Free Updates
Navigation
Categories
| December, 2008 (4) |
| November, 2008 (15) |
| October, 2008 (12) |
| September, 2008 (13) |
| August, 2008 (25) |
| July, 2008 (18) |
| June, 2008 (23) |
| May, 2008 (20) |
| April, 2008 (19) |
| March, 2008 (23) |
| February, 2008 (29) |
| January, 2008 (24) |
| December, 2007 (15) |
| November, 2007 (16) |
| October, 2007 (29) |
| September, 2007 (16) |
| August, 2007 (38) |
| July, 2007 (40) |
| June, 2007 (36) |
Search
Archives
| | Sun | Mon | Tue | Wed | Thu | Fri | Sat | | 30 | 1 | 2 | 3 | 4 | 5 | 6 | | 7 | 8 | 9 | 10 | 11 | 12 | 13 | | 14 | 15 | 16 | 17 | 18 | 19 | 20 | | 21 | 22 | 23 | 24 | 25 | 26 | 27 | | 28 | 29 | 30 | 31 | 1 | 2 | 3 | | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
More Links
Agent in the Middle
Agent Lori Perkins blogs and tells all |
| Association of Authors' Representatives |
Blake Snyder's Blog
Screenwriter and "master of story structure" Blake Snyder runs a blog. |
BookEnds Agent Blog
Agents from Bookends Literary blog |
Caren Johnson's Agent Blog
A literary agent talks pitching and everything else |
Children's Writer's and Illustrator's Market Blog
This blog, run by Alice Pope, is a must-read for anyone writing in the juvenile market |
Chip MacGregor's Agent Blog
A Christian agent speaks |
Chuck's conference speaking schedule
See where Chuck will be presenting and when! |
Colleen Lindsay's Agent Blog
A new agent at FinePrint Literary blogs |
| Conferences for writers |
Diana Fox's Agent Blog
A literary agent talks publishing |
| Dystel & Goderich Agent Blog |
Elizabeth Jote's Agent Blog
An agent with Objective Entertainment talks crazy queries and much more |
F+W Bookstore
Buy Guide to Literary Agents and a bunch of other great WD Books. |
Folio Literary Management's Blog
All the agents chime in on this new blog |
Full Circle Literary's Blog
Agents from Full Circle Literary in California blog |
Greenhouse Literary Blog
Agent Sarah Davies shares her thoughts and wisdom |
Janet Reid
Agent Janet Reid of FinePrint Literary gives her two cents on anything and everything |
Jennifer Jackson's Agent Blog
An agent with the Donald Maass Literary Agency blogs |
| Kate Schafer's Agent Blog |
Kevin Alexander's "Writer's Life" Blog
WD funnyman and contributing editor Kevin Alexander tries to make you laugh while learning something about writing at the same time |
Knight Agency Blog
Exactly what it sounds like |
Lit Agent X Blog
Agent Rachel Vater of Folio blogs |
Lit Soup (Jenny Rappaport's Agent Blog)
An agent at the L. Perkins Agency blogs |
Lyons Literary Agent Blog
Agent Jonathan Lyons blogs |
Maria Schneider's "Writer's Perspective" Blog
The editor of Writer's Digest blogs |
Miss Snark
No longer active, but this blog by anonymous agent Miss Snark still has oodles of priceless info in its archives |
Nathan Bransford
A popular blog from an agent at Curtis Brown in San Francisco |
Nephele Tempest's Agent Blog
An agent with the Knight Agency blogs |
| Novel & Short Story Writer's Market |
Poetic Asides
A poetry blog from the editor of Writer's Market |
Pub Rants
Kristin Nelson's Agent Blog |
| Publishers Marketplace |
Query Shark
Janet Reid's blog where she dissects query letters |
Questions and Quandaries Blog
WD staffer Brian A. Klems answers questions of all kinds |
Rachelle Gardner
A blog by an agent who specializes in Christian Writing |
Scott Eagan's Agent Blog
The great Greyhaus agent blogs away. |
Script Notes
A WD scriptwriting blog from Chad Gervich, TV producer |
Spencer Ellsworth's Agent Blog
A new agent at L. Perkins Associates blogs |
The Buried Editor
A blog dedicated to juvenile writing (YA, middle grade, picture books) run by an editor at CBAY Books and Blooming Tree Press |
The Inside Pitch Screenwriting Blog
A Hollywood Executive Talks About Screenwriting |
| The Rejecter (Anonymous Agent) |
There Are No Rules
Jane Friedman of Writer's Digest Books, talks about publishing trends and has interviews online |
| United States Copyright Office |
Writer Beware
A site dedicated to protecting writers from scams of all kinds - including unscrupulous agents |
Writer Unboxed
Primarily devoted to genre fiction, this site features plenty of interviews with industry pros |
Writer's Digest magazine
This big hub has tons of online articles from past issues of WD. Check out the revamped new site! |
Writer's Market
This pay site is our online database of listings (magazines, book publishers, agents, and everything else). It has more than 6,000 listings. |
Writers Online Workshops
Online writing courses are taught by WD staffers and contributors |
| Wylie Merrick Agency's Blog |
|
 Wednesday, July 30, 2008
New Agent Alert: Josh Getzler of Writers House
Posted by Chuck
Reminder: Newer agents/agencies are
golden opportunities for new writers because they're likely building
their client list; however, always make sure your work is as perfect as
it can be before submitting, and only query agencies that are a great
fit for your work. Otherwise, you're just wasting time and postage.
Josh Getzler of Writers House
21 W. 26th Street, New York NY 10010. Email: jgetzler@writershouse.com. www.writershouse.com Seeking new and unagented writers. Prior to becoming a junior agent, Mr. Getzler have had 15 years in the business (not all publishing). Currently handles: 75% fiction, 25% nonfiction. Nonfiction areas of fiction: Biography, Business/Investing/Finance, Music, Religious, Cookbooks, History, Sports. Fiction areas of fiction: General fiction, Mystery, Historical novels (esp. mysteries), Thrillers, Noir, Children's. Does not want to receive: picture books.
How to contact: E-mail only with query with five or so pages. Synopsis not necessary. Actively seeking: Foreign and historical thrillers. Recent sales: Devil's Thrill by Gerald Elias (Minotaur, Fall 2009).
This new agent tip provided by GLA blogger extraordinaire Kristen Howe.
 New Agency Alerts
7/30/2008 1:53:28 PM (Eastern Daylight Time, UTC-04:00)
|
|
Agency Profile: Ashley Grayson Literary Agency
Posted by Chuck
Ashley Grayson Literary Agency
1342 18th St., San Pedro CA 90732. Fax: (310)514-1148. E-mail: graysonagent@earthlink.net. Member Agents: Ashley Grayson (fantasy, mystery, thrillers, young adult); Carolyn Grayson (chick lit, mystery, children's, nonfiction, women's fiction, romance, thrillers); Denise Dumars (mind/body/spirit, women's fiction, dark fantasy/horror); Lois Winston (women's fiction, chick lit, mystery). Prefers established writers, mostly referrals. Established: 1976. Member of AAR. Represents 100 clients. 5% of clients are new/unpublished writers.
Specializes in: "We prefer to work with published (traditional print), established authors. We will give first consideration to authors who come recommended to us by our clients or other publishing professionals. We accept a very small number of new, previously unpublished authors." Currently Handles: 20% Nonfiction Books; 50% Novels; 30% Juvenile Books. Nonfiction areas of interest: Business/Economics; Computers/Electronic; History; Popular Culture; Science/Technology; Self-Help/Personal Improvement; Sports; True Crime/Investigative; mind/body/spirit; health; lifestyle. Fiction areas of interest: Fantasy, Juvenile, Multicultural, Mystery/Suspense, Romance, Science Fiction, Young Adult, Women's, chick lit.
How to Contact: As of 2008, the agency was only open to fiction authors with publishing credits (no self-published). For nonfiction, only writers with great platforms will be considered. Accepts e-mail queries. Recent Sales: Ball Don't Lie, by Matt de la Pena (Delacorte); Heaven, by Jack Cohen and Ian Stewart (Warner Books); I Wish I Never Met You, by Denise Wheatley (Touchstone/Simon & Schuster). Other Clients Represented: Isaac Adamson, John Barnes, Andrew Fox, Barb and J.C. Hendee, Geoffrey Landis, Bruce Coville, J.B. Cheaney, David Lubar and Christopher Pike. Terms: Agent receives 15% commission on domestic sales; 20% commission on foreign sales. Agency Profile
7/30/2008 1:42:37 PM (Eastern Daylight Time, UTC-04:00)
|
|
Do You Send a Query or a Proposal or Both?
Posted by Chuck
Q. I have completed my nonfiction book proposal and am ready to begin contacting agents. In the 2008 Guide to Literary Agents, I notice that the preferred method is to send agents a query letter. Does the agent require the proposal too, or is the proposal used to send to publishers? Can I send agents the proposal and a cover letter? I'm just wondering how best to proceed, and appreciate any insight you might have. - Jane
A. Every agent is different in terms of what they want, so there is no preferred method, so to speak. Most will probably tell you to send the proposal right away. Some will want to see a strong query letter, and then ask for the proposal if they're intrigued by the query. Much more often than not, they will say exactly what they want on their website. If they do NOT (and you've really looked everywhere), then I advise just sending the proposal. Most agents can size up a proposal in about two minutes. After that, they will either be interested and read the whole thing, or they will send a form rejection your way. And to address another point here, the proposal is indeed sent to publishers by the agent, but an agent will go over it with a fine-tooth comb for a while to make sure it's perfect.
Nonfiction
7/30/2008 1:27:35 PM (Eastern Daylight Time, UTC-04:00)
|
|
Interning With an Agency
Posted by Chuck
I am in the southwest part of Virginia right now where you recently did a speaking engagement, though I didn't go since I did not know about it, and I really want to get into the publishing business. However, I have made an obligation to stay here with a friend of mine for a year or so. I'm having trouble finding a job at a bookstore (or really anywhere), despite having run a book review site for over a year now (myspace.com/bookchicclub), and so am thinking about branching out a bit. Anyway, my question is, do you know of any agents, particularly those who deal with YA/MG manuscripts, who are in the southwest part of Virginia? It's hard to find them on agentquery.com since most people are looking for genre-specific agents rather than location-specific agents. I would love to be able to help them out and work under them for a while. - James
A. There are two parts to my answer. First, like I've said before on the blog, you don't need to work with an agent that's near you in terms of proximity. That makes no difference. But I think you're also asking about it because you want to intern and learn some things about the business, correct? I admire your goal here, as working at an agency will help you learn a lot. But I know of no agencies in SW Virginia (let alone children-centric ones), so the problem remains. You can work for an agency from a distance, though. You would be reading a lot of submissions and queries and picking out the best ones to send to the agents for their perusal. It's a long-distance business internship. An arrangement like that is quite common, but you have to find a good agency to hook up with, have a solid agreement with them as to your role, and then have an ultimate goal in mind so you're just not plodding through a slush pile for the rest of your life.
7/30/2008 1:21:23 PM (Eastern Daylight Time, UTC-04:00)
|
|
 Monday, July 28, 2008
Exclusive Submissions: Treading Carefully
Posted by Chuck
Q. I have been sending out multiple submissions for the past few months on my completed manuscript. I received and granted a one-month request for reading exclusivity to an agent. The next day, I receive a request from another house. What is the best way to proceed with the second request? I am not sure if I should tell the second agent to wait 30 days or just stall and send the manuscript to the agent in 30 days. What is the etiquette for this situation? - Dave
A. First of all, congrats on getting multiple requests for the full ms. Now, on to your question. The best etiquette is to simply be honest. Reply to Agent #2 (by e-mail, hopefully), saying how excited you are about their request for the full text, but you regretfully have to inform them that it is in the middle of an exclusive read. Ask them if you can send it to them in a few weeks when the exclusive period ends, providing Agent #1 has ultimately said no to the project. The quicker you can do this and reply, the more professional it seems. If Agent #1 says no and Agent #2 hasn't answered your question, I advise sending it anyway. They wanted to see it, and they may have not replied because they were momentarily frustrated that you couldn't immediately send it. But, still, they did want to see it, so send the requested ms over to Agent #2 ASAP.
7/28/2008 10:57:21 AM (Eastern Daylight Time, UTC-04:00)
|
|
Calling Debut Childen's Authors!
Posted by Chuck
This message passed on from Alice Pope, editor extraordinaire of Children's & Illustrator's Market.
"With the 2009 CWIM out the door and in the stores, I'm officially starting my search for first-time authors and illustrators to feature in 'First Books' in the 2010 edition of CWIM. If you have a debut book coming out in the near future and woud like to be interviewed for 'First Books,' I want to hear from you. But there are some rules—and you must visit my blog to read them. (And remember, if I don't choose your for 'First Books,' you could be a Debut Author of the Month featured in this newsletter and on my blog.)"
Children's Writing | Contests
7/28/2008 10:45:21 AM (Eastern Daylight Time, UTC-04:00)
|
|
 Friday, July 25, 2008
Agent Advice: Lilly Ghahremani of Full Circle Literary
Posted by Chuck
"Agent Advice" is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.
This installment features Lilly Ghahremani of Full Circle Literary in San Diego. Lilly handles some fiction, but her passions are nonfiction, children's works, and the occasional graphic novel.
GLA: How did you become an agent?
LG: I joined a law firm/literary agent straight out of law school, so I quickly learned the art of finessing a publishing deal, protecting authors' rights, and understanding what the market responded to. I met Stefanie, then a fellow agent at the company, and upon realizing our shared vision for a young, energetic agency, we joined forces to launch Full Circle in 2004.
GLA: What's the most recent thing you've sold? LG: This week I'm selling renown hypnotherapist Debra Berndt's Let Love In (calling all single girls!) to Wiley. Other recent sales in the past couple of weeks include Baby Sing and Sign by Penny Warner to Three Rivers
GLA: Online, your fiction "wants" say "multicultural, literary or by referral only." What does this mean exactly? Does this mean any adult fiction not multicultural or literary can only be submitted through a referral?
LG: Yes. We have really done quite well within nonfiction and children's, so that's our main focus for new clients. As avid fiction readers ourselves, we are open to representing fiction and certainly do on occasion, but we prefer that it fall within our pronounced interests. There are so many fantastic agents out there aggressively representing fiction, so we've tried to outline what 's likely to get strong consideration with us. GLA: You just attended the Writers League of Texas Agents & Editors conference. Besides writers being too nervous, what is the most common mistake(s) you see writers making during an in-person pitch?
LG: That's a great question, Chuck, thanks for asking! I think the mistake of the pitch is to read. You have 5, or possibly 15 minutes with an agent. This is their chance to see you as a person. Many of us (at the very least I can say this is true for myself) feel it's important to connect not just with the work, but with the author. Your work will speak for itself once we have a chance to sit down and read it - take this time to make eye contact with us, show us why you'd be easy and wonderful to work with, show us your passion for your project. And to qualm the nervousness, remember that, no matter how agents behave, without writers we have no job!
GLA: What are you looking for right now and not getting? For example - an adventure novel set in Iran. A nonfiction book proposal about massage therapy... LG: I am very interested in doing more books that will preserve our environment and that introduce readers to "green" issues in a non-cliche way. I'm also interested in hip crafting books. I would love to do some children's, YA, or middle-grade books about the middle east. Multicultural books are appearing about a variety of ethnicities, but I'm not seeing them about Middle Easterners as much as I'd hoped. I'm also interested in pop culture, always and forever!
GLA: Do you consider yourself to have any weird quirks as an agent? In other words, have you ever been on an agent panel and heard all the other agents agree on something while you yourself thought differently?
LG: I seem to differ with my colleagues on the likeability of an author. I came to publishing from law because I don't want to work for a client just because they're a client or they pay me. I wanted to work for clients because I believe in them and their work and because we have an energetic partnership. I feel that one of the benefits of running my own company is the opportunity to handpick who I work with, and I make use of that privilege regularly. In other words, I'm not a Diva Management Firm. I take the author and book as a full package! GLA: You look for multicultural fiction, and books set in the Middle East are of special interest. Concering these submissions you see, what are the most common places where writers go wrong? What makes you stop reading a multicultural fiction submission? LG: The biggest mistake I've seen is people who want to write about the Middle East because they think it's a hot topic, but then not educating themselves enough about it. For example, one woman submitted a project to me that just briefly mentioned a heavy dresser that the character's parents had brought over during the Revolution. Well that caught my eye, because people who left Iran during the Revolution did so under duress, traveling over mountains by car or animal, or leaving all their worldly possessions and hopping on one of the last flights out of Tehran. This is a fact that cursory research would have uncovered. Another common mistake is folks who present genre fiction to me. Even if a genre novel takes place in the Middle East, my interest in those doesn't surpass my need to stay within what we can sell well for you!
GLA: I know your co-agent, Stefanie, reps kids books, but do you as well?
LG: Yes, I do. And readers may not know this, but Stefanie and I work together on all the projects at Full Circle - many agencies have one agent designated to a project, but we pool our resources to give authors the strongest footing going forward. Even if I acquire a project for us, they will benefit from Stefanie's superior years in the children's book industry.
GLA: What are you looking for in a graphic novel? What are the elements of a perfect GN query?
LG: In a graphic novel (I have yet to take one on!), I'm looking for stylized, professional artwork, but more than that - a fresh, compelling story. My mind was opened to graphic novels after reading Marjane Satrapi's incredible Persepolis. I myself hadn't realized how emotional and powerful a graphic novel could be as a medium to tell a tale until the moment I opened that book. GLA: Will you be at any upcoming writers' conferences where writers can meet you?
LG: I don't have any on deck at the moment, but we try to keep an updated list on our website.
GLA: Any blogs you want to plug?
LG: Yes! Two in particular. First, ours - fullcirclelit.blogspot.com. Secondly, our author Jon Yang. He's the author of the Rough Guide to Blogging, and his insights are hilarious. To be honest, I first found him as a blogger online, and that's how we parlayed the first book deal. His YA novels, beginning with Exclusively Chloe, are forthcoming from Penguin.
GLA: Other bit of advice on something we haven't discussed?
LG: Yes! Did you know Kirkland Vodka is actually Grey Goose, produced for generic packaging? You can thank me later.
Lilly Ghahremani is an attorney now "using her
powers for good" as a literary agent with Full Circle Literary
(co-founded with Stefanie Von Borstel). Lilly is interested in a wide
range of nonfiction, driven by a compelling narrative voice (even if
it's a how-to). She is interested in YA, and is open to reviewing chick
lit or literary fiction. As a rule please know that Full Circle does
not represent genre fiction
(thriller, mystery, romance, suspense, horror, western, historical), poetry,
or screenplays. A sampling of her recent sales include Raina Lee's karaoke book Hit Me with Your Best Shot (Chronicle Books), Joseph Sommerville's Rainmaking Presentations (Palgrave), and Cal Patch's Patternmaking
(RH/Potter Craft). Lilly particularly enjoys books about pop culture,
crafts, the rest of the world (with a soft spot for the Middle East),
music and the performing arts, and topics that connect with a female
readership. Agent Advice (Agent Interviews) | Children's Writing | Graphic Novels
7/25/2008 10:20:13 AM (Eastern Daylight Time, UTC-04:00)
|
|
FinePrint Literary's New Blog
Posted by Chuck
FinePrint Literary Management in New York has started a new blog: http://fineprintlit.blogspot.com/. FinePrint is a medium-sized agency full of super-cool agents.
Hat tip on this great info: future famous writer Nancy Parish.
7/25/2008 9:48:27 AM (Eastern Daylight Time, UTC-04:00)
|
|
 Wednesday, July 23, 2008
Talking Script/Screenplay Managers
Posted by Chuck
Q. I was wondering on how you can help me get the right agent. I've written a screenplay, which is copyedited and registered. My query letter and my synopsis seem to be very good. - Natalie
GLA: A-ha. You're looking for a script agent, not a literary agent. More specifically, you want a script manager. Agents in California are wheeler-dealers who generally do not take on or consider new clients. If you're trying to break in cold, query a manager. Managers work like literary agents out there. When the time comes, your manager will connect with an agent to make a deal. It stinks a bit, because you have to pay 15% to one and 10% to the other. A lot of reps out west who are open to queries from new screenwriters are managers, but may not call themselves that (they may use the word "agent"). The new 2009 Guide to Literary Agents book doesn't list any script managers. Why, you ask? Because in less than six months, the first ever edition of Screenwriter's & Playwright's Market will be in bookstores. If you don't want to wait that long, just get a subscription to WritersMarket.com, which has the entire database. Fortunately enough, I just interviewed script and literary manager Marc Manus, of Manus Entertainment Literary Management, who was a panelist at our writers' conference in Los Angeles in May. I interviewed him for the new SPM book, but I want to post some of his answers here because I think they'll help.
GLA: Besides a concise pitch, what are you looking for when a writer talks to you in person or contacts you via a query?
MM: Personally, I look for some sense of concept and marketing in a writer's queries - is the person hitting the commercial side of my brain? Or is the person boring me with unnecessary details about how the main character changes because of a tragedy? If the person's loglines seem to encapsulate a really good movie idea, I will usually ask to read a sample. A person's background can help, as well. I will lend weight to someone who claims to have a background in writing (journalism, advertising, etc.) or someone who has gone to film school. Assuming the writer makes it past the query stage and I've read a good sample from the person, it's time to meet. When I sit down (or chat via phone) with a writer, I am essentially looking for someone that I am not afraid to put in a room with executives and producers. That person should be articulate and energetic. I've actually passed on representing people who come across as lethargic or argumentative. Life is too short.
GLA: We know the textbook definition between a manager and an agent in Hollywood. That said, do you feel like contacting a manager is the best route for newer writers? Are agents just too busy?
MM: For newer writers, yes. Agents rarely have time to deal with some of their existing clients.
GLA: When a writer contacts you, how many scripts should they have up their sleeve?
MM: I recommend at least two, if not more. And a plethora of good ideas!
GLA: What are the most common problems you see in the first 5-10 pages of the specs you read?
MM: Beginnings that are uninteresting and fail to set the tone of the script. And lackluster introductions of main characters. I can't tell you how many scripts fall short on those two levels...
GLA: Any other advice or tips for newer writers on a topic we haven't covered?
MM: Yes, it's not enough to simply generate a feature or TV idea, write the script and be done with it. You have to think about the business - how it grows, where it's moving. Think about your idea as intellectual property and not just a movie or television show; platforming is important. And legacy. Will your idea stand the test of time? It's important to understand what moves human beings and how to effectively communicate that in your story.
Agent Advice (Agent Interviews) | Screenwriting and Script Agents
7/23/2008 10:32:15 AM (Eastern Daylight Time, UTC-04:00)
|
|
 Monday, July 21, 2008
Do Not Query Big Score Productions
Posted by Chuck
I suppose I should have posted this a long time ago, but late is better than never...
Big Score Productions was listed in a few past editions of Guide to Literary Agents. Somewhere in the past year (well after the 2008 edition hit shelves), Big Score started charging a $50 fee before reading submitted writing.
Don't query them. I took them out of the new edition, which is now in bookstores.
Concerning bad agencies
Once in a blue moon, I receive a complaint about an agency and it usually goes something like this: "Such and such agency won't return my calls!" I log the complaint and move on, but nothing much ever happens. The policy is that after 2-3 legitimate complaints, we start snooping around and making phone calls, and take them out of the database - but we almost never get even two troubling complaints about the same agency.
But about once a year, we receive about 5-20 about one bad one that snuck its way in. Big Score is one of those. Of course, you should never pay any upfront fees just so that your work is read or considered. No way, Jose.
One way to avoid this is to get a subscription to WritersMarket.com, rather than buying any print editions. As soon as we find out about any change to any publication or agent, we update the online database and it is changed immediately. It's very convenient. Plus, the online database has more than 6,000 listings for everything - not just agents.
Concerning this post's cadence
I just finished reading Tucker Max's I Hope They Serve Beer in Hell, which is a frighteningly hilarious collection of moments centered around sex, beer and the rock-and-roll lifetstyle. I am trying not to take on his strange alpha-male, short sentence cadence, though it is difficult. You ever get around that British friend or Southern friend and you find yourself taking on their patterns of speech and possibly even a bit of an accent? I'm fighting that now. Sorry if I lose the battle...
Scams
7/21/2008 4:19:57 PM (Eastern Daylight Time, UTC-04:00)
|
|
 Tuesday, July 15, 2008
On Writing Memoir and Agents...
Posted by Chuck
I spent much of these past few weeks on vacation, but now I'm finally back in the office, plugging away on projects and glancing through the brand new 2009 Guide to Literary Agents, which will be available nationwide soon.
One of the projects I've spent several nights on recently is freelance editing a memoir. To back up a bit here, let me first say something about the memoir genre in general: Everybody wants to write one, it seems. When I go to writers' conferences, there are a disproportionate amount of writers who are trying to sell memoirs (with picture books probably a close second). So I am often listening to memoir pitches and hearing about them. It is rare, though, that I get to read an unpublished one front to back like this and dive into it.
So fresh from editing the manuscript, I humbly offer four tips for those out there penning a memoir:
1. Give us only the best parts. A lot happens in your life, so writers may summarize lots of information in their pages, but this approach backfires. In your quest to get it all down on paper (in a much too diary-like fashion) and leave no month un-summarized, you have "told, not shown" us everything, and we never slowed down to enjoy scenes of the best moments. Realize that you will end of leaving plenty of the cutting room floor. 2. Ask yourself: Is your life that interesting that someone will spend $25 to read it? If you say yes, identify why. Make that the crux of your book. 3. Establish the themes early. Is your book about redemption? Family commitment? Overcoming despair? Figure it out and have that theme tie the book together. 4. Write it like a novel. Use cliffhangers, quotes, white space, character development, and the three-act structure. Make sure it begins quickly and hooks us in.
The good news for memoir writers is that plenty of agents want to rep your books, but the bad news is that you're fighting against lots of other writers, so make sure your writing stands apart. You must either have a tremendous story to tell, or a fantastic voice that can make an ordinary story very entertaining. Nonfiction
7/15/2008 4:15:38 PM (Eastern Daylight Time, UTC-04:00)
|
|
Finding a Literary Agent For Children's/Juvenile Writing
Posted by Chuck
I looked into getting an agent. I sent a query to the Children's Literary Agency. They responded almost immediately asking for the manuscript. Their request was so instant that it really sent red flags up for me. I began to do Google searches for the company and found a lot of negative comments about the company. Several said they request manuscripts from every query they get. One had signed a contract with the company and ended up sending several hundred dollars for a professional edit. No one had actually ever been past the editing process with the company that I found online. When I read the e-mail from the agent, it stated that there is no phone number where they can be contacted. When asked about their company, they said, "We are bigger than a small agency and smaller than a large agency," and they travel to New York and Florida on a regular basis. Obviously, I deleted the e-mail requesting my manuscript. So now, I am a little "gun shy" contacting other agents. I have looked online and found many who are excepting query letters (not very many for a children's manuscript) but I'm afraid of who will be reading the query on the other side. That is when I found your website. I was hoping you would be able to give me some in site to reputable agents for children's literature. I don't have any false hope that this will be an easy process. - Marci
GLA: Thanks for writing, Marci. There is a lot here to address. First, well done on looking out for red flags and protecting yourself. A simple Google search could have saved a lot of other people like yourself time and money. That agency you speak of is widely regarded as a scam, and they are on Writer Beware's list of the 20 worst literary agencies out there. Next, on to your concern that few agents rep children's manuscripts. This is both very true and very false. The fact is that a TON of agents rep juvenile fiction - it's just that most of those I speak of are looking for young adult (YA) and middle grade (MG). Both of these genres are hot in a publishing market that's cold, hence why so many agents are looking for the next big thing. That said, you are correct in saying that few agents rep picture book manuscripts and projects of a similar nature. Fewer picture books are published these days, and there is a glut of them sitting in agents' inboxes. Too many people want to write a picture book ms. If this is your goal, best of luck. Now, regarding how to find reputable literary agents. You have some options. Pick up a copy of Children's Writer's & Illustrator's Market. Not only does it have plenty of agent listings, it also has instructional articles on writing/craft, as well as other market listings for children's writers. The website I help oversee is www.writersmarket.com, and it has the whole shebang in terms of literary agent listings. It has the biggest agent database you can find anywhere - but know that it is a pay site. Besides that, you can always check out AgentQuery.com, a helpful free resource online that lists reputable agents. Is it as big as WritersMarket.com? No, but it's free and it's very solid. You may want to join the Society of Children's Book Writers and Illustrators (SCBWI). It will likely cost a fee, but you can have access to their wisdom and a list of recommended agents. Those are some good places to start. Some options cost money. Some don't. But what I think happened is you just got spooked. You caught a real bad agency at first because you were looking in the wrong place. Search in the right places (mentioned above) and they're all reputable. They may not reply fast, and they may say "no" much more often than "yes," but you won't have to pay any upfront fees.
 Children's Writing
7/15/2008 11:12:10 AM (Eastern Daylight Time, UTC-04:00)
|
|
Ageny Profile: Diana Finch Literary Agency
Posted by Chuck
Diana Finch Literary Agency
116 W. 23rd St., Suite 500, New York NY 10011. Phone: (646)375-2081. E-mail: diana.finch@verizon.net. Contact: Diana Finch. Seeking new and established writers. Prior to opening her agency, Ms. Finch worked at Ellen Levine Literary Agency for 18 years. Established: 2003. Member of AAR. Represents 45 clients. 20% of clients are new/unpublished writers. Currently Handles: 65% Nonfiction Books, 25% Novels, 5% Juvenile Books, 5% Multimedia.
Represents: Nonfiction Books, Novels, Scholarly Books. Nonfiction areas of interest: Biography, Business, Child Guidance/Parenting, Computers, Current Affairs, Ethnic/Cultural, Government/Politics/Law, Health/Medicine, History, How-to, Humor, Juvenile nonfiction, Memoirs, Military, Money, Music/Dance, Nature, Photography, Popular Culture, Psychology, Science, Self-Help/Personal Improvement, Sports, Theater/film, Translation, True Crime, Women's Issues. Fiction areas of interest: Action/Adventure, Detective/Police/Crime, Ethnic, Historical, Literary, Mainstream/Contemporary, Thriller, Young Adult.
How to Contact: Query with SASE or via e-mail (no attachments). Accepts e-mail queries. No phone or fax queries. Accepts simultaneous submissions. Returns materials only with SASE. Actively seeking: narrative nonfiction, popular science, and health topics. Does not want: romance, mysteries, or children's picture books.
Recent Sales: Armed Madhouse, by Greg Palast (Penguin US/UK); The Bush Agenda, by Antonia Juhasz; Journey of the Magi, by Tudor Parfitt (Farrar, Straus & Giroux); Radiant Days, by Michael FitzGerald (Shoemaker & Hoard); The Queen's Soprano, by Carol Dines (Harcourt Young Adult); Was the 2004 Election Stolen?, by Steven Freeman and Joel Bleifuss (Seven Stories); An Iranian Memoir, by Azadeh Moaveni (Random House); Great Customer Connections, by Rich Gallagher (Amacom). Terms: Agent receives 15% commission on domestic sales.; 20% commission on foreign sales. Offers written contract. "I charge for photocopying, overseas postage, galleys, and books purchased, and try to recap these costs from earnings received for a client, rather than charging outright." Tips: "Do as much research as you can on agents before you query. Have someone critique your query letter before you send it. It should be only 1 page and describe your book clearly—and why you are writing it—but also demonstrate creativity and a sense of your writing style."
Agency Profile | Nonfiction
7/15/2008 10:27:30 AM (Eastern Daylight Time, UTC-04:00)
|
|
2009 Article Excerpt: Assessing Credibility
Posted by Chuck
I have officially wrapped up all editing on the 2009 Guide to Literary Agents.
It's over. Finally. Done. (I. Love. Using. Periods.) To celebrate, I
thought I'd post excerpts from the forthcoming upfront articles.
2009 Article Excerpt:
The Scoop on Researching Agents
"...Anybody can go to the neighborhood copy center and order business cards that say "literary agent," but that title doesn't mean she can sell your book. She may lack the proper connections with others in the publishing industry, and an agent's reputation with editors is a major strength or weakness. Agents who have been in the business awhile have a large number of contacts and carry the most clout with editors. However, veteran agents can be too busy to take on new clients or might not have the time to develop an author. Newer agents, on the other hand, may be hungrier, as well as more open to unpublished writers. If it's a new agent without a track record, be aware that you're taking more of a risk signing with her than with a more established agent. But know that even a new agent should not be new to publishing. Many agents were editors before they were agents, or they worked at an agency as an assistant. Experience is crucial for making contacts in the publishing world and learning about rights and contracts..." - "Assessing Credibility: The Scoop on Researching Agents" (page 14)
While Guide to Literary Agents
is best known for its large and detailed list of literary agencies,
every edition has plenty of informational articles and interviews
designed to help writers perfect their craft and contact agents wisely.
The 2009 edition is no different, with more than 80 pages of articles addressing numerous writing and publishing topics.
7/15/2008 10:14:21 AM (Eastern Daylight Time, UTC-04:00)
|
|
Maria Blogs About Thrillerfest
Posted by Chuck
Maria Schneider, editor extraordinaire of Writer's Digest magazine, recently blogged all about her adventures in Manhattan while she was at Thrillerfest.
Thrillerfest, if you didn't know, is a huge writers' conference for writers of thr thriller genre, and attracts a crazy amount of big-name authors, such as Sandra Brown, David Baldacci and James Rollins. Check her posts out!
Sandra Brown and Maria Schneider. Genre Writing | Writers' Conferences
7/15/2008 10:02:05 AM (Eastern Daylight Time, UTC-04:00)
|
|
 Tuesday, July 08, 2008
Back From Vacation. Here's the News...
Posted by Chuck
I'm back from vacationing in my hometown of Erie, Penn., so here is some news about the 2009 GLA and the agent world:
1. I asked superagent Janet Reid of FinePrint Literary Management (who runs the QueryShark blog) to write an article for the 2010 Guide to Literary Agents book and she found my suggested topics to be "boorrring!" So she opened a thread on her blog asking for topic suggestions. To see the suggestions and even weigh in, do so here.
2. After I presented at the Agents & Editors writers' conference in Austin recently, one writer in the crowd did a real nice write-up of the conference on Writer Unboxed, an awesome site. He details his experiences from the whole conference and even mentions our smart aleck back-and-forths during one of my sessions.
3. Speaking of presentations, a cool writer in the crowd at my latest presentation (in Virginia at Smith Mountain Lake) blogged about my presentation and posted a photo here. Her name is Becky and she runs the Peevish Pen blog.
4. Greenhouse Literary, a relatively new agency, has a blog I didn't know about. Check out agent Sarah Davies's words of wisdom.
5. Evatopia, a script and literary management agency in LA, has recently changed its address to: 8447 Wilshire Blvd., Ste. 401, Beverly Hills, CA 90211.
6. And lastly, I received a copy of the new 2009 Guide to Literary Agents in my hands today. Exciting. It won't be in stores for another two weeks, but you can order it on Amazon at any time. The new book has updated information, new agency listings, and plenty of writers conferences.
7. And super-lastly, did anyone see Hancock? Man, it was bad! How do you screw that up? You got the world's most bankable star and a great concept, and you just blow it. I said it before: The Dark Knight is the must-see film of 2008 and the buzzstorm on that movie is in high gear. I remember that someone commented before and said Indy Jones IV was the must-see flick. Yeah ... OK. You chill with your aliens. I'll watch The Joker and Two-Face. Random Updates | Writers' Conferences
7/8/2008 12:26:14 AM (Eastern Daylight Time, UTC-04:00)
|
|
 Saturday, July 05, 2008
Agent Advice: Elizabeth Pomada of Larsen-Pomada Literary Agents
Posted by Chuck
"Agent Advice" is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.
This installment features Elizabeth Pomada of Larsen-Pomada Literary Agents in San Francisco. Michael Larsen and Laurie McLean round out the agency, which was established in 1972. A member of the Association of Authors Representatives, Elizabeth Pomada cofounded the San Francisco Writers Conference and Writing for Change. She and Michael Larsen are frequently welcomed as presenters at writers’ conferences and literary events across the country.
GLA: Michael Larsen has written three guidebooks for writers, which give his professional advice and views on the publishing industry. You’ve written a travel book, and the two of you collaborated on a series about architecture. You're in the public eye. You were "transparent" before the term was coined to describe revealing an insider's perspective of a business. EP: I'm afraid that we are just too transparent. If you read our Web site and also our listings in Writer's Digest Books and even Jeff Herman's Guide to Book Publishers, Editors, & Literary Agents, strangers would pretty much know who we are and what we like. I'm pretty out there about wanting to do nothing more than read good books on the beach or in the pool. And now that we've started the San Francisco Writing for Change Conference—dedicated to nonfiction writers who want to change the world, one book at a time—the world knows that Michael really does want to save the world.
GLA: Is the Internet changing the way you operate?
EP: The Internet is certainly changing the way we do business. The phone doesn't always ring off the hook all day—and we sometimes worry about that. But then we open e-mail and see about 150 messages on our main address, Larsenpoma@aol.com; about 20 on our personal address; one on our "Painted Ladies" address; and 15 on the conference address, so we know people are reaching out. Also, we use e-mail to send manuscripts, so UPS and postage costs are down (amazing) and things are faster and easier to send, although it's still difficult to get answers. I still don't like to read queries online and end up printing out and reading and then answering, which takes up more time than it did before, but Michael does like to edit proposals online.
GLA: How do you prefer to be contacted by writers seeking representation?
EP: Writers may contact us by writing a three-paragraph e-mail letter: the hook, the book, and the cook. Hook us to the idea; tell a bit about the book and a bit about the author.
GLA: Do you want to receive queries from writers who reside in countries other than the U.S.?
EP: We regularly receive queries from all over the world and don't mind, but they still have to be well written.
GLA: Are you currently seeking any specific kinds of manuscripts? Would you consider a graphic novel?
EP: We don't plan to accept or sell graphic novels. That's another world, and we don't wish to delve into it now. Our associate, Laurie McLean, did try for six months and found that it was simply too difficult, since it was another language, another set of editors and methods, and she has stopped. I'm still looking for wonderful historical novels, and Michael is still looking for books that can change the world.
GLA: If a writer sends you a promising query outside your specific areas of interest, will you pass it along to another agent?
EP: Michael and I do share promising queries with each other, if the initial reader isn't up to handling the project. But we do not pass queries on to other agents. We may suggest names to the writers, however.
GLA: What kinds of writing credentials or professional affiliations do you look for when you receive a query? EP: For fiction, credentials really don't matter. But once a writer wants to enter the publishing business, then she should be a member of as many affiliations as possible for networking purposes. For example, Romance Writers of America, if she's doing romance. Mystery Writers of America, if mysteries. International Thriller Writers, if thrillers. For nonfiction, the author's platform is crucial.
GLA: Can you tell us about your latest deal?
EP: The most recent thing I've sold is Katharine Kerr's unexpected fifteenth book—and the promised last book—in the Deverry Series, The Silver Wyrm. Both it and number fourteen were unplanned, as the thirteenth was to be the last.
GLA: At which upcoming writers' conferences will you be found? EP: We'll be attending the San Francisco Writing for Change conference in August 2008; East of Eden Writers Conference in Salinas, Calif., in September 2008; the San Francisco Writers Conference in February 2009; the Emerald Coast Writers Conference in Ft. Walton Beach, Fla., in March 2009; the Writer’s Digest Books Writers Conference in May 2009; BEA in New York City in May 2009; the Santa Barbara Writers Conference in June 2009; and the Women’s Fiction Festival in Matera, Italy. So far.
GLA: Michael Connelly and Dean Koontz drew a large audience when they spoke and signed books at BookExpo America (BEA) in Los Angeles. Can you pinpoint the qualities in these two bestselling authors that make their books so incredibly popular?
EP: Michael and I both enjoyed hearing Dean Koontz and Michael Connelly. I think the qualities that they both have are, first of all, polishing their craft. Both have written many, many books and they've worked their way up to where they are. They didn't start in the number one slot as some new writers expect to. And both have created characters that people care about, book after book.
GLA: To a writer looking for an agent, can you offer any advice about something we haven't discussed? EP: As always, my advice to writers is to do your homework. Treat writing as a career, not a hobby. If you were going to be a lawyer or a firefighter, who would do your homework on the subject? Publishing should be treated seriously. A long list of helpful online resources, as well as submission guidelines for writers seeking representation, can be found on the Larsen-Pomada website. Michael Larsen will soon be launching a blog in connection with Writing for Change. Watch for him and Elizabeth Pomada promoting the conference with a new video on YouTube later this month.

Elizabeth Pomada Agent Advice (Agent Interviews)
7/5/2008 5:57:16 PM (Eastern Daylight Time, UTC-04:00)
|
|
My Adventures in Smith Mountain Lake...
Posted by Chuck
Last week I got the chance to present for the Smith Mountain Lake Writers Group down in southwest Virginia (think near Roanoke). The talk drew in a decent crowd - considering the holiday so close - and attracted writers from several counties.
I'm still out of town and have been having trouble posting on the blog (sorry for the wait). Below you will find some questions that writers asked at the presentation.

Me and some of the Smith Mountain Lake writers. To my right is group coordinator Jim Morrison.
Q. What do you do if you're unhappy with how your literary agent is working for you?
A. Complicated question. The standard answer of "Be honest with her" is unfulfilling because you feel like she knows more than you, and she knows how to work. But still, you have to be honest and gently express concern at how things are going. That said, have patience. As long as the agent is working on your project, then she is indeed working. If it's getting submitted to places with no luck, then examine why this is. Is this work sub-par? Does it need tweaking? What about these submissions she's sending to editors? Does she have relationships with the editors, or are these just cold submissions? If you have decided to get out of a representation agreement with an agent, you will have to consult your contract, and check out the details (fine print). Contracts have termination clauses and you could be stuck with that agent for several weeks or months, etc. Usually this is not a problem because a reputable agent will want to cut ties with a client who wants to cut ties with them. That said, know that any previous books that you worked with the agent on - and sold - will be tied to the agent forever. For example, if your agent sold Book 1, and now you want to get out because Book 2 is going nowhere, you will always be locked in to that agent for Book 1 because she sold it. For every dollar you make now until forever, she gets 15 cents.
Q. Why is literary fiction a difficult sell?
A. Screenwriter Blake Snyder said that if you can't boil your story down to one super-intiguing sentence (a logline), then you're already in trouble. The reason that so much of what's out now in movie theaters is sequels and remakes and garbage is because it's easily marketable. People know what the story's about. Genre fiction (also called popular fiction), such as mysteries or romance or sci-fi, has a specific framework - a specific blueprint. People enjoy mysteries because they want to solve a crime. They expect red herrings. They expect a clever villain. These things are integral parts of the mystery blueprint. Literary fiction has no blueprint! I've said before that when you don't know what your novel is genre-wise, it could very well be literary fiction. Because literary fiction has no blueprint, and the stories are often more layered and rich, that tends to make them harder to condense into one super-intriguing line. And that's why they're a hard sell. People just don't know what they're about, and they need to know if they're going to plunk down $27 for it. Genre Writing | Writers' | |