Declaring that you’re planning on writing a trilogy and crafting a successful one are not quite the same thing. Having just completed his own fantasy trilogy, Dan Koboldt shares what he learned in the process, book by book.
Screenwriters Michael Weber and Scott Neustadter dig into details about the development and writing behind their Oscar-nominated comedy, The Disaster Artist.
Even if you’re focused on writing a novel, writing short stories can be a wonderful creativity tool to help you strengthen elements of your fiction, experiment with characters and simply stay loose.
Citing a poem by Langston Hughes, Aaron Bauer reflects on Black History Month as an impetus to search out black authors whose poetry and prose will stick with readers long after February ends.
This video series follows author Jeff Somers (Writing Without Rules, coming from WD Books in May 2018) as he begins and works on a new science fiction novel, tentatively titled Rough Beast.
Are you considering writing a series? Here, Bette Lee Crosby offers some of the benefits and challenges of composing more than one novel in the same universe.
Victoria Laurie hit the ground running with her debut novel Abby Cooper, Psychic Eye, and her career hasn’t slowed down since. She has multiple bestselling titles, and her latest novel, When, has been optioned by Warner Brothers for a TV adaptation. We talked to Laurie about writing mysteries, writing realistic psychics, and...
David Goyer, who co-wrote Batman Begins with director Christopher Nolan, reflects on the creative choices he and Nolan made in bringing the darkest of the DC Comics’ characters to life.
When you're writing a self-help book, make sure to do your research. Here are five tips to help ensure that your nonfiction work holds up against a critical eye.
Ursula K. Le Guin passed away on January 22, 2018 at the age of 88. In May 2001 2001, Writer's Digest had the honor of speaking with Le Guin about her process, her inspiration and her impressive body of work. Read the story here.
Story analyst Joel Haber explains the process of adaptation: How it’s done, and how practice makes perfect. If you're a screenwriter or novelist, Haber's insights are a must-read.
Laura Oles discusses her considerations for transforming her favorite weekend getaway, Port Aransas, Tex., into a setting for her mystery novel.
Writer-director Douglas McGrath chats about "shrinking" Dickens' classic, Nicholas Nickleby, into a Golden Globe nominee.
New York Times bestselling author Lisa Genova writes novels chronicling the fate of ordinary people who are diagnosed with extraordinary and often fatal neurological diseases.
The Third Act can make or break your screenplay. As films explore new territory in terms of plot and storytelling, the craft of writing them becomes more of a challenge.
Having trouble getting started on writing your life story? Answer these ten easy writing prompts, and the answers will be the framework to your story.
Today is the anniversary of J.R.R. Tolkien's birthday in 1892. Watch this video to learn what inspired the creation of his iconic novel The Hobbit.
January 1, 2018 is the 200th anniversary of the publication of Frankenstein by Mary Wollstonecraft Shelley in 1818. At the time of its publication, Shelley was only 20 years old. Discover more interesting facts about her iconic novel in this video.
This interview from the February 2010 issue of Writer's Digest is posted in fond memory of the late Sue Grafton, who passed away on December 28, 2017.
The timeless children’s classic, The Story of Ferdinand by Munro Leaf, was written on a Sunday afternoon in 1935. Here's what writers can learn from it.
The most convincing romantic stories are those that feel natural. Learn how to write romance scenes and romance novels without using the word "love."
Jeremy Robinson examines the differences between the genres of science fiction and fantasy. Knowing these differences is critical for any screenwriter or author in these genres.
We like to think and talk a great deal about protagonists and antagonists, and that’s not a bad way to look at things, exactly. But it’s vital to realize that those two terms are purely a matter of perspective.
Should you write a memoir, or write a novel "based on a true story"? Here, Joan Jackson offers four advantages to fictionlizing the truth.
Doug Richardson, writer of Die Hard 2, Bad Boys and Hostage, takes an author through the process of book to film and what an author can expect when working with Hollywood.