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 "The Inside Pitch" Screenwriting Blog
A Hollywood Executive Talks About Screenwriting
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Agent Lori Perkins blogs and tells all
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Screenwriter and "master of story structure" Blake Snyder runs a blog.
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A literary agent talks pitching and everything else
 Children's Writer's and Illustrator's Market Blog
This blog, run by Alice Pope, is a must-read for anyone writing in the juvenile market
 Chip MacGregor's Agent Blog
A Christian agent speaks
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See where Chuck will be presenting and when!
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A new agent at FinePrint Literary blogs
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All the agents chime in on this new blog
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Agents from Full Circle Literary in California blog
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Agent Sarah Davies shares her thoughts and wisdom
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Agent Janet Reid of FinePrint Literary gives her two cents on anything and everything
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WD funnyman and contributing editor Kevin Alexander tries to make you laugh while learning something about writing at the same time
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Exactly what it sounds like
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No longer active, but this blog by anonymous agent Miss Snark still has oodles of priceless info in its archives
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A popular blog from an agent at Curtis Brown in San Francisco
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A blog by an agent who specializes in Christian Writing
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A WD scriptwriting blog from Chad Gervich, TV producer
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A new agent at L. Perkins Associates blogs
 The Buried Editor
A blog dedicated to juvenile writing (YA, middle grade, picture books) run by an editor at CBAY Books and Blooming Tree Press
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 Wylie Merrick Agency's Blog

 Wednesday, February 06, 2008
New Agent at Pippin Properties
Posted by Chuck

Reminder: Newer agencies are golden opportunities for new writers because they're likely building their client list; however, always make sure your work is as perfect as it can be before submitting, and only query agencies that are a great fit for your work. Otherwise, you're just wasting time and postage.

She's not exactly brand new, but I just learned that Pippin Properties has a new(er) agent: Samantha Cosentino, who joined the agency this past year. Samantha is one of three agents at the boutique agency.

Pippin is a smaller agency that focuses on children's writing. Like the agency's other reps, Samantha is interested in picture books, middle grade and young adult work. To submit, send a one-page query to her at info@pippinproperties.


Children's Writing | New Agency Alerts
2/6/2008 1:48:09 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0]
Reminder for Nappaland Literary...
Posted by Chuck

Nappaland Literary Agency, an agency based in Colorado that primarily handles Christian and inspirational work, wanted me to remind writers and blog readers of the agency's specific submission procedures.

Because Nappaland is quite small, they only taken on clients by referral. If you just see them in the database/book and ignore this small tidbit, and send off a query real quick (what the hey, right?), it will be rejected outright.

Always read agency listings thoroughly to save yourself time, worry and postage!


Christian Agents | Random Updates
2/6/2008 1:16:51 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0]
 Tuesday, February 05, 2008
Jet Literary Associates Puts Hold on Submissions
Posted by Chuck

A change in submissions for Jet Literary.  Apparently, the slush pile has grown dangerously large and Jet is not taking queries for several months.  The best way to know when they open the floodgates again is to keep tabs on the Web site. Here's exactly what the Web site had to say:



"We appreciate your interest in working with JET.
Due to the avalanche of queries and submissions
that have come our way via email and conferences
this past year, we will only be accepting submissions
from referrals beginning now until further notice.
Please keep checking back for updates on submissions."

Jet handles nonfiction, fiction and YA.


Random Updates
2/5/2008 12:48:35 AM (Eastern Standard Time, UTC-05:00)  #  Comments [0]
Concerning Resubmissions and Resubmitting...
Posted by Chuck

Q: I have recently sent out query letters to a lot of agents and got some helpful advice, though the book I wrote wasn't for them. Now I am writing a new book and following the advice these agents had given me. My question is: Since I queried these agents already with one book, is it OK to query them with this new book? I'm sure I know the answer to this question already, but I didn't want to query them again after this new book is finished and they think I am being pushy. The thought "oh no not this guy again" comes to mind.
      - Will

A: Resubmitting is a strange thing.  I get a lot of questions about resubmitting the same work to an agent after it's reworked, but this question is unique in asking about a different project.
      You should be A-OK in submitting your second project. Just evaluate your submissions.  If several agents turned down Project 1 because it didn't suit their needs or wasn't where it needed to be writing-wise, etc., is Project 2 different enough and good enough not to suffer the same fate?
      Now, on to the more common question: Can you resubmit the same work to an agent?  Usually, you wouldn't want to, naturally, because the agent has already passed on it.  But the exception is those rare circumstances where the agent has passed on some concrete reasons as to why the work was denied.  Perhaps the agent's comments match the comments from your critique group.  You take the criticism to heart and retool the ms.  At that point, you could submit - and make sure to mention to the agent that you have completely rewritten the work, taking into account her previous advice.
      
Crazily enough, The Buried Editor blog just blogged today about this exact same subject, and gave a very upfront response about resubmissions (that basically disagrees with this post). (Read the whole thing here.) To summarize, the post said that when she rejects a manuscript, she won't consider it again, even if all the personal advice she offered with the rejection, if any, is taken into account when the writer completely retools the work. 
      So the moral is: It depends on the agent.  Some may consider resubmissions.  Others won't.



2/5/2008 12:38:17 AM (Eastern Standard Time, UTC-05:00)  #  Comments [1]
Steve Laube Agency Changes Address
Posted by Chuck

The mailing address for the Steve Laube Agency has changed.  It is now:

The Steve Laube Agency
5025 N. Central Ave.
No. 635
Phoenix, AZ 85012
krichards@stevelaube.com

The agency handles both fiction and nonfiction, and primarily serves the Christian/inspirational markets (CBA).

Steve Laube


Christian Agents | Random Updates
2/5/2008 12:16:21 AM (Eastern Standard Time, UTC-05:00)  #  Comments [0]
Scribe Agency Nixes Snail Mail Submissions
Posted by Kristen Howe

If you're planning on querying the Scribe Agency, do it over e-mail.  According to their new submission guidelines, they are only accepting queries via e-mail now.

For more information, check out Scribe's Web page and their submissions page


Random Updates
2/5/2008 12:09:49 AM (Eastern Standard Time, UTC-05:00)  #  Comments [0]
 Monday, February 04, 2008
Literary Agents vs. Managers
Posted by Chuck

Last week, I posted submission info on Will Entertainment. Before I knew it, Verla Kay's Web site, among others, picked up the news and spread it like wildfire. Garrett Hicks (of WE) must have gotten plenty of queries, because the next day he wrote and asked that I clarify how he is a "manager," not an "agent."

So this brings up the question: What is the difference?  First of all, you should know that both are legimitate.  I'm tempted to explain the details here, but an upcoming interview on the blog with literary/script manager Margery Walshaw of Evatopia will do the question more justice.  It's on the way...

In the meantime, check out an explanation of the difference between agents and managers on the Writers Store Web site.



2/4/2008 1:25:19 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0]
 Wednesday, January 30, 2008
Agent Advice: Janet Reid of FinePrint Literary Management
Posted by Chuck

Agent interview by
blog contributor Robin Mizell:

"Agent Advice" is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.

This installment features literary agent Janet Reid of FinePrint Literary Management. She was formerly with Imprint Literary; before that, she had her own agency: JetReid.

GLA: What's the most recent thing you've sold?

JRSiesta Lane, by Amy Minato to Skyhorse Publishing.

GLA: The FinePrint Web site indicates you're seeking mysteries and offbeat literary fiction; elsewhere you've said you're also interested in nonfiction: justice and death penalty issues, African politics, contemporary art and music, and how-to books. Do you consider anything else? What about graphic novels?

JR: I'll look at anything people send me. I don't know anything about fantasy or Westerns, so I tend to say no, but I read every query letter.

GLA: If you happened to receive a promising submission that was outside your areas of interest, might you pass it along to one of the other agents at FinePrint?

JR: You bet. And if you query me and I say no, you can still query anyone else at FinePrint.

GLA: How would you describe your ideal client?

JR: Jeff Somers. Mindy Tarquini. Sean Ferrell. Eric Stone, Jake Needham. Bill Cameron. Bob Fate. Oh, you mean generally? They write well. They write really, really well.

GLA: How do you prefer to be contacted by writers seeking representation?

JR: E-mail. Snail mail is fine. I really, really don't like phone calls.

GLA: What is your defining personality trait? What don't we already know about you?

JR: I'm cruel, unkind, demanding and fierce. And I drink a lot of scotch.

GLA: What publishing industry periodicals or blogs do you currently read that might also be helpful to prospective clients?

JR: 1) Yours (GLA). 2) GalleyCat. 3) Kristin Nelson's Pub Rants blog. 4) Nathan Bransford.

GLA: You've said you don't enjoy traveling, but will you be attending any conferences or events in the future where writers can meet you?

JRScene of the Crime Conference, Wichita, Kan., April 11-13. The Muse & the Marketplace, Boston, Mass., April 26-27. Surrey International Writers’ Conference, Surrey, British Columbia, Canada, Oct. 23-26, 2008. No one else has been brave enough to ask.

GLA: What's your best piece of advice regarding something we haven't discussed?

JR: Read Stephen King's book On Writing. Read E.B. White's books of essays. Surround yourself with beautiful things when you write, even if you prop open an art book from the library. Expect great things from yourself. Don't talk about what you're going to do ... Do it. 


Janet Reid is an agent with FinePrint Literary Management in New York City. She became a literary agent after working for 15 years in book publicity and hosting an author interview program for an Oregon Public Broadcasting affiliate.
      
FinePrint’s Web site provides submission guidelines, and Janet’s blog includes much more detailed information about her personal tastes and how to send her a query. At present, she is reading all types of manuscripts, but she especially appreciates crime fiction and authors with a wry sense of humor.


Agent Advice (Agent Interviews) | Genre Writing
1/30/2008 3:04:31 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0]
Should You Mention Your POD Work in a Query?
Posted by Chuck

Q: I just purchased the 2008 Guide to Literary Agents. I am an author of three books, all of them published by POD publishers. Looking at the agents' requirements, some only except published authors. I am working on my fourth book and this one I would like to find an agent for. My question is: Shall I tell the agent in my query that I am a published author by POD publishers? I know they want to know how my books are doing, etc.
      - Gabe

A: Let me address this in two parts. Some agents indeed will request that "only published authors" query them. Usually, these are established agents who are not "actively" building their client list. Requesting only published authors is their way of trying to eliminate most of the slush that comes in. The best way to get signed by a high-level agent like this is through a referral or meeting them at a conference/retreat.

As for the POD books, sure you can mention them. If I were you, I would mention it at the bottom of your query very briefly (don't even include the titles just yet). That way, you are being upfront about your publishing past, but not drawing a whole lot of attention to it. If you mention your POD books in the first line or two, the agent may stop reading simply because of the stigma that goes along with self-publishing and POD work. Let the agent/editor see your pitch and get hooked. If they are interested enough, your bio details (such as the POD books) will have no effect.

Hope that helps.


Self-Publishing and Agents
1/30/2008 2:19:12 PM (Eastern Standard Time, UTC-05:00)  #  Comments [1]
Making Sense of an Impersonal Rejection Letter
Posted by Chuck

At the conference last weekend, an attendee raised a complaint to agents and editors when we were all sitting together on a panel. Rejections letters he received over time were usually impersonal - without any comments as to why the story was rejected; sometimes the letters were often xeroxed to the point that the text was barely legible, if at all. He felt insulted by these letters.

Various agents on the panel took turns addressing his concerns. The consensus was that agents do not have time to personalize rejections in almost any way. Occasionally, agents will have "checklists," where they will check a box saying why they rejected something (e.g. "POV confusion," "I don't handle this category of fiction," etc.).

Miriam Hees, publisher of Blooming Tree Press, said it like this: She was spending so much time trying to personalize rejections that her slush pile contained material more than a year old. She changed her policies, figuring that a cold, impersonal rejection was more compassionate to a writer than keeping their manuscript for a crazy amount of time. Makes sense to me.

That said, everyone agreed that rejections with the wrong book title pasted in, or rejections that were not readable, were not fair to writers. (To avoid the latter problem, use e-queries where possible!)

While we're talking about rejections, it's important to mention that more and more agents have adopted the policy of only responding to queries if interested. Usually, they are upfront about this policy and their reply timeframe. If they say "We will reply within 6 weeks, only if interested," you should probably wait eight to be certain. After that, consider it a "no" and move on.

Blooming Tree Press



1/30/2008 2:05:40 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0]
 Monday, January 28, 2008
New Agency Alert: Will Entertainment
Posted by Chuck

Cool new alert to see. Will Entertainment is looking for children's book writers whose writing is good enough to brave both the literary and film worlds.  Awesome opportunity, but your work better be up to snuff to challenge both worlds!

Important note: Garrett Hicks is a literary and script manager, meaning he is similar to an agent but not exactly an agent, per say.

Reminder: Newer agencies are golden opportunities for new writers because they're likely building their client list; however, always make sure your work is as perfect as it can be before submitting, and only query agencies that are a great fit for your work. Otherwise, you're just wasting time and postage.

Will Entertainment

1228 Romulus Drive, Glendale CA 91205. Phone: (818)389-6895. Fax: (818)246-4520. E-mail: garrett@willentertainment.com. Web site: www.willentertainment.com. Contact: Garrett Hicks. Seeking new and established writers. Prior to becoming an agent, Mr. Hicks was a development executive for Disney Animation. Established: 2003. Represents 20 clients. 30% of clients are new/unpublished writers. Specializes in: children's book authors and illustrators, especially those crossing over from film, TV and animation. Currently Handles: 30% Juvenile Books, 30% Movie Scripts, 40% TV Scripts

Script categories/genres of interest: Action/Adventure, Cartoon/Animation, Comedy, Fantasy, Juvenile, Mainstream, Romantic Comedy, Teen. How to Contact: Query with SASE and synopsis. Accepts e-mail queries. No fax queries. Accepts simultaneous submissions. Responds in 2 weeks to queries. Responds in 2 weeks to manuscripts. Does not return submissions. Actively seeking: Juvenile, picture books and young adult.

Recent Sales: Sold 2 titles in the last year. Sold 5 scripts in the last year. Hot Sour Salty Sweet, by Sherri Smith (Delacorte); Flygirl, by Sherri Smith (Putnam); Patty Dolan is Dead, by Patrick O'Connor (FP Prods/Disney); Hopeville, TV pilot by Howard Nemetz (Fox). Terms: Agent receives 15% commission on domestic sales; 15% commission on foreign sales. Offers written contract. Termination notice: 60-day.


Children's Writing | New Agency Alerts | Screenwriting and Script Agents
1/28/2008 7:31:59 PM (Eastern Standard Time, UTC-05:00)  #  Comments [3]
 Sunday, January 27, 2008
New Agent at Martin Literary Management
Posted by Chuck

A while back, I blogged about how Ronnie Gramazio was a new agent at Martin Literary Management. Recently, I got an e-mail from Sharlene Martin saying a third rep is now aboard the agency.

Ginny Weissman helms the agency's Chicago area office and runs the Mind, Body and Spirit division. Her contact info is below.  She seems very accomplished in the entertainment and literary worlds.  To learn more exactly about what she reps and how to submit, see her new personal Web page.

In an e-mail, she told me this: "I am looking for writers with a developed platform in speaking, radio/TV, and the web with a book that fits the Mind/Body/Spirit genre, including health, spirituality, religion, diet, exercise, psychology, relationships and metaphysics."

Ginny Weissman
2511 West Schaumburg Road
No. 217
Schaumburg, IL 60194
(312)420-2665
Ginny@MartinLiteraryManagement.com


New Agency Alerts | Nonfiction | Random Updates
1/27/2008 10:29:01 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0]