Free Updates

Let us tell you when new posts are added!

Email:

Navigation

Categories

Search

Archives

<November 2009>
SunMonTueWedThuFriSat
25262728293031
1234567
891011121314
15161718192021
22232425262728
293012345

More Links

 Agency Gatekeeper
A literary agent shares secrets.
 Agent in the Middle
Agent Lori Perkins blogs and tells all
 Ashley Grayson Agent Blog
From the Ashley Grayson Literary Agency
 Association of Authors' Representatives
 Barbara Doyen's Articles Page
Agent Barbara Doyen shares her knowledge.
 Barry Goldblatt Literary
A blog from the whole agency.
 BookEnds Agent Blog
Agents from Bookends Literary blog
 Brenda Bowen
Agent Brenda Bowen's "Bunny Eat Bunny" kids writing blog.
 Cameron McClure
Cameron, with the Donald Maass Lit Agency, runs her "Book Cannibal" blog.
 Caren Johnson Literary Agency
The official CJLA blog
 Children's Writer's and Illustrator's Market Blog
This blog, run by Alice Pope, is a must-read for anyone writing in the juvenile market
 Chip MacGregor's Agent Blog
A Christian agent speaks
 Chuck's conference speaking schedule
See where Chuck will be presenting and when!
 Colleen Lindsay's Agent Blog
A new agent at FinePrint Literary blogs
 DHS Literary Blog
David Hale Smith's "Literary Show and Tell" blog.
 Diana Fox's Agent Blog
A literary agent talks publishing
 Dystel & Goderich Agent Blog
 Eddie Schneider
An agent from JABberwocky Literary blogs.
 Elaine English Literary Agency Blog
A blog from the whole agency.
 F+W Bookstore
Buy Guide to Literary Agents and a bunch of other great WD Books.
 FinePrint Literary Management Blog
A blog from the whole agency.
 Folio Literary Management's Blog
All the agents chime in on this new blog
 Fresh Books Blog
An agency blog.
 Full Circle Literary's Blog
Agents from Full Circle Literary in California blog
 Girl Meets Book
Agent Jamie Brenner of Artists & Artisans blogs.
 Greenhouse Literary Blog
Agent Sarah Davies shares her thoughts and wisdom
 Hartline Literary Blog
A blog from the whole agency.
 Janet Reid
Agent Janet Reid of FinePrint Literary gives her two cents on anything and everything
 Jennifer Jackson's Agent Blog
An agent with the Donald Maass Literary Agency blogs
 Jenny Bent's Blog
From the founder of The Bent Agency.
 Jill Corcoran
A kids agent at the Herman Agency blogs.
 Joshua Bilmes Agent Blog
JABberwocky Literary Agency
 Kelly Mortimer
Agent Kelly Mortimer's "Perils of Publishing" blog.
 Ken Atchity
The president of AEI, a script and literary management co., blogs.
 Kid Lit
A blog by kids agent Mary Kole of the Andrea Brown Literary Agency
 Kimberly Cameron & Associates
A blog from the whole agency.
 Knight Agency Blog
Exactly what it sounds like
 Laurie McLean's Agent Blog
The "Agent Savant" blog
 Lit Soup (Jenny Rappaport's Agent Blog)
An agent at the L. Perkins Agency blogs
 Lucienne Diver's Agent Blog
A blog on "Authorial, Agently and Personal Ramblings."
 Lyons Literary Agent Blog
Agent Jonathan Lyons blogs
 MFA Confidential Blog
This new WD blog features Kate Monahan and all things about getting an MFA
 Miss Snark
No longer active, but this blog by anonymous agent Miss Snark still has oodles of priceless info in its archives
 Nathan Bransford
A popular blog from an agent at Curtis Brown in San Francisco
 Nephele Tempest's Agent Blog
An agent with the Knight Agency blogs
 Poetic Asides
A poetry blog from the editor of Writer's Market
 Promptly (Prompts Blog)
WD's own blog of writing prompts, run by magazine staffer Zac Petit
 Pub Rants
Kristin Nelson's Agent Blog
 Publishers Marketplace
 Query Shark
Janet Reid's blog where she dissects query letters
 Questions and Quandaries Blog
WD staffer Brian A. Klems answers questions of all kinds
 Rachelle Gardner
A blog by an agent who specializes in Christian Writing
 Romantic Reads
Dorchester editor Leah Hultenschmidt blogs romance.
 Sara Crowe's Blog
An agent from Harvey Klinger blogs.
 Scott Eagan's Agent Blog
The great Greyhaus agent blogs away.
 Script Notes
A WD scriptwriting blog from Chad Gervich, TV producer
 Suzie Townsend
A new assistant agent at FinePrint Literary blogs.
 Terry Burns's Blog
An agent with Hartline Literary blogs.
 Terry Whalin's Blog
"The Writing Life," as told by a former editor and agent.
 The Buried Editor
A blog dedicated to juvenile writing (YA, middle grade, picture books) run by an editor at CBAY Books and Blooming Tree Press
 The Gail Ross Literary Agency
The agency blog.
 The Inside Pitch Screenwriting Blog
A Hollywood Executive Talks About Screenwriting
 The New Literary Agents
A few new literary agents share advice.
 The Rejecter (Anonymous Agent)
 The Shatzkin Files
 The Sound and the Furry
WD contributor Nancy Parish talks writing.
 There Are No Rules
Jane Friedman of Writer's Digest Books, talks about publishing trends and has interviews online
 Tracy Marchini
An agent from Curtis Brown, Ltd. blogs
 United States Copyright Office
 Upstart Crow Blog
A blog from the whole agency at Upstart Crow Literary.
 Waxman Literary Agency
A blog from the whole agency.
 Wendy Sherman Associates Blog
Multiple agents blog.
 Writer Beware
A site dedicated to protecting writers from scams of all kinds - including unscrupulous agents
 Writer Unboxed
Primarily devoted to genre fiction, this site features plenty of interviews with industry pros
 Writer's Digest magazine
This big hub has tons of online articles from past issues of WD. Check out the revamped new site!
 Writer's Market
This pay site is our online database of listings (magazines, book publishers, agents, and everything else). It has more than 6,000 listings.
 Writers Online Workshops
Online writing courses are taught by WD staffers and contributors
 Wylie Merrick Agency's Blog
 Zack Company Blog
Agent Andrew Zack blogs.

# Wednesday, November 26, 2008
Agent Advice: Mary Sue Seymour of The Seymour Agency
Posted by Chuck

"Agent Advice" is a series of quick interviews with literary and script agents who talk with Guide to Literary Agents about their thoughts on writing, publishing, and just about anything else.

This installment features Mary Sue Seymour, of The Seymour Agency.

She is seeking: Mary is looking for new clients who write any type of romance including historical, contemporary category, contemporary mainstream, suspense, paranormal, regency or inspirational. She wants nonfiction about real life heroes, prescriptive books, cookbooks, and basically any type of nonfiction by credentialed authors. She is looking for Christian books of any type. She does not handle magazine articles, e-published or self-published books, general novels, children's books, poetry, short stories, New Age and books contradictory to fundamental Christian beliefs. E-mail her at marysue@twcny.rr.com.  See her Web site before submitting material.



Mary Sue Seymour (left) pictured with
client Vannetta Chapman.

GLA: How did you become an agent?

MSS: When I was teaching elementary school, I wrote and had three different agents.  One of them wasn't very good, so I talked to a girlfriend who was a business teacher.  She convinced me to start my own literary agency as a hobby back in 1992.  The first book i sent out sold a four-book deal to Bantam.  God had given me a gift.  I could look at a book that was flawed and write a prescription to fix it, like I had to fix the book that sold the four-book deal.


GLA: What’s the most recent thing you’ve sold? 

MSS: Today, I sold Shelly Galloway's two-book untitled deal to Johanna Raisenan at Harlequin Canada for their Harlequin America line, which I know is weird because its primary offices are in Canada.  Yesterday, I sold Shelley Shepherd Gray's three-book deal to Avon Inspire.

GLA: You ask for the first 50 pages of text with a fiction submission.  I’m guessing you usually don’t get through all 50 before you stop.  What types of things will turn you off in those crucial first chapters?

MSS: The first line and first paragraph should demonstrate great writing ability and the knowledge that the author knows how to write a hook.  If it's a romance, it would be nice if the hero/heroine meet on the first page or close to it.

GLA: If you were speaking to someone who was sitting down to write
a romance book but had never done so before (they wrote either literary fiction or plain nonfiction), what would you tell them about the necessities of how to write? 

MSS: The word count would range from 50K to about 100K.  There is a formula to write a good romance.  The hero must be a man the reader would like to date and the heroine should be the type of girl that is bigger than life that the reader would like to be like.  They should meet, overcome obstacles and in the end get together.  There are dozens of different kind of romances - the author could join the Romance Writers of America for support and and get into critique groups. All my published authors have critique groups.

GLA: If someone pitches a romance series to you rather than just one book, does that raise a red flag in your mind?

MSS: No, it's better.  Most romance publishers would rather buy a series.  Americans are collectors and like series.  Publishers would rather pay to publicize one author for three books than pay to publicize three separate authors.

GLA: Concerning Christian fiction, what are you looking for and not getting? 

MSS: I would like to see more historical romance that has Christian elements. 

GLA: You’ve said before that you are big into the general information books, such as the “Everything” series and the “Idiot’s Guide to” series.  What qualifies someone to contact you with an idea for a book in the series?  Can you give us an example of when someone pitched one of these books cold to you and it came to fruition?

MSS: Editors from Adams Media e-mail me lists of titles they are seeking authors for.  I forward the lists on to my clients who e-mail the editor via me a bio.  If the editor likes the bio, she requests
a table of contents and then they take it from there.

GLA: In addition to the literary agency, you also have a film agency.  Can you tell us more about that?  What are you looking for?  Are you a script manager?

MSS: Ellen, my film agent, recently retired due to health issues and a poor market.  I am looking for a new film agent.

GLA: Will you be at any upcoming conferences where writers can meet and pitch you?

MSS: In January, I will be at Space Coast Writers Guild Annual Conference in Cocoa Beach. The beginning of February will be in San Diego, and then at the end of February Naples, Fla, with the Southwest Florida Romance Writers. In March, I'll be in Charlotte for the
Carolina Romance Writers Conference

GLA: Best piece(s) of advice concerning some
thing we haven’t discussed?

MSS: Writing is a process.  People don't usually write books unless they have talent.  You dont' take piano lessons if you have no talent.  Join an organization for support; for example, if you write mysteries, join the MWA.  Enter contests if you can afford the fees - especially ones judged by editors.


Want more on this subject?

Agent Advice (Agent Interviews) | Christian Agents | Genre Writing
Bookmark and Share
Wednesday, November 26, 2008 12:45:12 PM (Eastern Standard Time, UTC-05:00)  #  Comments [5]
# Tuesday, November 25, 2008
New Agent Alert: Loren R. Grossman of the Paul S. Levine Literary Agency
Posted by Chuck

Agent Paul Levine's wife, Loren R. Grossman, has joined him at the agency and is looking for clients.  She specializes in nonfiction.



Nonfiction areas of interest
: Archeology, Art/Photography/Architecture, Child
Guidance/Parenting, Coffee Table Books, Education/Academics, Gardening,
Health/Medicine, Science/Technology, Law, Religion, Memoirs, Sociology.

How to contact: E-mail her at lrg@ix.netcom.com.  Submitting writers are encouraged to refer to one or more “how-to” writers’ manuals.  Send a one (1) page, single-spaced query letter, preferably by e-mail (although “snail mail” and fax are acceptable).  No query-related phone calls, please. In your query letter, note your target market, with a summary of specifics on how your work differs from other authors’ previously published work.

All submissions should be photocopies free of spelling and grammar errors, in clear 12-point
font (e.g., Times New Roman), double-spaced, paginated, on white 8.5x11 20-lb. paper, with 1-inch margins.  If you are asked to submit material, and you would like it returned should we not accept it, don’t forget to enclose a self-addressed stamped envelop (SASE).

New Agency Alerts | Nonfiction
Bookmark and Share
Tuesday, November 25, 2008 10:27:48 AM (Eastern Standard Time, UTC-05:00)  #  Comments [2]
Words of Wisdom from Agent Nat Sobel
Posted by Chuck

Nat Sobel, an agent at Sobol Weber Associates, was recently featured in a long interview in Poets & Writers magazine.  You can read the entire article here.  Below are some of the nuggets of wisdom and observation he passed on:
  • By and large, writers get responses much quicker today because of e-mail. 
  • It's much more difficult to get published if you're a fiction writer.  There certainly is a very strong feeling in the publishing world that fiction is chancier - absolutely chancier - than nonfiction.  Today, you have to have all sorts of other reasons to publish a first novel - other than that it happens to be very good.
  • We keep hearing this phrase: What's the platform?  (The first time I heard that word), I thought, What's a platform?!  Well, what it is is this: What does the author bring to the table?  Talent is not enough.  
  • I think what is evolving today for agents is that they need to be the first line editors for their authors.
  • My great love, and where we've found most of our fiction writers, has been the literary journals.  I don't know how many other agents read the journals.  I know it's a lot more than it used to be, but I certainly read them more extensively than anyone else.

Want more on this subject?

Agent Advice (Agent Interviews) | Excerpts
Bookmark and Share
Tuesday, November 25, 2008 10:16:48 AM (Eastern Standard Time, UTC-05:00)  #  Comments [8]
# Monday, November 24, 2008
How Royalties and Advances Work
Posted by Chuck

Q. I buy Children's Writer's & Illustrator's Market every year. I wonder if you can tell me: When the publisher says they "pay advance against royalties," does that mean they don't pay royalties, just one lump sum?  
        - Dawn

To answer this, Dawn, I will
repost a small column I wrote
about how payments work from
a year ago:


If you're going to wheel and deal with agents and editors, you'll end up spending more time than you'd like discussing rights, contracts, advances, royalties and a whole lot of other boring important stuff. That said, I want to address a recent question that came in over e-mail regarding how advances and royalties work. In other words, how does the payment process work when you sell a book?

For this example, I'll keep it real simple (for my own sake and well as yours). Let's say you acquire an agent and sell a novel. The publishing house offers you royalties of $3 per book sold. 
      It's probable that you'll be given money in advance - more specifically: an advance against royalties. What this means is that they give you a lump sum of money before the book comes out as payment that's yours to keep - say, $60,000. However, the money is not in addition to royalties, but rather part of royalties - meaning they've given you royalties for the first 20,000 books (times $3/book) upfront. Since they've already paid you the royalties of the first 20,000 books, you will not starting actually making $3/book until you sell the copy 20,001.

Think of it like this. When you get hired at a new job, you ask for six months pay upfront and the boss agrees. It's not a separate signing bonus you're getting - it's your hard-earned money paid to you early. You get the lump sum quickly, but then you don't get paid again till the regular checks start coming six months later.

Many things to consider:

  • Royalties per book vary greatly. If you get $3/book, that's pretty darn good. If you write a typical nonfiction book, you may just get $1/book.
  • If you write with a co-author, you will split the money.  Royalties of $1/book just became $0.50/book.  Also know that if you're working with an illustrator, you split the money with her. 
  • Advances against royalties are a pretty sweet deal. You get a lump sum upfront, which you get to keep even if the book fairs poorly. (Repeat: The advance is yours. Period.) But if the book takes off, you will start getting royalties down the road.
  • Reality check: Be aware that the money amount promised will hit your bank account as a lot less than expected, as Uncle Sam will take a big cut and your agent takes 15% before it gets taxed.
  • You may run into a "flat fee" situation, where a publishing company pays you one sum of money upfront with no talk of royalties. This is legitimate - just make sure it's what you want.
  • It's common for a house to break up the advance. They may give you $30,000 when you sign the contract and then $30,000 upon completion of an acceptable manuscript. On this note, make sure you turn in an "acceptable manuscript," so that you get to not only receive the second payment, but also keep the first one, and not have a publisher demand it back.
  • Read your contract thoroughly. It's all spelled out.

Contracts and Copyrights and Money
Bookmark and Share
Monday, November 24, 2008 10:26:06 AM (Eastern Standard Time, UTC-05:00)  #  Comments [2]
When an Agent Leaves an Agency...
Posted by Chuck

Q. As a rule, when an agent leaves an agency, does she take her client list with her? Or is the author a property of the agency?
        - Lori


A. The clients go with her.  You see this all the time.  An agent will begin at one place, and then either move to another or start her own agency.



Closings | Q&A from Blog Readers
Bookmark and Share
Monday, November 24, 2008 10:17:07 AM (Eastern Standard Time, UTC-05:00)  #  Comments [2]
# Wednesday, November 19, 2008
10 Hidden Gifts of Rejection Letters
Posted by Chuck

Guest blog column
by Debra Darvick



1. Rejection letters take you out of submission limbo.
        Familiar with that hell whose name is Waiting? Is the agent reading your submission? Chortling with her cronies over it? Using it as a doorstop or drink coaster? With that rejection letter in hand, you now know where you stand. No more wondering. No more worry. Of course no more hope either. Time to move on. Next.

2. All it takes is one rejection letter to make you an instant life member of a club whose luminaries include Walt Whitman, J.K. Rowling and Dr. Seuss.
        What published writer has never received a rejection letter? These are our badges of determination. Of striving. And on bad days, of lunacy. Take heart. No one’s, and I mean no one’s, first query snags an agent and a book contract. Unless of course you are Madonna, Jamie Lee Curtis or Fergie.

3. Rejection letters strengthen you, build courage, determination and belief in your work.
        Where would you be if you didn’t rail at your most recent rejection letter: “Agent Babe, you are WRONG! I will NOT make my overweight heroine svelte, my gay character straight or turn my borzoi into a chihuahua!”? Rejection letters give you practice taking a hit and moving on.  Are you going to let one agent’s (or one dozen’s) opinion make you give up your intention to publish your book?  Hell, no.

4. Rejection letters can be stockpiled for future use: wallpaper; bonfire kindling; shredded for an environmentally sound substitute for Styrofoam peanuts.
        Personally, I’m going to turn them into a necklace. My other creative outlet is beaded jewelry. I’ve just found a way to roll paper strips into beads.  I plan to make a necklace from paper strips cut from my rejection letters and wear it to my book signings, the National Book Awards Ceremony and Dinner, and the Academy Awards. OK, OK, I’ll start with the signings and take it from there.

5. The good ones (offering constructive criticism) help you develop as a writer.
        And you will get some good ones in amongst the ones who used your manuscript as coffee coasters and doorstops. Thoughtful rejection letters, in addition to being a balm to your weary writer’s soul, afford the opportunity to revisit your work, to consider it through another’s lens. Such letters may lead you in a new direction.Or you might just add them to your stack of kindling. Good rejection letters are a clue that you are on the right track and getting closer. Take heart.

6. Get a few rejection letters beneath your belt and you can blog authoritatively on sites such as absolutewrite.com's Water Cooler.
        There are more web-based communities devoted to the world of submissions than you can shake a keyboard at. At the abovementioned Water Cooler, bloggers share their agent experiences. Which ones don’t follow through? Which ones are reputable? Which ones should be drawn and quartered for asking for a full and then never getting back to you? Rejection letter in hand, you can add your voice to the fray.  

7. All it takes is one good one to renew your faith in agents.
        Number Seven is a corrolary to Number Five.  There are good agents out there - human beings who love books as much as you do.  Why else would they be in the business of trying to link their authors with publishers? Or take home reams of manuscripts to read over the weekend when they could be training for the New York City Marathon instead? A good rejection letter, whose tone is sincere and offers advice, can revive your flagging spirit.

8. Rejection letters keep the USPS in business.
        The Internet has taken a huge toll on the USPS.  Mail carriers may go the way of the Maytag man. And then what will happen to the stamp designers? To the workers who assemble all those annoying circulars that come thru the slot as fourth class mail? To the Neiman-Marcus Christmas catalog? Rejection letters might mean you can’t quit your day job but they do help others keep theirs.

9. Rejection letters let you know who your true allies are.  
        Are your loved ones sympathetic when a dreaded rejection letter falls through the slot?  Do they bring flowers or send sweet e-mails of encouragement? Or do they chide you and say, “NOW will you get serious and put this silliness away?” Rejection letters let you know who you want on your team in this endeavor.

10. The number of rejection letters you receive is proportional to the euphoria that will envelop you when you do get The Call.
        Think about it.  If an agent signs you up three queries into your search, you’ll be ecstatic. And perhaps kind of blase. But get that call after slugging it out for a year or so and man will success be sweet. So sweet you can taste it even now, can’t you?

Journalist and essayist Debra Darvick
is the author of
This Jewish Life:
Stories of Discovery, Connection and Joy.
Her book,
I Love Jewish Faces (a children's
picture book celebrating Jewish diversity) will
be published by the URJ Press in May '09.
Visit her blog at debradarvick.wordpress.com.


Guest Columns
Bookmark and Share
Wednesday, November 19, 2008 10:33:34 AM (Eastern Standard Time, UTC-05:00)  #  Comments [18]
# Tuesday, November 18, 2008
Is It Nonfiction or Fiction or Memoir or ... ?
Posted by Chuck

Q. I want to write a story about my life (very unusual circumstances), but I can't completely recall all the details with regard to signifigant events: What day was my son taken away from me?  What day did my daughter's father tell me he was arrested by the organized crime unit for being a bookie?
        Also, I'm sure that no one wants me to use their names or the names of businesses that are going to be discussed.  What genre am I going to classify this as?
       - Lori


A. If you're making anything up, it ceases to be nonfiction.  If you make up conversations to create scenes, or you make up names/characters to help the story go along, you're definitely entering the realm of fiction and not nonfiction/memoir. 
       You can certainly use the names of real people and businesses, but everything must be true and you have to be able to prove it if necessary.  When you start to write negative things about people and places, it gets complicated.
       If you're worried about using real names and real timelines, my advice is: Don't.  Draw upon events of your life and create a fictional story.
       "But wait," you say.  "A lot of it is based on real things that happened!"  Yes, I know.  So are many, many other novels.  Yours is no different.  Draw upon your life experiences to write a great story.  And when you're touching on sensitive things, such as mobsters, you will want to make sure that your characters in the book are not too close to real-life figures.  Better safe than sorry.

Memoir | Narrative Nonfiction | Q&A from Blog Readers
Bookmark and Share
Tuesday, November 18, 2008 4:16:12 PM (Eastern Standard Time, UTC-05:00)  #  Comments [1]
If One Agent Says No, Does the Whole Agency Say No?
Posted by Chuck

Q. Many agents make certain stipulations that, rightly or wrongly, one assumes to be common to them all, creating a great deal of confusion for the newcomer.
        These stipulations include: 1) A query must be addressed to an agent by name; they do not like the impersonal dear agent approach. 2) Do not query more than one agent in any one agency at any one time. 3) Finally, many agencies state, and in discursive articles/interviews others indicate that they do not appreciate (some will flatly refuse) simultaneous disclosure to other agents.
        Hence my question is - should one take it that a query can be addressed to any named agent of a multiple-agent agency, and a rejection from that agent should be taken as a rejection from the entire firm? Or, upon rejection from that agent, should one then set about querying the next named agent in the same agency, and so forth?
       - John


A. Complicated question, John.  Most agencies will pass material around to fellow agents.  If you query an agent about a horror book and she passes, she is definitely likely to consider whether Agent So-and-So in the agency, who also reps horror, would enjoy the project.  That stuff happens all the time.  Some agency web sites will flat out tell you: "A rejection from one of us is a rejection from all of us."  Many others are not so straightforward.  When in doubt, I would assume that a rejection from one is a rejection from all.  I tell you this because I believe that if an agent thought it had merit but had to pass on it anyway, they will usually go to a colleague and pass on the work.
       That said, if you want to send the query to a second agent after getting a rejection from the first, in theory, you're only wasting postage or a little time to e-mail, but your chances are slim.

Q&A from Blog Readers
Bookmark and Share
Tuesday, November 18, 2008 4:04:04 PM (Eastern Standard Time, UTC-05:00)  #  Comments [2]
Rappaport Agency Opens
Posted by Chuck

Jenny Rappaport recently left L. Perkins Associates to form her own agency: The Rappaport Agency.  Her new Web site is up, and she recently held a query contest to kick off the new venture.


Here are some query instructions
from Jenny.  See more information
on her Web site.

"Only email queries are currently accepted. Please send your email to queries@rappaportagency.com. Be sure to include the world 'Query' in the subject line, and your contact information in the body of the e-mail.
       Jenny primarily represents science fiction and fantasy, horror, young adult fiction, and romance, along with a few select nonfiction titles.  In science fiction and fantasy, her tastes are very broad, b
ut be careful for cliches. There's so much wonderful material out there to explore that every fantasy novel doesn't need the stereotypical elf, dwarf, and farmboy-turned-world savior, all of whom start their adventure in a bar with tavern wenches. Regarding horror, she prefers the darker, psychological side of things, and she very firmly does not like splatterpunk.
        She represents all types of young adult fiction, but her favorites are the ones that fall into the SFF or horror genres. Regarding romance, she is only looking for historical romances and paranormals (contemporary or historical). She also handles a bit of women's fiction, and is always a sucker for a very good historical novel. Literary fiction is difficult to place with us.
        The Rappaport Agency does not represent picture books, most types of nonfiction, or religious fiction."

Genre Writing | New Agency Alerts | Romance | Science Fiction and Fantasy
Bookmark and Share
Tuesday, November 18, 2008 3:32:47 PM (Eastern Standard Time, UTC-05:00)  #  Comments [1]
How Long is a Novella? And How Do You Query Agents For Them?
Posted by Chuck

Q. What is the average length of a novella?  And is it'pitched' to literary agents the same way novels are 'pitched'?
        - Gene


A. Novellas generally run 20,000-50,000 words.  About 30,000 words is average.  While this number of words would be very common when pitching a nonfiction text, such a length reminds me of tennis lessons in my youth.  My coach would tell me to stand at the back line to volley or approach the net, but never to float in between the areas, because that was "no man's land."
       That's what a novella feels like to me: "no man's land."  Very much too long to be a short story, and very much too short to be a novel. 
       Concerning how to pitch it, Gene, my first advice is to expand it into a novel-length work (at least 80,000 words).  If that's not a possibility, then you can simply look for the few agents out there who do represent things such as novellas and short story collections, then try them.  You would query the same way and the work needs to be finished and polished before you do.  The odds of success here are very, very small.  My best candid advice is to finish this novella and stick it in a drawer.  Then write a few novels, get them published, and gather a moderately loyal readership.  When you do, a publisher will release your novella in a small print run and your loyal readers will gobble it up.  Everyone wins.

Q&A from Blog Readers | Short Stories | Word Count
Bookmark and Share
Tuesday, November 18, 2008 3:24:01 PM (Eastern Standard Time, UTC-05:00)  #  Comments [3]
# Wednesday, November 12, 2008
Writer’s Digest University Event Announced
Posted by Chuck

There's a new writing event here
in Cincinnati.  Check it out!


What:
Writer’s Digest University: Editors’ Intensive.  Your exclusive chance to learn first-hand from publishing experts!

When:
December 13-14, 2008.

Where
Writer’s Digest Headquarters at F+W Media, Inc., 4700 E. Galbraith Road, Cincinnati, OH 45236.

Cost: Single Admission is $199.

More infoFor the first time ever, Writer’s Digest is opening its doors for a brand-new publishing event. That’s right—you’re invited to the heart of WD Headquarters to take part in exclusive panel discussions and manuscript critiques featuring these editors:
  • Jane Friedman, Publisher & Editorial Director, Writer’s Digest
  • Chuck Sambuchino, Editor, Guide to Literary Agents
  • Alice Pope, Editor, Children’s Writer’s & Illustrator’s Market
  • Joe Stollenwerk, Director, WritersOnlineWorkshops.com
During a full-day’s worth of workshops, they’ll give you the insider tips you need to publish your work in today’s competitive market. You’ll learn how to:
        1. Research and identify the right agent
        2. Write a killer one-page query for your novel or book
        3. Write a bulletproof nonfiction book proposal
        4. Avoid sabotaging your career and move faster down the publishing path
        5. Break into the toughest markets and get responses from busy editors and agents

Best of all, you’ll meet one-on-one with a WD editor who will provide a critique of either your query letter and proposal package (up to 50 pages), or the first 50 pages of your manuscript—plus offer a customized list of best-bet markets for selling your work!

Due to the personalized nature of this event, space is limited to only 50 attendees. You will be assigned a 30-minute time slot for discussing your manuscript or proposal with a WD editor. You must submit the material you would like us to review no later than December 8.


Writers' Conferences
Bookmark and Share
Wednesday, November 12, 2008 4:37:21 PM (Eastern Standard Time, UTC-05:00)  #  Comments [3]
# Monday, November 10, 2008
Is It Safe To E-Mail Material?
Posted by Chuck

This is a response to a recent post
(below) about copyright and
protecting your work.

Q: I am puzzled.  You state in your coverage of copyright that a writer should not put text of a manuscript online as it could lead to the lifting (paraphrasing here) of the material by another writer. These days, so many publishers and agents ask that writers do just that: send the first five pages or more in the body of an e-mail. This certainly can lead to this very thing, although I am not the suspicious type. It does happen, doesn't it? Then why are writers asked to put their ideas in jeopardy of this is the case?
      - Sylvia


A: You sound suspicious for not being the suspicious type.
      Regarding my advice to not put portions of your work online, I'm not talking about e-mail.  I'm talking about placing chunks of text (chapters, usually) online on your Web site.  Sending your work in an e-mail, or as an attachment, to an agent or editor is quite safe.  Like I said before, agents and editors don't steal work; writers steal work.
      Putting part of a novel or short story online for no one in particular to see is usually a mistake, because very little good can come from it.


Contracts and Copyrights and Money | Q&A from Blog Readers
Bookmark and Share
Monday, November 10, 2008 11:14:58 PM (Eastern Standard Time, UTC-05:00)  #  Comments [5]
# Thursday, November 06, 2008
Appleseeds Management Closes
Posted by Chuck

Appleseeds Management, a California-based literary and talent agency, is no longer in business.  I got a letter from the founder, S. James Foiles, saying so.

Take note if they were on your "To Query" list.



Closings | Random Updates
Bookmark and Share
Thursday, November 06, 2008 4:22:41 PM (Eastern Standard Time, UTC-05:00)  #  Comments [3]
# Wednesday, November 05, 2008
Networking at Writers' Conferences
Posted by Chuck

Guest Blog Column
by Hanish "Han" Vance

Many fledgling writers understand the value of manuscript reviews and taking classes at a professional writers’ conference, but few understand the true potential impact of networking outside of the traditional formats. If you have a big salesperson personality and tend to meet people easily, networking will be a natural for you. If you're a bit shy and reserved, think of outward communication as part of your job: Bite the bullet and take the initiative to speak to those around you. The majority of those in attendance are aspiring writers like yourself; who more perfect to understand you? A few established writers and industry professionals will be sprinkled in amongst the masses. Guess what? They are normal people with some time to spare and valuable information to willingly dispense. Do not limit this special career opportunity by staying in your shell.

        Study the conference presenter roster beforehand for an overview of who’s who in attendance in the professional ranks. Breaks are a regularly scheduled part of the conference routine. Instead of hanging around your hotel room or quietly reading by yourself during breaks, think of yourself as on the clock. You are working to promote your future products. Have copies of your manuscript synopsis ready to distribute and be yourself, albeit a version of yourself who is visibly willing to make contacts by meeting new people. Position yourself in a well-traveled area and start introducing yourself.
        At my first writers’ conference (the amazing
Harriette Austin Writers’ Conference in Athens, Ga.), I made sure that I was a visible presence in the atrium during all breaks and ended up meeting several key contacts there. As a result, I was able to choose between a select few of those contacts for the best possible professional editor for my memoir manuscript. I wanted to meet various lecturers from my classes, so I was regularly in the atrium where I knew they would pass through. I met everyone on my list and a few new writer colleagues along the way. It was a matter of location, location, location.
        At my second writers’ conference, many of the industry professionals I had briefly met or taken classes from the previous year were again in attendance. I may have learned more from hanging around those folks on breaks then I did from all my classes and my manuscript review. They welcomed me as a fellow smoker in the outside smoking section, and I asked questions and took notes. I don't really smoke, but that day I did. After realizing the value of the information I was getting for free on the first break, I walked to the convenience store and purchased some mini-cigars, which I smoked without inhaling on the rest of the breaks. My throat hurt a little, but it was well worth it.  The point being: You need to be where speakers and attendees are.  That's what you're there for.  If the night is wrapping up and you're exhausted from a long day, you'd still be a fool to turn down an invitation to go out to a bar for drinks with other writers and professionals.  Deals are made in the literary word over drinks in the bar around the corner.
        A break in the conference schedule before dinner was a chance for me to informally bond with the agent who had reviewed my manuscript. The lunch and dinner allowed me to connect with fellow writers, including a special writer friend who for a time called herself my muse. And finally, the late night poetry slam allowed me to showcase my versatility in the world of words while again making a lasting impression on contacts.
        Do not expect long interactions with any individual. Instead, spread yourself around as much as possible and collect the gems of industry wisdom as they come, and remember to write them down. Save and re-read your notes once you are back in the lab trying to create and sell that masterpiece. Above all, get contact information from any key individuals and keep it for when the time is right to use it. In any industry, networking can be the key to ultimate success.

       - Hanish "Han" Vance is a Georgia-based writer and blogger.


Guest Columns | Writers' Conferences
Bookmark and Share
Wednesday, November 05, 2008 3:12:00 PM (Eastern Standard Time, UTC-05:00)  #  Comments [7]
# Tuesday, November 04, 2008
New Agent Alert: Amberly Finarelli of Andrea Hurst Literary
Posted by Chuck

Andrea Hurst Literary Management, a Sacramento-based agency run by the talented Andrea Hurst, has a new official rep, Amberly Finarelli, looking for clients.  She is currently looking for new clients in the following areas:

Nonfiction:
  • humor/gift books
  • crafts
  • how-to (financial, house and home, health and beauty, weddings)
  • Relationships/advice
  • Self-help, psychology
  • Travel writing
  • Narrative nonfiction
Fiction:
  • Commercial women's fiction
  • Comic and cozy mysteries
  • Literary fiction with a focus on the arts, culture, and/or  history
  • Contemporary young adult.
       
        Learn more about Amberly Finarelli on the Andrea Hurst agency site.  Her e-mail is amberly@andreahurst.com.  Submission instructions can be found online. 


Children's Writing | Narrative Nonfiction | New Agency Alerts | Nonfiction
Bookmark and Share
Tuesday, November 04, 2008 2:21:06 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0]