Free Updates

Let us tell you when new posts are added!

Email:

Navigation

Categories

Search

Archives

<July 2007>
SunMonTueWedThuFriSat
24252627282930
1234567
891011121314
15161718192021
22232425262728
2930311234

More Links

 "The Inside Pitch" Screenwriting Blog
A Hollywood Executive Talks About Screenwriting
 Agent in the Middle
Agent Lori Perkins blogs and tells all
 Association of Authors' Representatives
 Blake Snyder's Blog
Screenwriter and "master of story structure" Blake Snyder runs a blog.
 BookEnds Agent Blog
Agents from Bookends Literary blog
 Caren Johnson's Agent Blog
A literary agent talks pitching and everything else
 Children's Writer's and Illustrator's Market Blog
This blog, run by Alice Pope, is a must-read for anyone writing in the juvenile market
 Chip MacGregor's Agent Blog
A Christian agent speaks
 Chuck's conference speaking schedule
See where Chuck will be presenting and when!
 Colleen Lindsay's Agent Blog
A new agent at FinePrint Literary blogs
 Conferences for writers
 Diana Fox's Agent Blog
A literary agent talks publishing
 Dystel & Goderich Agent Blog
 Elizabeth Jote's Agent Blog
An agent with Objective Entertainment talks crazy queries and much more
 F+W Bookstore
Buy Guide to Literary Agents and a bunch of other great WD Books.
 Folio Literary Management's Blog
All the agents chime in on this new blog
 Full Circle Literary's Blog
Agents from Full Circle Literary in California blog
 Greenhouse Literary Blog
Agent Sarah Davies shares her thoughts and wisdom
 Janet Reid
Agent Janet Reid of FinePrint Literary gives her two cents on anything and everything
 Jennifer Jackson's Agent Blog
An agent with the Donald Maass Literary Agency blogs
 Kate Schafer's Agent Blog
 Kevin Alexander's "Writer's Life" Blog
WD funnyman and contributing editor Kevin Alexander tries to make you laugh while learning something about writing at the same time
 Knight Agency Blog
Exactly what it sounds like
 Lit Agent X Blog
Agent Rachel Vater of Folio blogs
 Lit Soup (Jenny Rappaport's Agent Blog)
An agent at the L. Perkins Agency blogs
 Lyons Literary Agent Blog
Agent Jonathan Lyons blogs
 Maria Schneider's "Writer's Perspective" Blog
The editor of Writer's Digest blogs
 Miss Snark
No longer active, but this blog by anonymous agent Miss Snark still has oodles of priceless info in its archives
 Nathan Bransford
A popular blog from an agent at Curtis Brown in San Francisco
 Nephele Tempest's Agent Blog
An agent with the Knight Agency blogs
 Novel & Short Story Writer's Market
 Poetic Asides
A poetry blog from the editor of Writer's Market
 Pub Rants
Kristin Nelson's Agent Blog
 Publishers Marketplace
 Query Shark
Janet Reid's blog where she dissects query letters
 Questions and Quandaries Blog
WD staffer Brian A. Klems answers questions of all kinds
 Rachelle Gardner
A blog by an agent who specializes in Christian Writing
 Script Notes
A WD scriptwriting blog from Chad Gervich, TV producer
 Spencer Ellsworth's Agent Blog
A new agent at L. Perkins Associates blogs
 The Buried Editor
A blog dedicated to juvenile writing (YA, middle grade, picture books) run by an editor at CBAY Books and Blooming Tree Press
 The Rejecter (Anonymous Agent)
 There Are No Rules
Jane Friedman of Writer's Digest Books, talks about publishing trends and has interviews online
 United States Copyright Office
 Writer Beware
A site dedicated to protecting writers from scams of all kinds - including unscrupulous agents
 Writer Unboxed
Primarily devoted to genre fiction, this site features plenty of interviews with industry pros
 Writer's Digest magazine
This big hub has tons of online articles from past issues of WD. Check out the revamped new site!
 Writer's Market
This pay site is our online database of listings (magazines, book publishers, agents, and everything else). It has more than 6,000 listings.
 Writers Online Workshops
Online writing courses are taught by WD staffers and contributors
 Wylie Merrick Agency's Blog

 Tuesday, July 24, 2007
Around the Properties 7/24/2007
Posted by Chuck

Here's what's going on around the other Writer's Digest properties:

Children's Writer's & Illustrator's Market Editor Alice Pope has blogged like mad recently with the release of Harry Potter 7. Also, her first newsletter—all about children's writing—will be flying through cyberspace soon. Sign up for the free newsletter here.

On her blog, Writer's Digest Editor Maria Schneider discusses words we love to use as well as those we hate.

WD columnist (and immensely successful novelist) Jodi Picoult's latest column is online. See her thoughts on success and rejection here.


Around the Properties | Children's Writing
7/24/2007 2:34:35 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
Agent Advice: Chip MacGregor of MacGregor Literary
Posted by Chuck

"Agent Advice" is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.

This installment features Chip MacGregor, founder of MacGregor Literary in Portland, Ore. GLA had the opportunity to sit down with Chip at the Harriette Austin Writers' Conference.

GLA: What's the most recent thing you've sold?

CM: I did a series of books with Simon & Schuster called The Exorsistah, by Claudia Mair Burney, about a teenage African-American girl who realizes she has power over the supernatural world. I also just did a book with Zondervan called Devotions for Thinking Christians, by Lael Arrington and Kelly Kullberg. Rather than being about shallow little things, it's trying to examine the great thoughts of our contemporary world and Christendom and offering them in little bite-sized chunks for people.

GLA: You deal a lot with Christian fiction and nonfiction. How is the Christian market evolving today? 

CM: This is the golden age of Christian publishing. For the last two years, publishing has been flat overall, but Christian fiction is not only growing—it's the fastest growing segment in all of publishing (these past two years). Five years ago, we basically had one category—Christian fiction, which started to segment between contemporary romance and historical romance. But in the last few years, we've begun to see much more realistic stories, and were seeing great divisions in terms of segmentation. We're seeing suspense, supernatural thrillers, futuristic and speculative fiction. There's a huge array in terms of different kinds of genres. Look at mysteries—we now have historical mysteries, contemporary mysteries, cozy mysteries. We're starting to see a lot of segmentation in the marketplace.
      Christian nonfiction used to really be dominated by pastors of large churches who were writing on particular issues. What we see now is much more thoughtful writers coming in. We see, for example, spiritual journey and spiritual memoir. That's led to a number of people saying, "Here's my spiritual journey," and these are people who are really known for their writing. They're not pastors or Christian celebrities—though those books are still around. It's led to a lot of reflective work—and that's exciting because we're starting to see better writing.

GLA: A lot of people self-publish their books, but the quality in most self-published works is not up to snuff. Will you consider self-published works? If so, what qualifications do you look for in such books?

CM: I'm happy to look at a project that's self-published, but what I find is that a lot of self-published work is self-published for a reason. A publisher really wasn't interested in the book because it wouldn't sell well in the general market. Perhaps the idea wasn't big enough. Everyone (in publishing is looking for a writer with) a great idea, a great platform and great writing. But the fact is, the thing that's missing most often is great writing. We see a lot of good writing, a lot of OK writing, a lot of so-so writing. Great writing is the very first thing I look for in a self-published book.

GLA: What do you think is the most common mistake writers make when they give a short in-person pitch to an agent?

CM: You should be able to tell me what your book is about in a simple, nontechnical sentence. If you can't explain it in a simple, nontechnical sentence, then you probably haven't spent enough time thinking about the idea.

GLA: What's your best piece of advice?

CM: At writers' conferences, people sometimes come in looking for the secret—the secret to getting published. Writers need to know the secret to getting published is simply to become a better writer. The fact is, I don't know of a great writer that's unpublished. What I see currently are all these writers so focused on marketing—and I know we're market-driven more than ever before. "Get a platform. Where are you speaking?" I realize that's a reality of today's marketplace, but nothing excites an agent or editor or publisher more than finding someone who's a great writer.

Chip MacGregor is the founder of MacGregor Literary. In addition to his many years of agenting, he is also the author of several books and a veteran of the publishing industry. 
      While his clients write in a variety of genres in adult fiction and nonfiction, each writes from a Christian perspective. Though the agency does represent new, unpublished writers, Chip prefers to receive first contact with a writer through a referral or at a writers' conference. See the
agency's full submissions page here.

Chip MacGregor.


Agent Advice (Agent Interviews) | Christian Agents | Self-Publishing and Agents
7/24/2007 2:15:09 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Monday, July 23, 2007
The Newest Genre: Cyberbilly
Posted by Chuck

CyberbillyA writing genre
that crosses cyberpunk
with hillbilly
.

A writer in Georgia said he's writing in this new genre. That said, his detailed definition of what exactly constituted "cyberbilly" was confusing at best (and I told him that the combination of cyberpunk and hillbilly, in my opinion,  makes little sense), but he seemed to have a good grasp of what he was doing—and that's all that matters.

Regardless—it's an awesome name for a new genre, no? Literary agents always say, "Don't follow trends; instead, write as if to start the next trend." Well, this guy was listening!



7/23/2007 1:15:25 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [4]
Words of Wisdom: Author Bob Mayer
Posted by Chuck

Searching for some fiction writing advice? Look no further than Bob Mayer, a man with many accomplishments. Mayer has written more than 35 novels, has been on just about every bestseller list out there, and is now with his fourth literary agent.

He presented at the HAWC this past weekend; here are some of his precious nuggets of wisdom for fiction writers:

  • If you're writing genre material, it's probably best to "frontload" the work, meaning you can outline heavily before delving into the work.
  • Don't start your query letter with "I've just written a novel..."  The agent realizes this.
  • Know the difference between lecturing the reader and entertaining. "As fiction writers, we are entertainers," he says.
  • Writers often don't sell their first novel because the story is about the writer's life and problems. "First novels tend to be blood-lettings," he says, "and they're focused on you, not the reader."
  • Agents look for solid characters in fiction work. To demonstrate this point, Mayer brought up the TV show, "The Closer," which is essentially just one of countless cop shows, but succeeds because of great characters.
  • The protagonist must be reluctant to get involved. They should also be likeable and interesting, but also different and flawed.
  • Give your work high stakes. What will happen if the protagonist fails?

Bob Mayer (right) speaking with an attendee at the HAWC.



7/23/2007 12:44:34 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
One Story? You Need 5 Versions
Posted by Chuck

I've seen a lot of novel synopses recently, and thought I should post some information on how writers need many versions of their one tale.

OK, so you've written a novel and had it edited by peers or a professional. Now you need a literary agent. Along the road to an agent, you'll constantly be asked for shorter versions of your story. Here are five versions of your work that you should have on hand.

1. The pitch line: This is a one-sentence pitch of your work. (In films, this is called a "log line.") Example: A treasure hunter travels to the Himalayas to find a fabled artifact. Writers can put this pitch line at the beginning of their full synopsis, so agents immediately get the gist.

2. The pitch: This is a one- to two-paragraph explanation of your manuscript. You will include the pitch on your query letter to agents, and you'll essentially say the pitch out loud when talking with agents in person. The pitch is commonly called "an elevator pitch," because you must keep it short enough so that an agent can hear your idea while traveling in an elevator. Appropriate length: 3 to 6 sentences.

3. The synopsis: A long description of what happens in the book (i.e., a summary). I will post more on writing a synopsis soon. For now, know that synopses are usually 2-12 pages in length and introduce all the major characters, as well as their backgrounds and motivations. The average synopsis should be double-spaced and approximately 6-7 pages.

4. The short synopsis: All agents have their specific requests for what they like to see in a submission. Some agents will request a 1-page or 2-page synopsis. Now your challenge lies in taking your long synopsis and cutting it down as much as possible—just in case an overly particular agent wants a super-short plot summary of your work.

5. The full manuscript: Naturally!


Queries, Synopses and Proposals
7/23/2007 11:31:41 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
My Adventures in Georgia
Posted by Chuck

My Georgia odyssey is over (...for now). I returned yesterday from the Harriette Austin Writers' Conference in Athens, Ga., and, of course, immediately passed out on my bed at home. How quickly one passes out when returning home is a true sign of how intense the conference was.

The conference was packed—approximately 200 people—and everyone seemed pleased with the sessions and events. I heard several attendees explain how they weren't writing anything at the current time, but were at the conference specifically to "recharge their batteries." That's what conferences do—they motivate you and help you network.

Following the long days, everyone was quick to relax by the bar and schmooze. It only took a few drinks before I sat down at the piano in the hotel lobby and started to play. We had some nice sing-along moments going here and there. I played some oldies, some Beatles, some Pearl Jam, some Van Halen ... you know—"the works."

I've got plenty of great information to post—including a full interview with leading literary agent Chip MacGregor. Stay tuned.

More to come!

Inspirational writer Lisa Samson and I at the book signing event.

Keynote speaker Terry Kay, an accomplished Southern writer.


Writers' Conferences
7/23/2007 10:58:48 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Friday, July 20, 2007
Agent Advice: David Hale Smith of DHS Literary, Inc.
Posted by Chuck

"Agent Advice" is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.

This installment features David Hale Smith, founder of DHS Literary, Inc. in Dallas

GLA: What's the most recent thing you've sold?

DHS: One of my favorite recent projects is a new novel from the brilliantly twisted mind of Victor Gischler. He has moved over to Touchstone/Fireside with a new two-book deal. The first novel in that deal is called Go-Go Girls of the Apocalypse. It offers an insanely funny vision of the American future. And, of course, I’m very excited about Greg Rucka's graphic novel, Whiteout, being adapted as a big-budget movie starring Kate Beckinsale.

GLA: If a writer queries you with a crime novel, and it's the first in a series of three with the other two books already finished, should the author mention this at all? Or should they let such a discussion come up later?

DHS: I like to know that writers are thinking strategically, but I want to know they can put first things first. Write a book that dazzles me. If it's the first in a planned series, it’s OK to mention that in a query. But I do get a little nervous when I start hearing about a number of other finished manuscripts lying around that "no one has ever seen." 

GLA: You handle different genre work—crime, thrillers, Western, etc. When an author queries you, should they say their submission is simply a "thriller" or a "Western"? Or do they need to be more specific, saying it's a "legal thriller" or a "police procedural" or a "law and lawmen Western"?

DHS: Again, I want to read the actual manuscript before we get into what section of the bookstore it should land in. Many times, I don't even think about the genre until I'm starting to talk to publishers about how the book will be published. Lately there have been a lot of cross-genre hybrids flying around, and that stuff can be great fun, but keeping it simple often works best at the beginning of a career. Then again, a lot of the best stuff comes from reinvention. How's that for contradictory advice?

GLA: You only take work by a referral. Do you also meet writers at conferences?

DHS: I love discovering new writers and reading first novels. But like everyone else, I just don't have enough hours in the day. The best filter I have found is to limit submissions to those that come in by referral. But when I go out and do a writers conference, if I hear a pitch I like, I will always invite a submission. At that point, you don't need a referral.

GLA: Bottom line—what attracts you to a work?

DHS: I like to feel almost physically pulled into a book. I want to discover a work with some magical combination of narrative voice, creative vision, and artistic ambition that absolutely demands publication.

David Hale Smith is the founder and president of DHS Literary, Inc., based in Dallas. His sales and management work has been mentioned in numerous publications, including Publishers Weekly and Daily Variety.
   He works with literary and commercial fiction - especially mysteries, suspense novels and thrillersas well as a broad range of nonfiction. His agency also sells film, foreign and all subsidiary rights Representative books handled by Smith’s agency include New York Times bestsellers The Worst Case Scenario Survival Handbook series (Chronicle Books) and many more. A forthcoming work is Start Strong, Finish Strong by Dr. Kenneth Cooper and his son, Dr. Tyler Cooper.
   Smith has been a featured speaker and panelist at leading writers' conferences, including the Maui Writers' Conference, Bouchercon, Jackson Hole Writers' Conference, Pacific Northwest Writers' Workshop and more.

David Hale Smith.


Agent Advice (Agent Interviews) | Genre Writing
7/20/2007 3:58:28 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
On the Way to Georgia...
Posted by Chuck

I always make it a habit to check out what books people are reading when they're near me on an airplane or in the airport. Here are the titles I spotted people reading yesterday on my way into Atlanta:

Beach Road by James Patterson and Peter De Jonge
A Sister's Secret by Wanda Brunstetter
The Liar's Club by Mary Karr
Field of Thirteen by Dick Francis
Interesting Times by Terry Pratchett

Are any of these good books? Feel free to chime in with an opinion.



7/20/2007 11:37:27 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1]
 Wednesday, July 18, 2007
League of Vermont Writers' Conference - Canceled!
Posted by Chuck

I got booked (kind of at the last minute) to present at the League of Vermont Writers' Conference in Burlington, but, unfortunately, I just received word that the conference was canceled. Money issues.

If, by some chance, you were planning on going and had not yet heard, it is definitely canceled. See their Web site for other information.

Bummer!

P.S. To see a complete list of what
conferences I'll be at, visit this link.


Writers' Conferences
7/18/2007 4:37:45 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
Defining Book Proposals, Outlines and Synopses
Posted by Chuck

Q: When submitting to agents, 1) Do sample chapters need to be consecutive or should they be random? 2) What is a proposal package? 3) Why send a synopsis and bio since both are in the query letter?
                           - Randy L.

A: Sample chapters do not have to be sequential unless you want them to be or the agent requests this. In fact, some agents will specifically ask for your book's first chapter, a chapter from the middle of the book, and then the last chapter. They do this to see if your writing quality is consistent throughout the first, second and third acts. Bottom line: It's up to you.

A proposal package (or a "proposal/outline") is a full book proposal—sent in place of a nonfiction manuscript. If you want to write a nonfiction book, you don't have to write the manuscript before querying an agent. (Seriously.)
      A novel is sold on the quality of the writing, which is why the entire book has to be completed and polished before querying an agent. Nonfiction books, on the other hand, are usually sold on 1) the book's concept/idea, 2) its place in the market, and 3) the author's platform and promotional abilities. With that in mind, a nonfiction book does not need to be complete when you pitch the idea. 
      What's sent in place of the manuscript is a book proposal, which essentially details what the book is, why it should be written, how it will be structured, and all the means the author has to reach prospective markets/audiences. Proposals can be lengthy (say, 20-25 pages on average) and they are difficult to write, but plenty of resources exist to help you through them. The new 2008 GLA has an article on writing a proposal; also check out Bulletproof Book Proposals by Pam Brodowsky and Eric Neuhaus.

      Next, and very importantly: A synopsis is not a pitch. In your query letter, you will have 1-2 paragraphs to summarize your story for the agent. This is called "a pitch."
      A "synopsis" is a long, detailed explanation of what happens in a novel. They are anywhere from 2-12 pages usually. The synopsis allows you to take the agent/editor through the story from beginning to end, introducing all the major characters, their backgrounds and motivations, as well as the twists and turns. The ending is fully revealed and all is laid out on the table. The synopsis immediately lets an agent know what the entire story is, who the characters are, and how it ends. If that gets them intrigued, your writing will have to carry you past the finish line.
      Synopses have very specific formats, so make sure you read up on them before writing one. (In the near future, I'll post much more on how to write a book synopsis. I'm critiquing several now.)

Lastly, the bio. Although you will have some space on the query letter to write a bio, you will likely need to have a separate section within the book proposal called "About the Author," where you detail who you are, your accomplishments, and your credentials that allow you to be the best author to propose this book. For example, in the query, you may mention that you're an "award-winning short story writer." In the true "bio," you will list all your short story accolades—the publications names, the dates, the specific stories, and the exact awards.

Bulletproof Book Proposals.


Queries, Synopses and Proposals
7/18/2007 2:18:24 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2]
Destination: Georgia
Posted by Chuck

On Thursday, I catch an early flight down to Atlanta on my way to Athens, Ga., for the Harriette Austin Writers' Conference. The conference is held on the University of Georgia campus.

I apologize in advance for the blog posting frequency this next five days. There may be nothing for a while, and then BLAM - five posts in an hour. You'll just have to see.

If, per chance, you're headed to the conference, I'll see you there!


Writers' Conferences
7/18/2007 1:14:30 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]
 Tuesday, July 17, 2007
Agents on the Web: Dystel & Goderich Literary Management
Posted by Chuck

Agents on the Web:

Dystel & Goderich Literary Management is a well-respected agency based in New York with a staff of seven agents. On their agency blog, they recently posted an open call for questions, offering an invitation for writers to ask their most pressing of inquiries. Check out the blog home page here to see the Q&A.

Questions addressed on the
D&G blog for the open session
include the following:

  • When do you follow up with an agent?
  • If you're querying an agent, should you tell that agent of past representation?
  • What is the difference between chick lit, women's fiction, and literary fiction written from a woman's perspective?
  • And many more.

The Dystel & Goderich blog is approaching its one-year anniversary, and is frequently updated by all of its agentsso it's definitely worth adding to your Internet favorites.

If you're interested in submitting work to Dystel & Goderich, their submissions guidelines are listed online as part of the Writer's Digest "Secret Agents" article, which has the guidelines of 23 agencies actively seeking new writers.

News hat tip: Nancy Parish



7/17/2007 2:55:02 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0]