, Therese Walsh, for her book, The Last Will of Moira Leahy.

Dear Ms. Weed,
Allison Winn Scotch e-mailed me just a bit ago to say you'd be interested in hearing more about my manuscript. I'm thrilled for the opportunity, as Allison raves about you and I believe your agency would be a perfect fit for my work.
Weed Literary is looking for inventive storytelling. The Last Will of Moira Leahy is a 100,000 word commercial rite-of-passage tale about death, identity and acceptance, told through the eyes of twin sisters and woven with a fascinating mythology in the vein of Louise Erdrich's The Painted Drum. You're also seeking provocative fiction with a dash of humor. Though 9 out of 10 women cry when they read this story, they'll also laugh a lot.
Former musical prodigy Maeve Leahy has bound herself to the timeout chair of life. Though a decade has passed since losing her twin, Maeve's nightmares and musical hallucinations persist, and she still sees Moira's face whenever she looks in the mirror. It doesn't help that her mother shuns her, her best friend worries for her sanity, and her not-quite boyfriend leaves the country. When she finds a wavy dagger called a keris one night at auction, she recalls her carefree childhood and playing pirate on the Atlantic with her twin. She wins the blade, and its hidden consequences. Anonymous notes about the keris soon appear, rekindling her adventurous spirit. As she uncovers the blade's secrets, she may learn to embrace music, love and her reflection again, but will she be able to endure the cost?
The Javanese keris is a weapon with a documented history of effect, including the ability to decrease inhibitions, foretell the future, and more. The Last Will of Moira Leahy draws upon this rich lore as the story unfolds, but leaves the reader with the choice-to believe or not in an extraordinary possibility.
I have a master's degree in psychology and am an award-winning researcher. I'm a published nonfiction author with hundreds of articles in America's foremost health magazines and online health sites. I'm also the co-founder of Writer Unboxed, a popular genre fiction site.
I'd love to send you The Last Will of Moira Leahy if you think we'd be a good match. I appreciate your time and look forward to your response.
All best, Therese Walsh
Commentary from Elisabeth:
Let me start by saying that I've had a good laugh, rereading my original correspondence with Therese Walsh. She sent this query to me on May 22 - fifteen days after my son was born. I requested the first 50 pages a few days later and on June 10th asked her to mail me the entire novel (prior to my kindle purchase.) On June 18, I e-mailed, and I quote, "I am so totally madly in love with your novel!" I am still in shock that Teri decided to sign with ME for not being able to come up with praise that was a little more nuanced, but my point to any writer reading this is that we agents are desperate for quality fiction. We will read it on zero sleep with newborns in tow and send inarticulate emails of unadulterated enthusiasm to authors when we really do fall "totally madly in love."
Okay, now, in all seriousness, it did help that another author of mine had called me to see if I'd be open to hearing about Therese's book. There is no question that I responded faster because of that connection. And of course, I'd be lying if I didn't admit that Allison's kind words didn't put me in a good frame of mind. So don't be shy about complimenting the agents that you are querying. That said, I would have requested this regardless because the book just sounded so good! Teri managed to capture the moodiness of her novel in 3 concise paragraphs, and lucky for me, delivered on that promise in her pages. I actually ended up using "Former musical prodigy, Maeve...." until the end of her query as the basis of my pitch letter to editors. (Teri's book sold at auction in a pre-emptive major deal to Shaye Areheart for two books!)
I was also impressed with Teri's fiction site, Writer Unboxed. It's a beautifully designed and wonderfully helpful site for authors that she co-founded, and it was clear, from a cursory glance, had put her heart and soul into. In other words, I could tell this was an author with a passion for writing and for books.
Finally, on the more business side of things, she also queried me around the time that books with elements of magic were catching on and even though "Javanese keris" and" fascinating mythology" weren't, at first glance, exactly what I was looking for in a book, the atmosphere of the world she described piqued my own growing interest in finding more books that flirted with the supernatural.
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Successful Queries | Women's Fiction
Monday, October 12, 2009 4:10:36 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, October 07, 2009
Successful Queries: Agent Kristin Nelson and 'Hotel on the Corner of Bitter and Sweet'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 15th installment in this series is with agent Kristin Nelson (Nelson Literary) and her author, Jamie Ford, for his book, Hotel on the Corner of Bitter and Sweet.

Dear Ms. Nelson:
I must admit I hate Asian stereotypes. You know the ones. Good at math. Hardworking. We all look alike. Come to think of it, that last one might hold water. After all, my father once wore a button that read “I am Chinese,” while growing up in Seattle’s Chinatown during WWII. It was the only thing that separated him from the Japanese, at least in the eyes of his Caucasian neighbors.
Sad, but true. Which is probably why my novel has a little to do with that particular piece of history.
Anyway, the working title is The Panama Hotel, and when people ask me what the heck it’s all about I usually tell them this: “It’s the story of the Japanese internment in Seattle, seen through the eyes of a 12-year-old Chinese boy, who is sent to an all-white private school, where he falls in love with a 12-year-old Japanese girl.”
But it’s more complicated than that. It’s a bittersweet tale about racism, commitment and enduring hope––a noble romantic journey set in 1942, and later in 1986 when the belongings of 37 Japanese families were discovered in the basement of a condemned hotel.
This historical fiction novel is based on my Glimmer Train story, "I Am Chinese," which was a Top 25 Finalist in their Fall 2006 Short-Story Competition For New Writers. An excerpt was also published in the Picolata Review.
Think Amy Tan, but with a sweeter aftertaste.
Thank you for your consideration and time,
Jamie Ford
The Panama Hotel Historical Fiction 86,000 words / 353 pages
About the author: James “Jamie” Ford grew up near Seattle’s Chinatown and is busy writing his next novel, Rabbit Years. In addition to his Glimmer Train accolades, he took 1st Place in the 2006 Clarity of Night Short Fiction Contest. Jamie is also an alumnus of the Squaw Valley Community of Writers.
He hangs out at www.jamieford.com and has been known to eat jellyfish, sea cucumber and chicken feet on occasion.
Commentary From Kristin
I was really caught by Jamie's personal connection to the history he plans to explore. I've never heard of the "I am Chinese" buttons, which is kind of fascinating. I've never seen a novel about a Chinese boy falling in love with a Japanese girl during such a volatile time period. I have to say that I was pretty much hooked by this story concept. Simple, but there's a lot of weight behind it. I did happen to know that the Chinese and the Japanese had long been at war before the advent of WWII, so I knew of the general animosity between the countries--but I knew nothing of how that might have played out on American soil.
I knew I was going to ask for sample pages, but I have to admit that his "But it's more complicated than that" paragraph made me pause. Dual narratives are tricky and extremely hard to pull off. I would only know if the author succeeded by asking for sample pages. I was struck by the belongings being discovered in an old hotel. This ends up being a true story and was part of what sparked Jamie to write the novel. I didn't find out this info until later and I must say that if included, it could have added power to the query letter.
It always helps to know there has been some previous recognition and Jamie mentions his Glimmer Train credit and literary creds. I would have asked for sample pages without the mention though. His last sentence about himself made me smile and that's never a bad thing.
Now here's what's interesting. As I mentioned on a previous blog, an agent friend of mine received the same query and it didn't spark his interest at all. Now he freely admits that he was in a time crunch at the time he received it. That can change our response. If he hadn't been, he might have paid a little closer attention but for the most part, this query didn't float his boat much.
And that just highlights the subjective tastes of agents.
(Kristin suggested changing the title, and she and Jamie decided on Hotel on the Corner of Bitter and Sweet.)
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Successful Queries
Wednesday, October 07, 2009 9:58:23 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, September 30, 2009
Successful Queries: Agent Michael Bourret and 'Wake'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 14th installment in this series is with agent Michael Bourret (Dystel & Goderich) and her author, Lisa McMann, for her book, Wake.

Dear Mr. Bourret:
I’m seeking representation for Janie Hannagan: Dream Catcher, a 33,000-word paranormal novel for young adults. I see from your website that you represent YA fiction, and I wonder if this would be a good fit for your list.
For 17-year-old Janie Hannagan, getting sucked into other people’s dreams is growing tiresome. Especially the falling dreams. The naked-but-nobody-notices dreams. And the sex-crazed teenager dreams. Janie’s seen enough fantasy booty to last her half a lifetime.
But then there are the nightmares that leave her blind and paralyzed in fear, even after the dreams are over. Those are the worst. Because one day, someone’s going to notice her freefalling to the floor after somebody’s study hall naptime nightmare, or collapsing outside a resident’s room at the nursing home where she works. Or her worst fear: careening headlong into a tree if she ever drives past that house again.
She can’t tell anybody about it. They’d never believe her. And she can't do anything to stop it. Until she gets to know Cable, a secretive pothead flunkie turned pretty boy. And he accidentally falls into a dream with her on the senior high bus to Stratford.
It’s his own dream.
And it’s a dream he’d rather no one know about.
Especially Janie Hannagan.
My credits include a $10,000 Templeton award for an international short-story contest, and short story contained in Literary Mama: Reading for the Maternally Inclined (Seal Press), Pindeldyboz, Snow Monkey, Gator Springs Gazette and The Binnacle, among others. I’m a former children’s bookstore manager. Now I write full time. Janie’s next story is in the works.
Thanks for your time and consideration. I’ve pasted a few pages below. May I send you the complete manuscript?
Sincerely,
Lisa McMann
Commentary From Michael
It’s not often that a query really gets my attention. It’s even rarer that a query makes me stop what I’m doing and beg the author for the manuscript. When I came across Lisa McMann’s query for Dream Catcher (which would become Wake, from Simon Pulse), I knew I had to have it.
Although the opener wasn’t necessary, the rest of the query was clear, concise and compelling. That first line of description was perfect, and I knew from that one line that the concept was great. From there, the writing really drew me in; it was different, unusual and, as I suspected, reflective of the book.
Between the great writing and the fascinating concept, I was hooked. Less than a week later, Lisa was a client (after I wrestled her away from several other eagar agents), and nearly three years later, she’s a New York Times best-selling author. Her second book, Fade (Wake Book II), hit shelves in February. The third book in the series, Gone, comes out in Feb. 2010.

This post about agents was pulled from the current issue of Writer's Digest (Sept. 2009) Order it online to see more queries as well as our exclusive list of 24 Agents Who Want Your Work.
Children's Writing | Successful Queries
Wednesday, September 30, 2009 11:22:03 PM (Eastern Daylight Time, UTC-04:00)
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 Sunday, September 20, 2009
Successful Queries: Agent Ellen Pepus and 'The Belly Dancer'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 13th installment in this series is with agent Ellen Pepus (Signature Literary) and her author, DeAnna Cameron, for her s book, The Belly Dancer.

Dear Ms. Pepus:
In America, belly dancers evoke fascination and condemnation in equal measure, and it has been that way their debut in 1893 at the Chicago World’s Fair. My recently completed novel, The Belly Dancer, centers on the real-life scandal that followed their arrival, set against the backdrop of a city enchanted by the possibilities of the modern age, yet gripped by the Victorian sensibilities of the past.
In The Belly Dancer, Dora Chambers is a young bride from New Orleans who is plotting her way to a life of wealth and privilege in Chicago. When Dora arrives in her new city, her first priority is to be accepted by the inner sanctum of high society—the Fair’s Board of Lady Managers—but that’s challenged when she makes a friend among the Egyptian belly dancers during the course of her Lady Manager duties. Dora is captivated by the unexpected freedom she finds among the gypsy dancers, and it leads her to question her ambitions. She manages an uneasy balance between her allegiance to the Lady Managers and her clandestine friendship with the dancer, until a rival Lady Manager snoops into Dora’s past and discovers a family secret even Dora does not know: The father she never knew was half black. Dora knows the revelation will ruin her chances of ever being socially accepted, yet she draws strength from what she has learned about defying social expectations from the dancers and acknowledges the truth openly, though it means scarifying her good name, safe marriage and hard-won place in society.
Ultimately, she reinvents herself as a belly dancer.
The Belly Dancer explores the power of friendship, the importance of questioning assumptions and the need to define ourselves on our own terms.
I have been a journalist for many years, most recently as the editor of regional lifestyle magazine. I have studied fiction writing through numerous writing workshops, including UCLA and UC Irvine extension courses, and with novelist Lynette Brasfield (Nature Lessons, St. Martin’s Griffin, 2004), who has encouraged me to seek representation. Also, belly dancing (and its history) has been a passion of mine for more than 15 years.
Below I have pasted the opening chapters for your review. May I send you a partial or whole manuscript as well? I look forward to your response. Many thanks for your time and consideration
DeAnna Cameron
Commentary From Ellen
I think this letter works well for a few reasons, most notably the first paragraph. The author immediately grabbed my attention with the first line. The cool idea behind the book (the hook) is there, and the second line tells me what the book is about (and the title, which is fabulous).
Because now I’m intrigued, I want to know what the story is about and the author tells me. This pitch covers all the important points about the story without going into too much detail.
Now I’m curious about the author, and a paragraph offers that information. The author wisely focuses on just the things I want to know—her professional background, writing experience, and the fact that the subject of the book is something she is involved with in her life.
The last paragraph tells me she’s taken the trouble to visit my website, because she’s following my guidelines (to paste the first few pages into the e-mail). All in all, a perfect query letter.

This post about agents was pulled from the current issue of Writer's Digest (Sept. 2009) Order it online to see more queries as well as our exclusive list of 24 Agents Who Want Your Work.
Successful Queries
Sunday, September 20, 2009 11:25:40 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, September 11, 2009
Successful Queries: Agent Elisabeth Weed and 'The Department of Lost & Found'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 12th installment in this series is with agent Elisabeth Weed (Weed Literary) and her author, Allison Winn Scotch, for her women's fiction book, The Department of Lost & Found.

Dear Ms. Weed: Natalie Miller had a plan. She had a goddamn plan. Top of her class at Dartmouth. Even better at Yale Law. Youngest aide ever to the powerful Senator Claire Dupris. Higher, faster, stronger. This? Was all part of the plan. True, she was so busy ascending the political ladder that she rarely had time to sniff around her mediocre relationship with Ned, who fit the three Bs to the max: basic, blond and boring, and she definitely didn't have time to mourn her mangled relationship with Jake, her budding rock star ex-boyfriend. The lump in her right breast that Ned discovers during brain-numbingly bland morning sex? That? Was most definitely not part of the plan. And Stage IIIA breast cancer? Never once had Natalie jotted this down on her to-do list for conquering the world. When her (tiny-penised) boyfriend has the audacity to dump her on the day after her diagnosis, Natalie's entire world dissolves into a tornado of upheaval, and she's left with nothing but her diary to her ex-boyfriends, her mornings lingering over the Price is Right, her burnt out stubs of pot which carry her past the chemo pain, and finally, the weight of her life choices - the ones in which she might drown if she doesn't find a buoy. The Department of Lost and Found is a story of hope, of resolve, of digging deeper than you thought possible until you find the strength not to crumble, and ultimately, of making your own luck, even when you've been dealt an unsteady hand. I'm a freelance writer and have contributed to, among others, American Baby, American Way, Arthritis Today, Bride's, Cooking Light, Fitness, Glamour, InStyle Weddings, Lifetime Television, Men's Edge, Men's Fitness, Men's Health, Parenting, Parents, Prevention, Redbook, Self, Shape, Sly, Stuff, USA Weekend, Weight Watchers, Woman's Day, Women's Health, and ivillage.com, msn.com, and women.com. I also ghostwrote The Knot Book of Wedding Flowers. If you are interested, I'd love to send you the completed manuscript. Thanks so much! Looking forward to speaking with you soon.
Allison
Commentary From Elisabeth:
Allison's query grabbed me right off the bat. The opening sentence reads like great jacket copy and I immediately know who our protagonist is and what the conflict for her will be. And, it's funny, without being silly. I also really loved the third paragraph because it tells me where this book will land: up-market women's fiction. A great place to be these days! The other thing that jumped out for me was Allison's previous credentials. While being able to write nonfiction does not necessarily translate over to fiction, it showed me that she was someone worth paying more attention to. And her magazine contacts helped when it came time to publicize the book. That said, I would have asked to see the book without that last paragraph, but it did indicate to me that she was someone who was serious about writing. I ended up requesting the book and reading the first 100 pages that very night, e-mailing Allison that I loved what I'd read and was planning on finishing the next day. (This of course before I had a baby. My response time has sadly slowed a bit in the last year.) I signed her up, and, if memory serves, we sent the novel out within a month and sold it at auction. Her latest novel, Time of My Life, just came out in paperback and explores all of our lingering what-ifs by sending her protagonist back to redo her life. If you are looking for a great book, I highly recommend it. (And of course I am not at all biased!) But for the sake of Chuck’s fabulous blog, it is exactly the kind of fiction I would love to sell more of, so if you have something in this vein, please be in touch.
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Successful Queries | Women's Fiction
Friday, September 11, 2009 1:46:33 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, September 09, 2009
Successful Queries: Agent Barbara Poelle and 'A Bad Day For Sorry'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The 11th installment in this series is with agent Barbara Poelle (Irene Goodman Literary) and her author, Sophie Littlefield, for her crime book, A Bad Day For Sorry.
Dear Ms. Poelle:
I am seeking representaton for my 75,000-word thriller, A Bad Day for Sorry.
Three years ago, rural Missouri housewife Stella Hardesty stopped her wife-beating husband in his tracks for good. After being acquitted of his murder, Stella launched a career helping other abused women put an end to their problems. When Stella's on the job, abusive husbands and boyfriends disappear - sometimes to the far side of town, and sometimes forever.
When young mother Chrissy Shaw asks Stella for help with her no-good husband, it seems like a straightforward case. Until Roy Dean Shaw disappears with Chrissy's 2-year-old son from a previous relationship. Now Stella and Chrissy must battle two-bit crooks and deadly Kansas City mafia to get the boy back - all the while staying one step ahead of the law.
I have written professionally for 10 years, publishing articles in computing, parenting, and women's magazines, and most recently working as a copywriter and editor for C&T Publishing. My short story, "Anything for You," was a runner-up for the Crime Writers' Association's 2007 Fish-Knife Award. Other short stories will appear in upcoming issues of Thuglit and Pulp Pusher.
Thank you for taking the time to consider my work. My first 10 pages and synopsis follow. Upon your request, I would be happy to provide the complete manuscript.
Sincerely, Sophie Littlefield
Commentary From Barbara This query is an interesting one for me as far as, at first glance, it isn't terribly extraordinary. But when broken down, you can see why the request for further materials was a no-brainer. First, I like the simple opening line explaining the genre and word count. I know exactly what I'm getting and I am absolutely on the hunt for thrillers, and very public about it, so she's got me pegged already.
The pitch begins and it taps into the synopsis - and at this point, I realized what appeared to be a standard straightforward query holds a wildly unique and extremely concise plot, as well as an original female protagonist. Now she has me. That is why I am using this query as an example. In the end, it should be the plot that gets me, not the mechanics of the query itself.
The next paragraph is a real corker, and not for the reasons you may think. The articles are excellent, and I could certainly request a full list of publications, but it was her technical writing experience juxtaposed against her publications in Thuglit and Pulp Pusher that flicked the light from yellow to green. Here you have someone who clearly works within the realm of proper narrative and technical execution at her day job, but is also in forums where gritty, pulpy stories are ripe with violence and sass. At this point, I had to take a peek. (The first 10 pages were attached, and they were very, very, very good.) After I read the full, I told Sophie I would "get into a monkey knife fight" to represent her.
In the end, what works here is the concise query telling me the hook, the book and the cook. It opens introducing the hook: A formerly abused housewife "helps" other women in need. The book: a brief two-paragraph look at the story. And the cook: Littlefield and her writing credits.
This "Real Query That Worked" was pulled from the current issue of Writer's Digest (Sept. 2009) Order it online to see more queries as well as our exclusive list of 24 Agents Who Want Your Work. Genre Writing | Successful Queries
Wednesday, September 09, 2009 4:39:44 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, August 31, 2009
Successful Queries: Agent Kate McKean and 'Frantic Francis'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The tenth installment in this series is with agent Kate McKean (Howard Morhaim Literary) and her author, Brett Perkins, for his book, Frantic Francis.

Frantic Francis
September 14, 2006
Dear Ms. McKean:
I am working on a nonfiction book that would seem to fit your interests and have included a brief synopsis that you may enjoy. Thank you for taking the time to read the following.
Knute Rockne, “Pop” Warner and Amos Alonzo Stagg are college football’s immortal coaches, celebrated in books, movies and myth, yet none of them have influenced modern football more than the forgotten Francis Schmidt. The game’s wide-open style, which has helped to make it the most watched and most profitable sport in America, is largely the creation of Schmidt, an intense eccentric with an insatiable imagination. In The Rise and Fall of Francis Schmidt: How One Coach’s Madness Changed the Way Football Is Played, I rediscover one of the most unusual and influential men in football history.
Between the World Wars, Schmidt’s collegiate squads at Tulsa, Arkansas, Texas Christian and Ohio State won eight titles in three different conferences. Altogether they won 157 games by a staggering point differential of +3,753 points. What made these teams so dangerous was the use of Schmidt’s groundbreaking strategies. He preached speed, deception and imagination, while his counterparts stuck to Victorian football, built on simplicity, power and caution. Most teams of the era used playbooks consisting of 20 to 50 plays, while Schmidt’s boys employed an omnibus of more than 400 plays that was altered daily. The intricate diagrams were daring and far ahead of their time. Some of them were just plain crazy, like the play in which the ball was lateraled four times, the quarterback touching it first and last. The bewildering juggernaut was unlike anything seen in the sport’s 65-year history.
The Rise and Fall of Francis Schmidt is a story. It’s about a man who rose from unpaid, volunteer high school coach to a shot at the big time, coaching at one of the nation's most famous football schools. Schmidt is an oddball trying to prove his unorthodox methods while a nation of football lovers look on with curiosity. It's these years as head coach of Ohio State that serve as the backbone of the book. For seven seasons (1934-1940), the Buckeye faithful would go on a wild ride. Unimaginable highs would be followed by shocking reversals. Using Schmidt’s progressive system of offense, the Buckeyes became nationally famous in the football world. The ending was ugly and ultimately tragic. After burning bridges in Columbus, Schmidt ended up in coaching exile at the University of Idaho where he would soon die at the age of 58.
Like many great innovators, there seemed to be nothing normal about Schmidt. He was brusque and socially awkward, as well as paranoid and manic. In reality, he probably suffered from hypomania, a form of bipolar disorder. His players called him “Frantic Francis.” He forgot their names, shocked them with his relentless cursing and confused them with his erratic behavior. It was this madness that would make him forever important but it would also hasten his demise and allow his influence to go unexamined for so long.
A large number of the coaches who had worked or played under Schmidt―that is, who had been exposed to his altered state of football―would go on to create waves in the game, changing it forever. Modern NFL icons like Al Davis and Bill Walsh acknowledge Schmidt’s lineage and its influence on their own highly touted modern strategies. Although Francis Schmidt is an important figure in football history, he is currently unrecognized by the mainstream. This book will change that forever.
If you would like to see the full book proposal, please contact me using the information below. Thank you for your time and consideration. I look forward to hearing from you soon,
Sincerely, Brett Perkins
Commentary From Kate
Brett's query had me at "college football." I'm a big fan. But also, Brett's introductory paragraph was short and sweet--no "this-is-why-I-had-to-write-this-book" reasoning that is all ego and no info and often gets in the way in query letters.
He dove right in with the book's hook. He promised a hidden gem, and untold story with an arc, and a tangible contribution to the field. Plus, with the insane stats he shares in the third paragraph (+3,753 point differential!), I could see the proof behind his claims. Most importantly, his even tone lent the letter authority. No THIS IS THE BEST STORY IN THE HISTORY OF THE WORLD OF COLLEGE FOOTBALL hyperbole to oversell the story. Lastly, Brett addressed the market (Ohio State Buckeye fans, recent players who tout Schmidt), without citing irrelevant numbers. Not all (roughly) bazillion college football fans will be interested in this book. They should be, but it's more important to hook the ones who will than address the vague masses.
I did a little research of my own to see if I could tell if Schmidt was the real deal or not, and if there was room for him on the shelf. Sometimes, when there isn't already a book on a subject, it means there isn't a market to support it, not that no one's tackled it yet. But I was convinced there was a market for this book. *I* wanted to read this book.
I will say, his letter is a little long, and it doesn't need to be this detailed. Brett should have also sent along a proposal and sample chapters with his query, but I won't fault him on that one because our website wasn't up at the time of his letter.
All told, the content of Brett's letter got my attention, and I requested his proposal. He sent it, I signed him up, and we edited the proposal together. We accepted an offer from Bison Books, an imprint of the University of Nebraska Press, well known for their sports history titles. I think Brett's done a fantastic job with the book. And check out that cover! Isn't it handsome? Brett and I fought hard for this book, and I'm very proud to see its publication day, today. Please check out the book on BN.com!
PS: Go Gators.
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Nonfiction | Successful Queries
Monday, August 31, 2009 11:19:18 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, August 20, 2009
Successful Queries: Agent Mary Sue Seymour and 'A Widow's Hope'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The ninth installment in this series is with agent Mary Sue Seymour (The Seymour Agency) and her author, Mary Ellis, for her book, A Widow's Hope.
Dear Ms. Seymour:
Although I was unable to attend this year’s ACFW conference, I studied the list of agents who had participated. I was excited to see your name among the attendees since I’d heard many wonderful things about your agency. I have taken the liberty of enclosing the synopsis and first three chapters of A Widow’s Hope with my fondest hope you will select it for representation. A Widow’s Hope is a 95,000-word Christian Inspirational set in Holmes County, Ohio, the largest Amish community in the country.
After the death of her husband, Hannah Brown is determined to make a new life with her sister’s family. But when she sells her farm in Lancaster County, Pennsylvania, and moves with her sheep to Ohio, the wool unexpectedly starts to fly. Her deacon brother–in–law finds just about everything about Hannah vexing. When his widower brother shows interest in the young and beautiful widow, the deacon turns to prayer for guidance.
Hannah thought she could never love again, until she meets the strong, gentle farmer. Unfortunately, Seth Miller’s only interest is in Hannah’s sheep. He is content in his bachelor state and slow to recognize his daughter’s need for a new mother. Yet God offers Seth the perfect solution to their problems if he could only open his heart again ... and love.
My two previous manuscripts placed in the “Labor of Love” contest, sponsored by the Heart of Louisiana chapter, Baton Rouge, and the “Hot Prospects” contest sponsored by Valley of the Sun chapter, both chapters of RWA. I am a former middle school teacher, currently working in marketing and sales. I have spent many weeks and weekends in Holmes County, researching and enjoying the simpler way of life. I am currently working on the second in the series. If you’d like to see the full manuscript, please contact me at the above address. It would be my pleasure to send A Widow’s Hope immediately. Thank you very much for your time and I look forward to hearing from you.
Sincerely,
Mary Ellis
Commentary From Mary Sue
Mary Ellis actually went to my site to see which conferences I attend and that caught my attention right off the bat. She did research and had a reason for querying me rather than just sending out e-mails to every agent online.
Her pitch - the two middle paragraphs - worked well. The plot intrigued me. Everything was presented - the protagonist, the challenges, the conflict. Christian inspirational is a genre I represent often, and this was a good summary in a category that I like.
She mentioned contests she'd placed in so I knew her writing had potential. The awards were mentioned briefly and humbly without much hurrah or details, which is exactly the way to do it.
Finally, she was wise enough to complete the book beforehand and say so in the letter. You'd be surprised how many first-time authors don't finish (and polish!) their work before sending it out.
Requesting the full manuscript was a no-brainer for me - and I'm glad I did.
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Christian Agents | Romance | Successful Queries
Thursday, August 20, 2009 10:08:32 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, August 12, 2009
Successful Queries: Agent Jon Sternfeld and 'Children of Disappointment'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The eighth installment in this series is with agent Jon Sternfeld (Irene Goodman Literary Agency) and his author David Chura, for the narrative nonfiction book, Children of Disappointment. (The book has not yet come out.)
Dear Mr. Sternfeld: Aware of your interest in social issues as well as education, I would like you to represent Children of Disappointment: Kids in Adult Lockup, an 80,000-word narrative nonfiction book. This book examines important cultural concerns while maintaining a deeply personal approach, telling the stories of kids disenfranchised by their own actions and by society's attitude towards them.
The number of kids in U.S. jails is at an historic high, having risen 35 percent since the 1990s, according to the U.S. Department of Justice. For ten years I shared that life behind bars. As a teacher at a New York county prison, I worked seven hours a day with the kids the media throws away as drug and sex-crazed "super-predators" and with the correctional officers it depicts as sadistic misfits. Children of Disappointment: Kids in Adult Lockup offers a new, more fully realized portrayal of these teens and COs, reflecting my work in the classroom and beyond, into the blocks, the high security unit, the visiting room, and the clinics. The book reveals the gripping and poignant stories of troubled kids and the adults who care for them, experiences unavailable to visitors and volunteers. Whereas writers and reporters write about kids held in juvenile detention centers - Mark Salzman in True Notebooks and John Huber in Last Chance in Texas - I write about minors already serving time in adult lock-up, a much harsher world than that of juvenile centers. With this insider's view, Children of Disappointment: Kids in Adult Lockup shows what prison is really like, responding to many Americans' concerns and curiosity, while at the same time putting a face on the statistics academics and policymakers analyze and act on. Readers meet the 17-year-old druggie and devoted daddy; the snarling but protective Irish-Bronx CO; the wannabe hip-hop poet; the cheap warden rationing inmate toilet paper. Yet even in the grim prison setting, humor flashes into these stories' darkest corners. Children of Disappointment: Kids in Adult Lockup, with its unique yet universal perspective, mirrors society's challenging family and community problems.
Excerpts from Children of Disappointment: Kids in Adult Lockup as well as my short stories and creative nonfiction essays have appeared in various publications, including The New York Times. The editors of Fourth Genre nominated "Pin-Ups," a selection from the book, for a 2005 Pushcart Prize in narrative nonfiction.
Thank you for considering my request for representation. Below is the first chapter (seven pages) of Children of Disappointment: Kids in Adult Lockup. A complete proposal and other sample chapters are available at your request. I look forward to hearing from you.
Sincerely,
David Chura
Commentary From Jon
Having to cull through something like fifty query letters a day, I’ve developed something of a system about what questions to ask myself as I scan queries (yes, scan; sadly, I can’t read every word or I’d have no time for anything else).
The questions are: 1.) Does it interest me? 2.) Does it appear to be well done? 3.) Can I sell it?
Though these three questions are bouncing around my head simultaneously, I’ll take each separately so I can give writers a peak as to how this whole thing works, at last on my end.
1.) Does it interest me? This includes both personal taste and a sense of ‘wow’ (or ‘aha’, or ‘I haven’t seen this before.’); I feel the excitement in my bones if I feel this. Is it an original take on a topic that engages me? Is it fresh? Is the angle new and (to some extent) groundbreaking? I represent a mix of literary fiction and social/cultural nonfiction (mostly narrative), so if the book falls into one of these areas and answers question one affirmatively, I’ll usually ask to see more. David Chura’s Children of Disappointment is right in my wheelhouse; the author clearly researched the kind of narrative nonfiction that I’m looking for. This world piques my interest, both from a socio-cultural standpoint and from a dramatic standpoint. He frames his project as an original and human spin on an area that the news and the public have pigeonholed, so the angle feels new to me.
2.) Does it appear to be well done? A query letter gives the content of the book, but it also lets agents know if you can write, organize your thoughts/ideas, and express yourself engagingly and professionally. Writers should not just blindly dump content into their query letter and hope the agent wants to read their manuscript. The old “I’m not good at query letters” doesn’t fly with me; if the query letter is poorly done, I most likely will never get to your chapters. This is an extremely professional and well-written query letter. It’s structured properly, announcing at the outset what the book is and how it connects to me and then giving enough detail without going overboard with its summary (I often ignore long synopses.) The letter has enough voice to give me a sense of who the writer is and he clearly understands how to ‘position’ is book (with comparable titles) in a way that lets me know what ‘type’ it is. I can picture where it would be shelved at bookstores and can imagine myself buying it.
3.) Can I sell it? Really the biggest question, and the one that is often a guessing game based on experience. With non-fiction, I have to consider the promotional capabilities of the client (known as ‘a platform’), and without some expertise or connections, publishers have no chance to get word out about the book. Besides platform, there needs to be both a definable audience and interest in the topic, as well as something of a gap that needs to be filled. If there are too many comparable titles to your book, then why write another one? As for Children of Disappointment, it’s certainly a dark area, but there’s something marketable about the project. Writers like Jonathan Kozol and Barbara Ehrenreich have explored the underclass in compelling way and given birth to a new genre in the process. Television shows like “The Wire” and “Oz” have shown that the public has an interest in this subject matter, as long as there’s drama and a humanity behind it; since Children of Disappointment is coming from their teacher, I’m imagining it’s not going to be hard-hitting and cold, so much as eye-opening and moving. Luckily, the writing turned out to be novelistic and engaging – a huge reason why I ended up signing David and his project.
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Narrative Nonfiction | Nonfiction | Pitching | Platform | Successful Queries
Wednesday, August 12, 2009 2:30:10 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, August 04, 2009
Successful Queries: Agent Chip MacGregor and 'Mind the Gap'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The seventh installment in this series is with agent Chip MacGregor (MacGregor Literary) and his author, Roger Martin, for the inspirational nonfiction book, Mind the Gap. (At Chip's request, he has changed the name of the author in this letter, but the letter itself remains the same.)

Dear Mr. MacGregor,
I enjoyed meeting you at the Atlanta conference last weekend. As I mentioned, I have read your blog faithfully for the past couple years, and you always seem to balance insight with humor. When I heard you were going to be at the Harriett Austin conference, I knew I had to attend. As a reminder, we chatted during the cocktail party, and explored how book on ancient spiritual practices might fit with CBA publishers’ recent interest in books tapping into Christian history. Per your request, I have enclosed a synopsis and first three sample chapters of Mind The Gap, a 50,000-word completed nonfiction book that was a finalist in the Southern California Writing Competition.
Jesus said we always live out what’s in our heart, so our actions reveal our character. Our lives are run by the deeply submerged governing ideas that are often very different from the things we claim to value or believe. In other words, there is a gap between what we want to do and what we actually do. Will power alone was never meant to carry the weight of right living—it’s too puny to defeat temptation or override the compulsions of a lifetime. By spending more time with Jesus in the Gospels, we overcome a key barrier in bridging the willing-doing gap -- we move away from the Jesus we thought we knew, and teachings we thought might be burdensome, to discover the Jesus actually portrayed in the Gospels. If we can learn to “mind the gap” – to give attention to changing our core idea systems and our related emotional dispositions, then our words and actions will eventually become more like Jesus, living more naturally from the inside out.
I am a professor at Baylor University, a busy conference speaker, and the author of four other nonfiction books in CBA. My most recent title, Seeing God with New Eyes, was a finalist for the ECPA Gold Medallion.
If you would like to see the completed manuscript, I can be reached at writer@myblog.com. Thanks very much for your time and attention. I look forward to hearing from you again soon.
All the best, Roger Martin
Commentary From Chip OK, let’s explore this letter for a moment… I think this letter is great. It came as an e-mail, and had the author’s name, address, phone, and email at the top AND bottom, so it was easy to find. Right near the top, he gave me context. (Can you imagine how many authors I’ve bumped into and had conversations with at conferences? Egad – I can’t be expected to remember them all. But he contacted me right away, gave me enough to jog my memory… and it didn’t hurt that he said something nice about my blog. I was glad he didn’t fawn, but everybody likes getting a compliment.) The author (that’s not his real name) tells me fairly quickly the title, word count, and the fact that the book is complete. His title is intriguing, since I’ve lived in England and already have a context for the phrase “mind the gap.” There is a need for deeper spiritual books, and this one sounds interesting. The description he uses is fairly sound – though I’ll admit I would have liked to have seen it jazzed up just a bit. Another thought: Roger is a university professor, and he sounds like it in his writing. There’s a formal quality to his words, and that no doubt reflects the tone of his book. I like that, since I see too many queries that are flat – why spend two years working on your book, then two minutes banging out a query? Let your query reflect your writing and voice. I was very glad to see his credentials – that fact that he’s been a finalist for a prestigious religion-writing award certainly catches my eye. The whole thing might be a bit long, but in this case I enjoyed getting the extra information. This is a book I was quick to look at, and ended up signing the author as a client.
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Christian Agents | Nonfiction | Platform | Successful Queries
Tuesday, August 04, 2009 11:05:01 AM (Eastern Daylight Time, UTC-04:00)
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 Sunday, July 26, 2009
Successful Queries: Agent Michelle Brower and 'Breathers'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The sixth installment in this series is with agent Michelle Brower (Folio Literary Management, formerly of Wendy Sherman Associates) and her author Scott Browne, for his novel, Breathers.

Dear Michelle Brower:
“I spent two days in a cage at the SPCA until my parents finally came to pick me up. The stigma of bringing your undead son home to live with you can wreak havoc on your social status, so I can’t exactly blame my parents for not rushing out to claim me. But one more day and I would have been donated to a research facility.”
Andy Warner is a zombie.
After reanimating from a car accident that killed his wife, Andy is resented by his parents, abandoned by his friends, and vilified by society. Seeking comfort and camaraderie in Undead Anonymous, a support group for zombies, Andy finds kindred souls in Rita, a recent suicide who has a taste for consuming formaldehyde in cosmetic products, and Jerry, a twenty-one-year-old car crash victim with an artistic flair for Renaissance pornography.
With the help of his new friends and a rogue zombie named Ray, Andy embarks on a journey of personal freedom and self-discovery that will take him from his own casket to the SPCA to a media-driven, class-action lawsuit for the civil rights of all zombies. And along the way, he’ll even devour a few Breathers.
Breathers is a contemporary dark comedy about life, or undeath, through the eyes of an ordinary zombie. In addition to Breathers, I’ve written three other novels and more than four dozen short stories – a dozen of which have appeared in small press publications. Currently, I’m working on my fifth novel, also a dark comedy, about Fate.
Enclosed is a two-page synopsis and the first chapter of Breathers, with additional sample chapters or the entire manuscript available upon request. I appreciate your time and interest in considering my query and I look forward to your response.
Sincerely, Scott G. Browne
Commentary from Michelle:
What really drew me to this query was the fact that it had exactly what I'm looking for in my commercial fiction - story and style. Scott included a brief quote from the book that managed to capture his sense of humor as an author and his uniquely relatable main character (hard to do with someone who's recently reanimated).
The letter quickly conveyed that this was an unusual book about zombies, and being a fan of zombie literature, I was aware that it seemed like it was taking things in a new direction. I also appreciated how Scott conveyed the main conflict of his plot and his supporting cast of characters - we know there is an issue for Andy beyond coming back to life as a zombie, and that provides momentum for the story.
I think this is a great example of how query letters can break the rules and still stand out in the slush pile. I normally don’t like quotes as the first line, because I don’t have a context for them, but this quote both sets up the main conceit of the book AND gives me a sense of the character's voice. This method won’t necessarily work for most fiction, but it absolutely was successful here. Craft and Story Beginnings | Successful Queries
Sunday, July 26, 2009 4:51:20 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, July 20, 2009
Successful Queries: Agent Verna Dreisbach and 'The Power of Memoir'
Posted by Chuck
This new series is called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The fifth installment in this series is with agent Verna Dreisbach (Dreisbach Literary) and her author Linda Joy Myers, for her nonfiction book, The Power of Memoir.
Dear Ms. Dreisbach,
It was so wonderful to meet you at the East of Eden Writers Conference a couple of weeks ago. I felt that you understood my work and not only saw what I had accomplished but could see my vision of the kinds of books I want to write in the future, and how it all connects to my larger platform for the National Association of Memoir Writers. As I mentioned to you, my work as a therapist, healer, and writer all intersect to provide books, workshops, online coaching, and tools for memoir writers all over the world through my two websites and my social networking connections on Facebook, Twitter, and LinkedIn.
My nonfiction, self-help guide Becoming Whole, Writing Your Healing Story is a pioneering how-to book on healing one’s emotional life through the practice of memoir writing. As a therapist and memoirist, I have developed ground-breaking techniques that have helped thousands of people realize the wisdom and power of their personal stories. Becoming Whole offers specific guidelines and exercises to help both experienced and novice writers unravel the complicated, sometimes daunting, and always exhilarating task of penning a memoir. This important and accessible book provides essential tools and techniques to help writers open to layers of inner listening, explore their deepest thoughts and feelings, and express the unexpressed. Becoming Whole: Writing Your Healing Story is part of a new generation of books about writing and healing, an area of focus that is growing every year in both psychotherapy and medicine. The subject of writing and healing came into the public view nearly fifteen years ago with the work of Dr. James Pennebaker and Dr. Joshua Smyth, and has been followed by several other generations of study and research. The research is documented in various journals, one of the most famous articles was published in the Journal of the American Medical Association in 1999, which documented that writing helped to heal diseases such as arthritis and asthma.
I have a Ph.D. in psychology and have had a therapy practice in Berkeley, California for thirty years. I’m currently the president and founder of the National Association of Memoir Writers, which connects memoir writers from all over the world, with several international members and guest speakers. I teach memoir-as-healing workshops in the Bay Area and nationally, and offer online coaching and workshops. A frequent traveler to writing conferences as a consultant and workshop presenter, I enjoy presenting the “good news” about memoir writing and the power of writing to heal to therapists and writers, and to those who don’t see themselves as writers who want to capture their family stories.
Endorsements: I received a number of endorsements for Becoming Whole, including Dr. James Pennebaker, the premier researcher about how writing heals, and various memoir writers—Michele Weldon, Susan Albert, John Fox, and Maureen Murdock, author of Unreliable Truth: On Memoir and Memory and The Heroine’s Journey. Becoming Whole: Writing Your Healing Story was a Finalist in the ForeWord magazine’s 2008 Book of the Year in the nonfiction self-help/writing category, and my memoir, Don’t Call Me Mother: Breaking the Chain of Mother Daughter Abandonment, received the Gold Medal Award from BAIPA, Bay Area Independent Publishing Association, First Prize in the Jack London Nonfiction Contest and endorsements from many well known writers and memoirists. I’ve earned numerous awards in a variety of writing contests in the genres of fiction, memoir, poetry and nonfiction. My fiction manuscript, Secret Music, a novel about the Kindertransport, placed as a finalist at the San Francisco Writers’ Conference. I am not just a one-book author, with several more books that I want to get out into the world—a World War II fiction book, a how-to book on writing spiritual autobiography, and another memoir. I hope you will consider representing me. I look forward to hearing from you.
Linda Joy Myers, Ph.D. www.namw.org www.memoriesandmemoirs.com
Commentary from Verna I’ve had several inquiries as to the difference between a fiction and a nonfiction query letter. I figured I could be helpful by providing a nonfiction query as an example. A nonfiction query letter will tend to be slightly longer than the average fiction query, partially because the agent will need to know a little about the market, audience and expertise of the author. Still, it should be concise - otherwise it will start to read like a proposal and agents tend to have rather short attention spans reading query letters. If an agent is intrigued by the query, then they will ask for a proposal.
First and foremost, the query is in the form of a business letter with a formal introduction and closing, and she has spelled my name correctly. You would be amazed at how frequent a mistake this is in query letters. Already, the author has my attention. Professionalism is what gains my attention. I believe professionalism is just as important as good writing.
Linda immediately addresses the fact that we have met and reflects upon the personal nature of our conversation. These reminders are helpful, especially since agents meet with a large number of writers at conferences. We may need reminding. What I like about Linda, and what I look for in nonfiction authors, is an understanding that the book is not the ultimate goal. The book is only a natural byproduct of a larger platform. She has a passion as a therapist and as a writer and wants to share that passion with others, naturally leading to founding a national organization to serve her goal. Impressive.
She then provides a brief synopsis of her book in a way that should entice the agent to want to read more. As a writer, you are offering a product. We need to see a need for your product and you only have one paragraph to hook us. Her next paragraph addresses the market, clarifying the need for her book not only in field of writing, but in the field of psychotherapy as well. She notes a few experts in the field and documented research that’s been conducted, although, I would have preferred a more recent article to be cited in the query.
Linda then lists her relevant expertise and introduces her platform. Let me repeat this part—relevant experience. I do not need to know life stories or childhood dreams. I liked that Linda has traveled to writers' conferences, taught workshops, has been interviewed on the radio, etc. This shows to me that she’s motivated and proactive – imperative qualities to have as a published author.
Acting proactively, Linda secured prominent and relevant endorsements for her book, showing that professionals in the industry also support her work. She then touches upon the writing awards she’s won, leading me to believe that when I actually read her sample chapters, she’ll have something to say and be able to say it well.
I was looking forward to reading Becoming Whole. I did offer representation to Linda and have enjoyed working with her. Becoming Whole later sold to editor Alan Rinzler at Jossey-Bass. Becoming Whole was expanded and the result is her soon to be released book, The Power of Memoir – How to Write Your Healing Story. Memoir | Nonfiction | Successful Queries
Monday, July 20, 2009 9:14:27 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, July 14, 2009
Successful Queries: Agent Bernadette Baker-Baughman and 'War is Boring'
Posted by Chuck
I 've meant to start this new series on the blog for a while now, but am just now getting around to it. It's called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The fourth installment in this series is with agent Bernadette Baker-Baughman (Baker's Mark Literary Agency, LLC) and her author David Axe, for his graphic novel, War is Boring.
 TO: info@bakersmark.com CC: SUBJECT: Query from graphic novelist David Axe
Dear Ms. Baker,
Street battles with spears and arrows in sweltering Dili, East Timor. Bone-jarring artillery duels between the Dutch and Taliban in the mountains of Afghanistan. Long, tedious patrols with British troops on the sandy wastes of southern Iraq. For three years war was my life. For three years I was alternately bored out of my mind … and completely terrified. It was strangely addictive.
As a military technology writer, and later a freelance correspondent for The Washington Times, C-SPAN and BBC Radio, I jetted from conflict to conflict, with only short pauses in between. While I reveled in death, danger and destruction in Lebanon, East Timor, Afghanistan, Somalia and Iraq, back in Washington, D.C. my apartment gathered dust, my plants died and my relationships with friends, family and lovers withered. I had set out to cover war believing that my reporting would make me wiser, sexier and happier. But I was blind to the violence my work was inflicting on my loved ones … and on myself.
War correspondence was expensive; physically, mentally and emotionally exhausting; and disillusioning. In late 2007 I returned from Somalia and Iraq a broken person; and, taking stock of the remains of my former life, I began the long process of rebuilding. In the summer of 2008 I returned to war, this time to Chad, where half a millions survivors of the Darfur genocide struggled to survive amid some of the most brutal conditions in the world. I had begun my sojourn as a sort of “war tourist” – politics weren’t an issue. But I ended up a deeply political man: over time my work became less about me, and more about the true victims of the world’s conflicts.
WAR IS BORING, a black and white graphic novel of around 120 pages, is about the journey through the world’s most dangerous places, en route from naïvete to contrition by way of maxed-out credit cards, broken relationships, near-death experiences and the mind-numbing boredom of waiting – and, perversely, hoping – for the next battle. It’s also about the reasons people and nations go to war, and the absurd, often comic, situations that result.
The book begins in Lebanon, continues through Okinawa, East Timor, Afghanistan, Somalia and Iraq – with layovers in Washington, D.C., at various arms bazaars across the U.S and in Detroit as I try to reconnect with my family – and ends in Chad, as I attempt to help bring some attention to the victims of the Darfur genocide.
My name is David Axe. I am the author of the graphic novel WAR FIX (NBM, 2006) and the nonfiction book ARMY 101 (USC Press, 2007). WAR FIX made Amazon’s and the ALA’s end-of-year lists for 2006, won first place for graphic novels in Foreword Magazine’s 2007 book contest and will be excerpted in Houghton-Mifflin’s America’s Best Comics for 2008. The sequel, LOVE & TERROR, will be published this year. I get a thousand unique hits a day at my blog www.warisboring.com, where some of the pages in WAR IS BORING first appeared as comic strips. I also blog for Wired and have contributed to Popular Science, The Village Voice, Salon, Good, Vice, Columbia Journalism Review and many others. I am a frequent TV and radio guest.
Artist Matt Bors’ editorial cartoons are distributed by United Feature Syndicate three times a week and appear in The Village Voice and other newspapers across the country. He draws a bi-weekly comic for the ACLU's website.
Matt and I would like to interest you in representing WAR IS BORING. We can provide a synopsis and a full illustrated chapter on request.
Cheers,
David AxeCommentary From BernadetteAs an author, first impressions are not just important; they are critical. Since I associate being an agent to being a matchmaker for creators and publishers, I might say that a query letter is your one chance to get a first date. It is your first (and possibly only) chance to make a good impression. In the course of one letter, you can influence how someone looks at you: Are you funny, compelling, interesting? More importantly, can you write? And that impression will set the course of a possible working relationship. Before I delve into the reasons why the enclosed query was so compelling, I’d like to explain the results of this one excellent query.
On July 28, 2008 at 4:45 p.m., this query came into my general agency inbox, where I request all queries be sent. That same day, I requested that the materials be sent via e-mail, and David Axe sent along the materials the same evening. Within 48 hours, our editorial director and I had reviewed the material and were offering to represent the author and illustrator. We spent about a month working with the authors to create a proposal and polish the materials, and a month after we began shopping the book around to publishers, we had a deal with Penguin. Wow, that was easy.
Here are the nuts and bolts of what makes this a great query: You can see in the subject line that the author, David Axe, mentions that this is a graphic novel. Since I have a specialization in this area, the subject jumped out at me immediately. I wouldn’t have recognized the title of the work, and though I didn’t recognize his name, he at least had two touchstones in his subject line. Now, this particular subject line is really important because if I had opened the query without knowing that this was a graphic novel, I would have thought it as a war memoir, which is most likely not something our agency would represent. But, since Axe did mention that this is a graphic novel in the subject line, he had me at hello, so to speak.
The first paragraph was interesting but the last line of the first paragraph really clenched it for me. “For three years war was my life. For three years I was alternately bored out of my mind … and completely terrified. It was strangely addictive.”
Who is this person that finds war alternately boring and terrifying? What is his experience? What is he addicted to? This is something I really want to know more about. Now he has me, and then he immediately displays that, not only does he have credentials, but that he also has experience in media and a platform, and he is savvy enough to appear on television. Things are really looking up. As Axe spends the next two paragraph’s explaining the highlights of the story (perfect), he doesn’t forget to mention the crux, or the real tension that is driving this intimate story along:
“I had begun my sojourn as a sort of ‘war tourist’—politics weren’t an issue. But I ended up a deeply political man: over time my work became less about me, and more about the true victims of the world’s conflicts.”
This is an incredibly poignant thought and an important part of this query. In addition to sharing insight on his own personality, this sentence also shows that the author has a message to share with the reader, and his message happens to be something that resonates with me (yes, agents are humans too). But more importantly, Axe is intimately familiar with the crux of his own story. This is what will keep the readers turning pages.
In paragraph four, the author tells me what I need to know logistically: This is a black and white graphic novel of approx. 120 pages. This, in some way, provides an anchor for the query. The vision for the final book allows the agent to envision what, up to this point, is just an idea. Immediately following, Axe gives the rundown of his impressive credentials, and then instantly lets me know that he also has an illustrator (with some chops of his own) on board to draw the book. This is all shaping up to be one impressive query.
Finally, at the end of the query, the author let’s me know precisely what material he can provide me with (a synopsis and sample chapter) and gives me the details I need to contact him.
When I think about it closely, the fact that this query has not a single spare word is a real pleasure. It doesn’t begin with the line “I am an author who…” or “I am writing because…” The query speaks for the book the whole way through. If I can be this intrigued with a query, then I figure the book must be a great read.
Editor's note: War is Boring will be published by New American Library in 2010. For more information, visit warisboring.com or the Baker's Mark agency page.
Graphic Novels | Pitching | Queries and Synopses and Proposals | Successful Queries
Tuesday, July 14, 2009 10:05:05 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, July 10, 2009
Successful Queries: Agent Mary Sue Seymour and 'A Gift of Grace'
Posted by Chuck
I've meant to start this new series on the blog for a while now, but am just now getting around to it. It's called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The third installment in this series is with agent Mary Sue Seymour (The Seymour Agency) and her author Amy Clipston, for her book, A Gift of Grace.
Dear Ms. Seymour,
I am seeking representation for my Amish inspirational novel, A Gift of Grace, complete at 80,000 words. It is the first in my Kauffman Amish Bakery Series. The sequel, A Promise of Hope, is nearing completion, and another freestanding book featuring the same characters is in outline form.
Rebecca Kauffman's tranquil Old Order Amish life is transformed when she suddenly has custody of her two teenage nieces after her "English" sister and brother-in-law are killed in an automobile accident. Instant motherhood, after years of unsuccessful attempts to conceive a child of her own, is both a joy and a heartache. Rebecca struggles to give the teenage girls the guidance they need as well as fulfill her duties to Daniel as an Amish wife. Rebellious Jessica is resistant to Amish ways and constantly in trouble with the community. Younger sister Lindsay is caught in the middle, and the strain between Rebecca and Daniel mounts as Jessica's rebellion escalates. Instead of the beautiful family life she dreamed of creating for her nieces, Rebecca feels as if her world is being torn apart by two different cultures, leaving her to question her place in the Amish community, her marriage, and her faith in God.
I’ve visited Amish Country in Lancaster County, Pennsylvania, many times and have spent extensive hours researching the spot.
A member of American Christian Fiction Writers (ACFW), I hold a degree in communications from Virginia Wesleyan College and work full-time as a public information specialist.
Thank you for your generous time. I look forward to hearing from you soon.
Sincerely, Amy G. Clipston
Commentary From Mary Sue The project was the perfect length and I like how word count was immediately mentioned. Also, she mentioned the book was completed - many first time authors never complete their books It was a series and I happened to be looking for series right then.
A lot of why I loved this letter was due to her pitch. Her pitch was nicely abbreviated and proved she could write. I liked the concept and the characters from the start.
She had actually visited Amish country, which is the best way to research. I was impressed. She had a college degree, too. Although one isn't really isn't necessary, it can't hurt. You can find A Gift of Grace on Amazon. Christian Agents | Pitching | Queries and Synopses and Proposals | Successful Queries
Friday, July 10, 2009 10:51:42 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, July 01, 2009
Successful Queries: Agent Sammie Justesen and 'Over-the-Counter Natural Cures'
Posted by Chuck
I've meant to start this new series on the blog for a while now, but am just now getting around to it. It's called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked. The second installment in this series is with agent Sammie Justesen (Northern Lights Literary Services, LLC) and her author Shane Ellison, for his book, Over-the-Counter Natural Cures.
Dear Sammie Justesen, 1. I appreciate your passion for selling. I thought you'd be interested in my work as a rogue drug chemist turned consumer health advocate.
2. Americans are under attack. Obesity, lethargy, depression, diabetes, heart disease, and cancer are a ghastly epidemic in our country. And all these serious health issues can be attributed to a lack of nutrients. How severe is this problem? According to the National Center for Health Statistics, 90% of Americans are nutrient deficient. Armed with little more than "symptom masking drugs," Western Medicine is powerless against the onslaught.
3. The Wal-Mart Cure: Ten Lifesaving Supplements for Under $10 will teach Americans how to easily and inexpensively avoid being nutrient deficient by using key nutritional supplements that are readily available on the shelves of Wal-Mart.
4. Americans spend $6 billion a year looking for the "right supplement," often basing their health decisions on hype and false advertising. They use overpriced, ineffective, and even dangerous products and wonder, "What the hell am I supposed to take?" The Wal-Mart Cure reveals the answer and shows readers how to: • Replace prescription drugs with supplements • Ensure proper dose for best efficacy and safety • Choose the best time to administer (chrononutrition) • Avoid dangerous drug/supplement interactions • Combine nutritional supplements with healthy diet and lifestyle habits Studies show that the proper use of nutritional supplements could save a whopping $3 billion in prescription drug costs annually. The Wal-Mart Cure will not only protect Americans from diabetes, cardiovascular disease, or even cancer. It will also protect their bank accounts from Big Pharma.
5. Known to my readers as "The People's Chemist," I am an award-winning scientist and a prominent health professional with a master's degree in organic chemistry. I write health advocacy articles (thepeopleschemist.com) that reach over 400,000 readers monthly. I have written Health Myths Exposed and The Hidden Truth About Cholesterol Lowering Drugs and co-authored 101 Great Ways to Improve Your Health with Dr. Joseph Mercola and Dr. Julian Whitaker.
6. The Wal-Mart Cure - a 6x9, nonfiction book with 11 chapters and nearly 60,000 words/200 pages - will be the first of a 3-part "People's Chemist" series that will target not only Wal-Mart shoppers but millions of diabetics and athletes. To follow are The Wal-Mart Cure for Diabetics and The Wal-Mart Cure for Athletes.
7. My proposal is available upon request.
Sincerely, Shane Ellison, M.Sc.
Commentary From Sammie
Why I swallowed the hook:
This is a great letter, and Shane Ellison’s proposal lived up to the promise of his query. I found a publisher for his project within six weeks. Let’s dissect this winning letter one paragraph at a time:
Paragraph 1: Shane uses my name, instead of “Dear Agent.” His opening salvo implies he’s familiar with my work, but he doesn’t go overboard and slather me with false compliments. I love the way he describes himself as “a rogue drug chemist turned consumer health advocate.” This tells me he has a sense of humor and doesn’t take himself too seriously. He writes with a confident voice that grabs me right away.
Paragraph 2: Shane outlines the problem his book will address, using valid statistics. Because I’m a nurse, the health topic interests me – and I know he did his homework to find my interests. I like his first sentence, “Americans are under attack.”
Paragraph 3: Shane introduces the title of his book and describes what it’s about in one sentence (a logline). His title is clever (though he wasn't able to use it for legal reasons), and expresses what’s in the book. By the way, vague, boring titles are a turn-off. I asked myself, “How is this book different than other books about health supplements?” The title answers that question: The Wal-Mart Cure shows us how to fine cheap, effective supplements at discount stores. Shane will tap into a market of consumers who don’t like to shop at expensive health food stores and want to get rid of their prescription drugs.
Paragraph 4: Shane elaborates on why his book is needed, then uses bullet points to summarize exactly how he’ll help readers. Who doesn’t want to be healthier and save money at the same time? But again I’m wondering – how will he sell this book against so much competition?
Paragraph 5: Shane answers my question when he presents his qualifications. I’m thrilled to see he’s building a platform now (400,000 readers), instead of waiting until the book comes out. These days, publishers expect authors to develop web sites, create blogs, and build a marketing base upfront. When I read the titles of Shane’s previous books I checked online and found they were self published. This might have turned me off, but I saw how he used the books to gain an audience. Even better – Shane has already branded himself as “The People’s Chemist.” Good for him! With that personal brand, he’s reaching out to folks who shop at discount stores and believe expensive prescription drugs are a rip-off. Shane knows his audience.
Paragraph 6: In closing, Shane provides a word count for his book, although he forgot to mention when it will be finished. The word count is within acceptable limits, which isn’t always the case with authors. I’m glad to see Shane has two follow-up books in mind. Closing: Shane remembers to ask for what he wants – he’d like to send me the proposal. I’m relieved to know he has one, because some nonfiction writers get things backwards and send queries before writing their proposals. Other writers sign off without telling me what they want. I’ve actually had to contact people and ask, “Are you looking for representation, or just announcing your book?”
Shane’s credentials are impressive, his letter is well organized, and his voice sounds confident. He’s out there branding himself and working on a platform instead of waiting for someone to sell the book for him. His professional attitude tells me we’ll work well together.
Book Note: I sold Shane’s project to Peter Lynch at Sourcebooks. Watch for it in bookstores this fall (2009). On a personal note, my husband and I are taking the supplements and getting great results from Shane’s book. Nonfiction | Successful Queries
Wednesday, July 01, 2009 2:19:33 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, June 22, 2009
Successful Queries: Agent Michelle Wolfson and 'Timing is Everything'
Posted by Chuck
I've meant to start this new series on the blog for a while now, but am just now getting around to it.
It's called "Successful Queries" and I'm posting actual query letters that succeeded in getting writers signed with agents. In addition to posting the actual query letter, we will also get to hear thoughts from the agent as to why the letter worked.
The first installment of this series is with agent Michelle Wolfson, and her client, Mark Di Vincenzo, and his book, Buy Ketchup in May and Fly at Noon: A Guide to the Best Time to Buy This, Do That and Go There.

Dear Ms. Wolfson, Have you ever wanted to know the best day of the week to buy groceries or go out to dinner? Have you ever wondered about the best time of day to send an email or ask for a raise? What about the best time of day to schedule a surgery or a haircut? What’s the best day of the week to avoid lines at the Louvre? What’s the best day of the month to make an offer on a house? What’s the best time of day to ask someone out on a date?
My book, Timing is Everything: A Guide to the Best Time to Buy This, Do That and Go There, has the answers to these questions and hundreds more.
As a long-time print journalist, I’ve been privy to readership surveys that show people can’t get enough of newspaper and magazine stories about the best time to buy or do things. This book puts several hundreds of questions and answers in one place -- a succinct, large-print reference book that readers will feel like they need to own. Why? Because it will save them time and money, and it will give them valuable information about issues related to health, education, travel, the workplace and more. In short, it will make them smarter, so they can make better decisions.
Best of all, the information in this book is relevant to anyone, whether they live in Virginia or the Virgin Islands, Portland, Oregon, or Portland, Maine. In fact, much of the book will find an audience in Europe, Australia and Latin America.
I‘ve worked as a journalist since 1984 and have made a name for myself as someone who exposes wrongs, such as rampant abuses at mental hospitals and decades of neglect by government agencies that monitor the environment. I've won numerous awards, competing against reporters from The Washington Post, The Washington Times, the Associated Press, the Richmond-Times Dispatch and The (Norfolk) Virginian-Pilot. In 1999, the Virginia Press Association created an award for the best news writing portfolio in the state – the closest thing Virginia had to a reporter-of-the-year award. I won it that year and then again in 2000. The next year I beat out reporters from The Charlotte Observer and the Atlanta Journal-Constitution to win the Southern Environmental Law Center’s first-place journalism award. I then became metro editor at a 100,000-circulation newspaper in Newport News, Va. Over the years, I’ve honed my long-form writing skills by doing magazine cover stories and writing short stories. During the summer of 2007, I left newspapering to pursue book projects and long-form journalism.
I saw your name on a list of top literary agents for self-help books, and I read on your Web site that you're interested in books that offer practical advice. Timing Is Everything offers plenty of that. Please let me know if you'd like to read my proposal.
Sincerely, Mark Di Vincenzo
Commentary from Michelle:
This query caught my attention and I requested it less than 3 hours after I received it. I’m pleased to say that Mark became my client and his book, with the new title Buy Ketchup in May and Fly at Noon: A Guide to the Best Time to Buy This, Do That, and Go There will be coming out from Harper Collins in October.
I loved the opening to Mark’s query. I tend to prefer it when authors jump right into the heart of their book, the exception being if we’ve met at a conference or have some other personal connection. Otherwise, it’s safe to assume I know you are looking for representation and I like to get down to business.
Mark chose clever questions for the opening of the query. All of those questions are in fact relevant to my life—with groceries, dinner, e-mail, and a raise—and yet I don’t have a definitive answer to them. Then the next paragraph he got a little more offbeat and unusual with questions regarding surgery, the Louvre, buying a house and dating. This showed a quirkier side to the book and also the range of topics it was going to cover. So I knew right away there was going to be a mix of useful and quirky information on a broad range of topics.
The next sentence was great. By starting with “As a long-time print journalist,” Mark immediately established his credibility for writing on this topic. While I needed more—which he provided later—this was great to know right away that he had experience researching topics. And the second half of that sentence helped show that there is a market for this book. This established the need for such a book.
And what do you know? Mark had the solution! A book that answers that need. And he does, in the rest of that paragraph. I think he could have shortened it a drop maybe to “…hundreds of questions and answers with valuable information about issues related to…” I would also be careful not to be too specific about how you envision the final book, and this is something I am always changing with authors in their proposals, since if editors see it differently, you may turn them off by having such a rigid format already described. Why large print? Who knows. I would not put that in a query.
Mark’s next paragraph is interesting because I like it if an author can describe his target audience. However, when most authors say their audience is everyone, as many do, I pretty much automatically reject it. And even as I type this, a query comes in for a YA vampire novel that will, “find a market in most reading ages, similar to the first couple Harry Potter books.” But Mark’s book really does have broad market appeal and he made his point based on a regional basis rather than age, although I think it cuts both ways in this particular case. But keep in mind this is a reference book—and facts are facts and they really do apply to all people.
Mark’s bio paragraph is a little on the long side but offers a lot of good information. Again, I think a journalist is the perfect background for this kind of book since being an expert on any one thing wouldn’t help; you really need to be an expert in researching information and delivering it in an entertaining readable fashion. Overall, I felt I gleaned enough information to feel confident that we could present Mark’s platform in an impressive enough manner to find a publisher.
I liked Mark’s final paragraph, of course, since it’s all about me! Seriously though, it is nice when I feel like an author has sought me out specifically and thinks we would be a good fit. Here I am saying Mark is going to be doing a research heavy book and he has taken the time to research agents as well and has personalized his query with a little flattery thrown in. Always a nice touch.
Of course, now that I’m looking at the query with an eye towards critiquing the query itself, I will comment on the little nitpicky things that I notice, but wouldn’t necessarily stop me from requesting something. Since I just mentioned personalization, I’ll say that on closer inspection, I noticed that the "Dear Ms. Wolfson," is in a different font than the rest of the query. Now I don’t expect you to send me an exclusive query; in fact, I hate them since I then feel pressured to respond right away when that’s not how I generally work if I’m not interested. But you could at least make me feel like you’ve typed it out just for me, and a different font calls attention to a writer's admirable, yet meant to be secret, time-saving methods. Nonfiction | Pitching | Queries and Synopses and Proposals | Successful Queries
Monday, June 22, 2009 3:05:32 PM (Eastern Daylight Time, UTC-04:00)
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